References
- Bartmanski, Dominik. 2015. “Refashioning Sociological Imagination: Linguality, Visuality and the Iconic Turn in Cultural Sociology.” Chinese Journal of Sociology 1 (1): 136–161. doi:10.1177/2057150X15570536.
- Bestley, Russell, and Ian Noble. 2016. Visual Research: An Introduction to Research Methods in Graphic Design. London, UK: Bloomsbury Publishing.
- Bryman, Alan. 2015. Social Research Methods. Oxford, UK: Oxford University Press.
- Buchanan, Richard. 2001. “Design Research and the New Learning.” Design Issues 17 (4): 3–23. doi:10.1162/07479360152681056.
- Candy, Linda. 2006. “Practice Based Research: A Guide.” CCS Report 1: 1–19.
- Cochran, William G. 2007. Sampling Techniques. New York: John Wiley & Sons.
- Rose, Gillian. 2014. “On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture.” The Sociological Review 62 (1): 24. doi:10.1111/1467-954X.12109.
- Green, Rebecca S. 2015. “The Role of Aesthetic Style in the Visual Communication of Climate Change.” PhD diss., Queensland University of Technology, Brisbane, Australia.
- Guo, Danying. 2016. “Preliminary Analysis on Ancient Tea Storage and Packaging.” Journal of Tea 33 (1): 52–55.
- Haseman, Brad. 2006. “A Manifesto for Performative Research.” Media International Australia Incorporating Culture and Policy 118 (1): 98–106. doi:10.1177/1329878X0611800113.
- Helmers, Marguerite H. 2006. The Elements of Visual Analysis. Harlow, UK: Pearson Longman.
- Jiang, Wei. 2017. “Visual Analysis for Creative Graphics in Ads.” Collection 17: 039.
- Leong, Benny Ding, and Hazel Clark. 2003. “Culture-Based Knowledge towards New Design Thinking and Practice: A Dialogue.” Design Issues 19 (3): 48–58. doi:10.1162/074793603768290838.
- Li, Dan. 2008. “Prospect of Cultural Globalization and Construction of Harmonious World.” Journal of Renmin University of China 1: 105–111.
- Danhua, Li. 2009. Exploring Artistic Conception in Contemporary Chinese Graphic Design. Suzhou, China: Suzhou University.
- Li, Minghui. 2015. “Traditional Patterns in the Chinese Contemporary Graphic Design.” Jiangsu Vocational and Technical College, 4.
- Lu, Shaoyou. 2013. “Modern and National Character in Graphic Design.” Journal of Decoration (Zhuangshi) 4: 6–7.
- Margolis, Eric, and Luc Pauwels. 2011. The Sage Handbook of Visual Research Methods. New York: SAGE.
- Mir, Raza, and Andrew Watson. 2001. “Critical Realism and Constructivism in Strategy Research: Toward a Synthesis.” Strategic Management Journal 22 (12): 1169–1173. doi:10.1002/smj.200.
- Myers, Michael D. 2013. Qualitative Research in Business and Management. New York: SAGE.
- Pieterse, Jan Nederveen. 2015. Globalization and Culture: Global Mélange. Lanham, MD: Rowman & Littlefield.
- Qiao, Yu. 2018. “Chinese Traditional Pattern Research.” Packaging Engineering 39 (8): 250–255.
- Rose, Gillian. 2016. Visual Methodologies: An Introduction to Researching with Visual Materials. New York: SAGE.
- Schön, Donald A. 1991. The Reflective Practitioner: How Professionals Think in Action. Vol. 5126. New York: Basic Books.
- Song, Xiaojing. 2015. “Aesthetics of Chinese Auspicious Pattern of Inheritance and Innovation in Modern Design.” Literary Life 9: 126–126.
- Wang, Junliang. 2017. “Application of National Culture Elements in Product Design.” Journal of Inspiration 2017 (7): 136.
- Welch, Patricia. 2013. Chinese Art: A Guide to Motifs and Visual Imagery. Clarendon, VT: Tuttle Publishing.
- Wu, Dongling. 2011. “Analysis of Chinese Traditional Culture and Modern Product Design.” Journal of Industrial Design 11: 93–93.