644
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

Generative music video composition: using automation to extend creative practice

&

References

  • Brooks, Kevin Michael. 1999. “Metalinear Cinematic Narrative: Theory, Process, and Tool.” PhD diss., Massachusetts Institute of Technology.
  • Brown, Andrew R. 1999. “Tools and Outcomes: Computer Music Systems and Musical Directions.” Imaginary Space: The proceedings of the Australasian Computer Music Conference, 16–22. Wellington, NZ: The Australasian Computer Music Association.
  • Chambel, Teresa, Luís Correia, Jônatas Manzolli, Goncalo Dias Miguel, Nuno A. C. Henriques, and Nuno Correia. 2007. “Creating Video Art with Evolutionary Algorithms.” Computer & Graphics 31: 837–847. doi: 10.1016/j.cag.2007.08.004
  • Chen, Fan, Damien Delannay, and Christophe de Vleeschouwer. 2011. “An Autonomous Framework to Produce and Distribute Personalized Team-Sport Video Summaries: A Basket-Ball Case Study.” IEEE Transactions on Multimedia 13: 1281–1394.
  • Cisco. 2012. “The Zettabyte Era.” Accessed May 19, 2013. http://www.cisco.com/en/US/solutions/collateral/ns341/ns525/ns537/ns705/ns827/VNI_Hyperconnectivity_WP.html.
  • Clark, Andy. 2003. Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence. Oxford: Oxford University Press.
  • De Lima, Edirlei Soares, Bruno Feijó, Antonio L. Furtado, and Cesar Pozzer. 2012. “Automatic Video Editing for Video-Based Interactive Storytelling.” Multimedia and Expo (ICME), 2012 IEEE International Conference, Melbourne, 806–811. http://ieeexplore.ieee.org/xpl/articleDetails.jsp?tp=&arnumber=6298502&url=http%3A%2F%2Fieeexplore.ieee.org%2Fxpls%2Fabs_all.jsp%3Farnumber%3D6298502
  • Engelbart, Douglas. 2003. “Augmenting Human Intellect.” In The New Media Reader, edited by Noah Wardrip-Fruin and Nick Montfort, 93–108. Cambridge, MA: MIT Press.
  • Foote, Jonathan, Matthew Cooper, and Andreas Girgensohn. 2002. “Creating Music Videos using Automatic Media Analysis.” Proceedings of the 10th ACM international conference on Multimedia, 553–560. New York: ACM Press.
  • Frith, Simon, Andrew Goodwin, and Lawrence Grossberg. 1993. Sound and Vision: The Music Video Reader. New York: Routledge.
  • Goodwin, Andrew. 1992. Dancing in the Distraction Factory: Music Television and Popular Culture. Minneapolis, MN: University of Minnesota Press.
  • Heidegger, Martin. 1977. The Question Concerning Technology and Other Essays. New York: Harper & Row.
  • Helvey, T. C. 1971. The Age of Information: An Interdisciplinary Survey of Cybernetics. Englewood Cliffs, NJ: Educational Technology Publications.
  • Hickman, Larry A. 1990. John Deweys Pragmatic Technology. Bloomington, IN: Indiana University Press.
  • Hua, Xian-Sheng, Lie Lu, and Hong-Jiang Zhang. 2004. “Optimization-Based Automated Home Video Editing System.” IEEE Transactions on Circuits and Systems for Video Technology 14: 572–583. doi: 10.1109/TCSVT.2004.826750
  • Jhally, Sut. 1995. “Image-Based Culture: Advertising and Popular Culture.” In Gender, Race, and Class in Media, edited by Gail Dines and Jean M. Humez, 77–87. Thousand Oaks, CA: Sage.
  • Kosmopoulos, D. I., A. Doulamis, A. Makris, N. Doulamis, S. Chatzis, and E. Middleton. 2009. “Vision-Based Production of Personalized Video.” Signal Processing: Image Communication 24 (3): 158–176.
  • Kubicek, Radek, Pavel Zak, Pavel Zemcik, and Adam Herout. 2009. “Automatic Video Editing for Multimodal Meetings.” In Lecture Notes in Computer Science, edited by Leonard Bolc, Juliusz L. Kulikowski and Konrad Wojciechowski, 260–269. Berlin, Heidelberg: Springer.
  • Leggett, Mike, and Zafa Bilda. 2008. “Exploring Design Options for Interactive Video with the Mnemovie Hypervideo System.” Design Studies 29: 587–602. doi: 10.1016/j.destud.2008.07.008
  • Licklider, J. C. R. 2003. “Man–Computer Symbiosis.” In The New Media Reader, edited by Noah Wardrip-Fruin and Nick Montfort, 73–82. Cambridge, MA: MIT Press.
  • Manovich, Lev. 2001. The Language of New Media. Cambridge, MA: MIT Press.
  • McLuhan, Marshall. 2001. Understanding Media: The Extensions of Man. London: Routledge.
  • Morse, Margaret. 1986. “Postsynchronizing Rock Music and Television.” Journal of Communication Inquiry 10 (15): 15–28. doi: 10.1177/019685998601000102
  • Nack, Frank Michael. 1996. “AUTEUR: The Application of Video Semantics and Theme Representation for Automated Film Editing.” PhD diss., University of Lancaster.
  • Nelson, Theodor H. 1987. “Dream Machines.” In Computer lib/Dream Machines, by Theodor H. Nelson, Redmond, WA: Tempus Books of Microsoft Press.
  • Vernallis, Carol. 2004. Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia University Press.
  • Whitelaw, Mitchell. 2004. Metacreation: Art and Artificial Life. Cambridge, MA: MIT Press.
  • Williams, Kevin. 2003. Why I [Still] Want My MTV. Cresskill, NJ: Hampton Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.