Ya ‘Ayb al-Shoum: Scenes of Auto/Bio/Graphy and Shame in Nadine Naous’s Home Sweet Home

References

• Accad, Evelyne. Sexuality and War: Literary Masks of the Middle East. New York: New York Uni Press, 1990.
   Google Scholar
• Aghacy, Samira. Masculine Identity in the Fiction of the Arab East Since 1967. New York: Syracuse Uni Press, 2009.
   Google Scholar
• Ahmed, Sara. “The Politics of Bad Feeling.” Australian Critical Race and Whiteness Studies Association 1 (2005): 72–85. http://www.acrawsa.org.au/files/ejournalfiles/101SaraAhmed.pdf
   Google Scholar
• Ahmed, Sara. “The Politics of Good Feeling.” Australian Critical Race and Whiteness Studies Association 4.1 (2008): 1–18. http://www.acrawsa.org.au/files/ejournalfiles/57acrawsa5-1.pdf
   Google Scholar
• Al Jallad, Nader. “The Concept of ‘shame’ in Arabic: Bilingual Dictionaries and the Challenge of Defining Culture-Based Emotions.” Language Design 12 (2010) 31–57.
   Google Scholar
• Benedict, Ruth. The Chrysanthemum and the Sword: Patterns of Japanese Culture. Boston: Mariner Books, 2005.
   Google Scholar
• Bewes, Timothy. The Event of Postcolonial Shame. Princeton: Princeton Uni Press, 2011.
   Google Scholar
• Cavarero, Adriana. Relating Narratives: Storytelling and Selfhood. Trans. by Paul A. Kottman. London: Routledge, 2000.
   Google Scholar
• Cavarero, Adriana. For More Than One Voice: Toward a Philosophy of Vocal Expression. Trans. by Paul A. Kottman. Stanford: Stanford Uni Press, 2005.
   Google Scholar
• Cooke, Miriam. Wars Other Voices: Women Writers on the Lebanese Civil War. Cambridge: Cambridge Uni Press, 1988.
   Google Scholar
• Cooke, Miriam. Women and the War Story. Berkeley: Uni of California Press, 1997.
   Google Scholar
• Dalziell, Tanya, and Lee-Von Kim. “Self-regarding: Looking at Photos in Life Writing.” Editorial for a special issue of Life Writing 12.4 (2015): 377–381. doi: 10.1080/14484528.2015.1084580
   Web of Science ®Google Scholar
• Das, Santanu. “Reframing Life/War ‘Writing’: Objects, Letters and Songs of Indian Soldiers, 1914–1918.” In Textual Practice 29.7 (2015): 1265–1287. doi: 10.1080/0950236X.2015.1095446
   Web of Science ®Google Scholar
• Diprose, Rosalyn. Corporal Generosity: On Giving With Nietzsche, Merleau-Ponty, and Levinas. New York: State Uni of New York Press, 2002.
   Google Scholar
• Ghoussoub, Mai, and Elizabeth Sinclair-Webb, eds. Imagined Masculinities: Male Identity and Culture in the Modern Middle East. London: Saqi Books, 2006.
   Google Scholar
• Gilmore, Leigh. The Limits of Autobiography: Trauma, and Testimony. Ithaca: Cornell Uni Press, 2001.
   Google Scholar
• Grundey, Adam. “Nadine Naous Mines Family Drama in ‘Home Sweet Home’”. TRIPLEW.ME, December 23, 2014. http://www.triplew.me/en/news/nadine-naous-mines-family-drama-in-%E2%80%98home-sweet-home%E2%80%99.html
   Google Scholar
• Hout, Syrine. Post-War Anglophone Lebanese Fiction: Home Matters in the Diaspora. Edinburgh: Edinburgh Uni Press, 2012.
   Google Scholar
• Moore-Gilbert, Bart. Postcolonial Life-Writing: Culture, Politics and Self-Representation. London: Routledge, 2009.
   Google Scholar
• Nietzsche, Friedrich. On the Genealogy of Morals. Trans. by Walter Kaufmann and R. J. Hollingdale. New York: Vintage, 1989.
   Google Scholar
• Nikro, Norman Saadi. The Fragmenting Force of Memory: Self, Literary Style, and Civil War in Lebanon. Newcastle upon Tyne: Cambridge Scholars Publishers, 2012.
   Google Scholar
• Nikro, Norman Saadi. “Inhabiting Photography: Between Medium and Mediality”. In Critical Habitations: Thinking About the Here and Now of Cultural Studies. 13 July 2015. https://criticalhabitations.wordpress.com/debate/saadi-nikro-inhabiting-photography-between-medium-and-mediality/
   Google Scholar
• Pasternak, Gil. “Taking Snapshots, Living the Picture: The Kodak Company’s Making of Photographic Biography.” In Dalziell and Kim, Life Writing 12.4 (2015): 431–446. doi: 10.1080/14484528.2015.1084604
   Web of Science ®Google Scholar
• Reynolds, Dwight F. ed. Interpreting the Self: Autobiography in the Arabic Literary Tradition. Berkeley: University of California Press, 2001.
   Google Scholar
• Said, Edward. “ Foreword”. In Trans. Maia Tabet. Little Mountain. Ed. Elias Khoury. Minneapolis: Uni of Minnesota Press, 1989. ix–xxi.
   Google Scholar
• Saleh, Lena. Culture Program. France 24. http://www.france24.com/ar/20151103-نادين-حوار-ثقافة‎-مدرسة-فلسطين-لبنان-فيلم-سينما-نعوس?
   Google Scholar
• Sebbar, Leïla. Arabic as a Secret Song. Trans. Skyler Artes. Charlottesville: Uni of Virginia Press, 2015.
   Google Scholar
• Smith, Sidonie, and Julia Watson. “Introduction: Situating Subjectivity in Women’s Autobiographical Practices”. In Women, Autobiography, Theory: A Reader. Eds. Smith and Watson. Wisconsin: Uni of Wisconsin Press, 1998.
   Google Scholar
• Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke Uni Press, 2003.
   Google Scholar
• Varner Gunn, Janet. Autobiography: Towards a Poetics of Experience. Pennsylvania: Uni of Pennsylvania Press, 1982.
   Google Scholar