Reading and Seeing Women’s Life Writing Through Adrienne Rich in Alison Bechdel’s Are You My Mother?

References

• Ball, David M. 2013. “Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home.” In Drawing from Life: Memory and Subjectivity in Comic art, edited by Jane Tolmie, 3–25. Jackson: University Press of Mississippi.
   Google Scholar
• Bechdel, Alison. 1998. The Indelible Alison Bechdel: Confessions, Comix, and Miscellaneous Dykes to Watch out for. Ithaca: Firebrand Books.
   Google Scholar
• Bechdel, Alison. 2005. Letter to Helen Bechdel, May 6. Alison Bechdel Papers, Sophia Smith Collection, Smith College, Northampton, MA.
   Google Scholar
• Bechdel, Alison. 2008. Wait! Alison Bechdel blog, May 15. http://dykestowatchoutfor.com/wait.
   Google Scholar
• Bechdel, Alison. 2009a. “Cartoonist’s Introduction.” In The Essential Dykes to Watch out for, x, xiii, xvi–xvii. London: Jonathan Cape.
   Google Scholar
• Bechdel, Alison. 2009b. Letter to Helen Bechdel, December 16. Alison Bechdel Papers, Sophia Smith Collection, Smith College, Northampton, MA.
   Google Scholar
• Bechdel, Alison. 2010a. Subconscious. Alison Bechdel blog, January 18. http://dykestowatchoutfor.com/unconscious.
   Google Scholar
• Bechdel, Alison. 2010b. The deep element. Alison Bechdel blog, January 20. http://dykestowatchoutfor.com/the-deep-element.
   Google Scholar
• Bechdel, Alison. 2011a. Letter to Helen Bechdel, June 3. Alison Bechdel Papers, Sophia Smith Collection, Smith College, Northampton, MA.
   Google Scholar
• Bechdel, Alison. 2011b. Letter to Helen Bechdel, October 13. Alison Bechdel Papers, Sophia Smith Collection, Smith College, Northampton, MA.
   Google Scholar
• Bechdel, Alison. 2012a. Adrienne Rich. Alison Bechdel blog, March 29. http://dykestowatchoutfor.com/adrienne-rich.
   Google Scholar
• Bechdel, Alison. 2012b. Are you my Mother?: A Comic Drama. New York: Mariner Books.
   Google Scholar
• Bechdel, Alison. 2012c. Tribute to Adrienne Rich—10-28-12—Alison Bechdel. YouTube, November 19. http://www.youtube.com/watch?v = cY0Ob9PuLSc.
   Google Scholar
• Bechdel, Alison. n.d. Draft of Are you my mother? Alison Bechdel Papers, Sophia Smith Collection, Smith College, Northampton, MA.
   Google Scholar
• Bechdel, Alison, and June Thomas. 1988. “Drawing on the Lesbian Community: An Interview with Alison Bechdel.” Off Our Backs 18 (8): 1–14.
   Google Scholar
• Bennett, Tamryn. 2014. “Comics Poetry: Beyond ‘Sequential Art’.” Image & Narrative 15 (2): 106–123.
   Google Scholar
• Bradway, Tyler. 2019. “Inchoate Kinship: Psychoanalytic Narrative and Queer Relationality in Are you my Mother?” In The Comics of Alison Bechdel: From the Outside in, edited by Janine Utell, 148–164. Jackson: University Press of Mississippi.
   Google Scholar
• Camponovo, William J. 2020. ‘“An instrument in the shape / of a woman”: Reading as re-vision in Adrienne Rich’. Ph.D. diss. New York: Graduate Centre of the City University of New York.
   Google Scholar
• Clewell, Tammy. 2017. “Beyond Psychoanalysis: Resistance and Reparative Reading in Alison Bechdel’s Are you my Mother?” PMLA 132 (1): 51–70.
   Google Scholar
• Freedman, Ariela. 2009. “Drawing on Modernism in Alison Bechdel’s Fun Home.” Journal of Modern Literature 32 (4): 125–140.
   Google Scholar
• Galvan, Margaret. 2016. “Thinking Through Thea: Alison Bechdel’s Representations of Disability.” In Disability in Comic Books and Graphic Narratives, edited by Chris Foss, Jonathan W. Gray, and Zach Whalen, 187–202. New York: Palgrave Macmillan.
   Google Scholar
• Howard, Yetta. 2019. “The Experimental Interiors of Alison Bechdel’s Are you my Mother?” In The Comics of Alison Bechdel: From the Outside in, edited by Janine Utell, 135–147. Jackson: University Press of Mississippi.
   Google Scholar
• Kelp-Stebbins, Katherine. 2020. “Fun Home and Are you my Mother? as Autotopography: Queer Orientations and the Politics of Location.” In The Comics of Alison Bechdel: From the Outside in, edited by Janine Utell, 181–196. Jackson: University Press of Mississippi.
   Google Scholar
• Lydenberg, Robin. 2017. “Reading Lessons in Alison Bechdel’s Fun Home: A Family Tragicomic.” College Literature 44 (2): 133–165.
   Web of Science ®Google Scholar
• MariNaomi. 2018. “The Rumpus Interview with Alison Bechdel—Sections II–X.” In Alison Bechdel: Conversations, edited by Rachel R. Martin, 64–71. Jackson: University Press of Mississippi.
   Google Scholar
• Martin, Rachel R., ed. 2018. Alison Bechdel: Conversations. Jackson: University Press of Mississippi.
   Google Scholar
• McCloud, Scott. 1994. Understanding Comics: The Invisible art. New York: William Morrow.
   Google Scholar
• Pearl, Monica B. 2015. “Lesbian Autobiography and Memoir.” In Cambridge Companion to Lesbian Literature, edited by Jodie Medd, 169–187. New York: Cambridge University Press.
   Google Scholar
• Pizzino, Christopher. 2016. Arresting Development: Comics at the Boundaries of Literature. Austin: University of Texas Press.
   Google Scholar
• Rich, Adrienne. 1971. “The Blue Ghazals.” In The Will to Change: Poems 1968-1970, 20–24. New York: Norton.
   Google Scholar
• Rich, Adrienne. 1972. “When we Dead Awaken: Writing as re-Vision.” College English 34 (1): 18–30.
   Google Scholar
• Rich, Adrienne. 1993a. “Diving Into the Wreck.” In Adrienne Rich’s Poetry and Prose, edited by Barbara Charlesworth Gelpi, and Albert Gelpi, 53–55. New York: Norton.
   Google Scholar
• Rich, Adrienne. 1993b. “From a Survivor.” In Adrienne Rich’s Poetry and Prose, edited by Barbara Charlesworth Gelpi, and Albert Gelpi, 59–60. New York: Norton.
   Google Scholar
• Rich, Adrienne. 1994. “Compulsory Heterosexuality and Lesbian Existence.” In Blood, Bread, and Poetry: Selected Prose 1979-1985, 23–75. New York: Norton.
   Google Scholar
• Rich, Adrienne. 2003. What is Found There: Notebooks on Poetry and Politics. New York: Norton.
   Google Scholar
• Rüggemeier, Anne. 2016. “Posing for all the Characters in the Book’: The Multimodal Processes of Production in Alison Bechdel’s Relational Autobiography Are you my Mother?” Journal of Graphic Novels and Comics 7 (3): 254–267.
   Google Scholar
• Sousanis, Nick. 2015. Unflattening. Cambridge: Harvard University Press.
   Google Scholar
• Swisher, Kara. 2018. “Alison Bechdel, Onstage and on Recode Decode.” In Alison Bechdel: Conversations, edited by Rachel R. Martin, 96–114. Jackson: University Press of Mississippi.
   Google Scholar
• Vendler, Helen. 1973. “Ghostlier Demarcations, Keener Sounds.” Parnassus 2 (1): 5–33.
   Google Scholar
• Watson, Julia. 2008. “Autographic Disclosures and Genealogies of Desire in Alison Bechdel’s Fun Home.” Biography 31 (1): 27–58.
   Web of Science ®Google Scholar
• Watson, Julia. 2012. “The Pleasures of Reading in Alison Bechdel’s Fun Home.” Life Writing 9 (3): 303–314.
   Web of Science ®Google Scholar
• Whitlock, Gillian. 2006. “Autographics: The Seeing ‘I’ of the Comics.” Modern Fiction Studies 52 (4): 965–979.
   Web of Science ®Google Scholar
• Woolf, Virginia. 2005. A Room of One’s own, ed. Mark Hussey. New York: Harcourt.
   Google Scholar
• Zuarino, John. 2018. “An Interview with Alison Bechdel.” In Alison Bechdel: Conversations, edited by Rachel R. Martin, 39–44. Jackson: University Press of Mississippi.
   Google Scholar