2,242
Views
6
CrossRef citations to date
0
Altmetric
Introduction

Field creativity and post-anthropocentrism

References

  • Alekhine, Alexander. [1928] 1929. “Préface: Les deux formes de l'art aux échecs.” [Foreword: The Two forms of Chess Art]. In Mes problèmes et études d'échecs [Chess Problems and Studies], edited by Fred Lazard, vii–ix. Paris: Librarie “de la Stratégie.”
  • Anand, Viswanathan. 2008. “Chess is Like Acting.” http://en.chessbase.com/post/vishy-anand-che-is-like-acting-.
  • Aycock, Alan D. 1988. “‘Gens Una Sumus’: Play as Metaculture.” Play & Culture 1 (2): 124–137.
  • Aycock, Alan D. 1990. “Play Without Players, Players Without Play: The World Computer Chess Championship.” Play & Culture 3 (2): 133–145.
  • Aycock, Alan D. 1998. “Owning Up: Bourdieu and Commodified Play in the USCF.” In Diversions and Divergences in Fields of Play, edited by M. C. Duncan, G. E. Chick, and A. Aycock, 253–274. Greenwich, CT: Ablex Publishing.
  • Barron, Frank X. 1995. No Rootless Flower: An Ecology of Creativity. Cresskill, NJ: Hampton Press.
  • Barskiy, Vladimir, and Maria Fominykh (Барский, Владимир and Мария Фоминых). 2010. “'Rybka’ povtoryaet moi khody: interv'yu s Evgeniem Sveshnikovym.” («Рыбка» повторяет мои ходы; интервью с Евгением Свешниковым) [Rybka Repeates my Moves: An Interview with Evgeny Sveshnikov]. http://chesspro.ru/_events/2010/sveshnikov.html.
  • Baumeister, Roy F. 2005. The Cultural Animal: Human Nature, Meaning, and Social Life. Oxford: Oxford University Press.
  • Becker, Howard S. 2008. Art Worlds. Berkeley: University of California Press.
  • Botvinnik, Mikhail (Ботвинник, Михаил). 1987[1960]. “Iskussto li shakhmaty?” (Искусство ли шахматы?) [Is chess art?]. In Analiticheskie i kriticheskie raboty 1928–1986. Stat'i i vospominaniya (Аналитические и критические работы 1928–1986. Статьи и воспоминания) [Analytical and Critical Works 1928–1986. Articles and Reminiscences] Mikhail Botvinnik (Михаил Ботвинник), 77–87. Moskva: Fizkul'tura i sport.
  • Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on Art and Literature. Translated by R. Johnson. Cambridge: Polity.
  • Clark, Andy. 2003. Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence. Oxford, NY: Oxford University Press.
  • Cohen, Leonora M. 1989. “A Continuum of Adaptive Creative Behaviors.” Creativity Research Journal 2 (3): 169–183. doi: 10.1080/10400418909534313
  • ComputerChess. 2016. “Computer Chess Rating List.” http://computerchess.org.uk/ccrl/404/cgi/compare_engines.cgi?family=Stockfish&print=Rating+list&print=Results+table&print=LOS+table&print=Ponder+hit+table&print=Eval+difference+table&print=Comopp+gamenum+table&print=Overlap+table&print=Score+with+com.
  • Csikszentmihalyi, Mihaly. 2014. “Society, Culture, and Person: A Systems View of Creativity.” In The Systems Model of Creativity: The Collected Works of Mihaly Csikszentmihalyi, edited by M. Csikszentmihalyi, 47–61. Dordrecht: Springer.
  • Dennett, Daniel C. 1996. Kinds of Minds: Toward and Understanding of Consciousness. New York: Basic Books.
  • Desjarlais, Robert R. 2011. Counterplay: An Anthropologist at the Chessboard. Berkeley: University of California Press.
  • Dickie, Geogre. 1969. “Defining Art.” American Philosophical Quarterly 6 (3): 253–256.
  • Dvoretsky, Mark. 2007. “The Driving Forces of Opening Revolutions.” In Garry Kasparov on Modern Chess: Part One: Revolution in the 70s, edited by G. Kasparov, 376–380. London: Everyman Chess.
  • Elo, Arpad E. 1978. The Rating of Chessplayers, Past and Present. London: Batsford.
  • Fainshtein, Fridel, and Yaakov HaCohen-Kerner. 2006. “A Chess Composer of Two-Move Mate Problems.” International Computer Games Association (ICGA) Journal 29 (1): 3–23.
  • Fédération Internationale des Echecs. 2012. “AGON Releases New Chess Player Statistics from YouGov.” http://www.fide.com/component/content/article/1-fide-news/6376-agon-releases-new-chess-player-statistics-from-YouGOV-Fide.
  • Feldman, David H., Mihaly Csikszentmihalyi, and Howard Gardner. 1994. Changing the World: A Framework for the Study of Creativity. Westport, CT: Praeger.
  • Fine, Gary Alan. 2013. “Sticky Cultures: Memory Publics and Communal Pasts in Competitive Chess.” Cultural Sociology 7 (4): 395–414. doi: 10.1177/1749975512473460
  • Gan, Nectar, and Zhen Liu. 2016. “ ‘No More Weird Architecture’: Chinese Directive Draws Line in the Sand on ‘Strange’ Buildings.” South China Morning Post, February 26. http://www.scmp.com/news/china/policies-politics/article/1915125/no-more-weird-architecture-chinese-directive-draws-line.
  • Gezari, Janet K., and William K. Wimsatt. 1979. “Vladimir Nabokov: More Chess Problems and the Novel.” Yale French Studies, no. 58: 102–115. doi: 10.2307/2929973
  • Glăveanu, Vlad Petre. 2014. Distributed Creativity: Thinking Outside the Box of the Creative Individual. New York: Springer.
  • de Groot, Adrianus D. [1965] 1978. Thought and Choice in Chess. 2nd ed. The Hague: Mouton.
  • Gunter, Pete A. Y. 1985. “Creativity and Ecology.” In Creativity in Art, Religion and Culture, edited by M. H. Mitias, 107–116. Amsterdam: Rodopi.
  • Gurvich, Abram (Гурвич, Абрам). 1955. “Shakhmatnaya poeziya.” (Шахматная поэзия) [Chess Poetry] In Sovetskiy shakhmatnyy etyud (Советский шахматный этюд) [Soviet Chess Study] Aleksandr Kazantseb, Rafael’ Kofman and Mark Liburkin (Александр Казанцев, Рафаэль Кофман and Марк Либуркин), 7–107. Moskva: Fizkul'tura i sport.
  • Hooper, David, and Ken Whyld. [1984] 1996. The Oxford Companion to Chess. 2nd ed. Oxford: Oxford University Press.
  • Iqbal, Azlan. 2015. “Chesthetica Composes Longer Mates!” http://en.chessbase.com/post/chesthetica-composes-longer-mates.
  • Iqbal, Azlan, and Mashkuri Yaacob. 2008. “Advanced Computer Recognition of Aesthetics in the Game of Chess.” World Scientific and Engineering Academy and Society (WSEAS) Transactions on Computers 7 (5): 497–510.
  • Jagodzinski, Jan. 2013. “Creativity as Designer Capitalism: Deleuze|Guattarian Interventions.” In Handbook of Research on Creativity, edited by K. Thomas and J. Chan, 112–124. Cheltenham: Edward Elgar.
  • Kasparov, Garry. 2010. “The Chess Master and the Computer.” The New York Review of Books 57 (2). http://www.nybooks.com/articles/2010/02/11/the-chess-master-and-the-computer/.
  • Kasparov, Garry, and Mig Greengard. 2007. How Life Imitates Chess. London: William Heinemann.
  • Kasparov, Garry, and Donald Trelford. 1987. Child of Change: The Autobiography of Garry Kasparov. London: Hutchinson.
  • Kaufman, James C., and Robert J. Sternberg, eds. 2010a. The Cambridge Handbook of Creativity. New York: Cambridge University Press.
  • Kaufman, James C., and Robert J. Sternberg. 2010b. “Constraints on Creativity: Obvious and Not So Obvious.” In The Cambridge Handbook of Creativity, edited by J. C. Kaufman and R. J. Sternberg, 467–482. New York: Cambridge University Press.
  • Kostinskiy, Aleksander (Костинский, Александр). 2002. “Kompyuternye programmy, kak konets sportivnykh shakhmat: razgovor s Mikhailom Donskim i Aleksandrom Bitmanom.” (Компьютерные программы, как конец спортивных шахмат: разговор с Михаилом Донским и Александром Битманом) [Computer Programs as the End of Competitive Chess: A Conversation with Michail Donskoy and Alexander Bitman]. http://www.svoboda.org/content/transcript/24203756.html.
  • Lasker, Emanuel. [1925] 2008. Lasker’s Manual of Chess. Milford, CT: Russell Enterprises.
  • Lipton, Michael, R. C. O. Matthews, and John M. Rice. 1963. Chess Problems: Introduction to an Art. London: Faber.
  • Margulies, Stuart. 1977. “Principles of Beauty.” Psychological Reports 41 (1): 3–11. doi: 10.2466/pr0.1977.41.1.3
  • Mason, James. 1900. Social Chess: A Collection of Short and Brilliant Games with Historical and Practical Illustrations. London: Horace Cox.
  • Matanović, Alexander. 1974–1979. Encyclopedia of Chess Openings (Vols. A-E). Belgrade: Sahovski Informator.
  • Matanović, Alexander. 1980. Encyclopedia of the Middle Game in Chess. Belgrade: Sahovski Informator.
  • Matanović, Alexander. 1982–1993. Encyclopedia of Chess End Games. Belgrade: Sahovski Informator.
  • Mayzelis, Il'ya (Майзелис, Илья). 1973. “Emanuel Lasker i ego kniga.” (Эммануил Ласкер и его книга) [Emanuel Lasker and his Book] In Kak Viktor stal shakhmatistom (Как Виктор стал шахматистом) [How Victor became a Chess Player] Il'ya Mayzelis (Илья Майзелис), 111–142. Moskva: Detskaya literatura.
  • Myers, David. 2012. “What Chess Games and Chess Problems Tell Us about Digital Games and Art?” Digital Creativity 23 (3/4): 260–271. doi: 10.1080/14626268.2012.719197
  • Nabokov, Vladimir. 1970. Poems and Problems. New York: McGraw-Hill.
  • Nabokov, Vladimir. 1989. Speak, Memory: An Autobiography Revisited. Rev. ed. New York: Vintage.
  • Nakamura, Hikaru. 2014. “Hikaru Nakamura Ask Me Anything (AMA).” https://www.reddit.com/r/IAmA/comments/1z09nu/im_gm_hikaru_nakamura_1_us_chess_player_and_top/.
  • Naumov, Maksim (Наумов, Максим). 2009. “Avtorskoe pravo v intellectual'nykh igrakh (na primere shakhmat).” (Авторское право в интеллектуальных играх (на примере шахмат)) [Copyright in Intellectual Games (via Chess as an Example)]. http://www.gambiter.ru/chess/item/163-chess-copyright.html.
  • Newborn, Monty. 1997. Kasparov versus Deep Blue: Computer Chess Comes of Age. New York: Springer.
  • Pawluch, Dorothy, William Shaffir, and Charlene Miall, eds. 2005. Doing Ethnography: Studying Everyday Life. Toronto, ON: Canadian Scholars’ Press.
  • Piaget, Jean. 1977. “Comments on Mathematical Education.” In The Essential Piaget, edited by H. E. Gruber and J. J. Vonèche, 726–732. New York: Basic Books.
  • Prigogine, Ilya. 1980. From Being to Becoming: Time and Complexity in the Physical Sciences. New York: Freeman.
  • Puddephatt, Anthony J. 2005. “Advancing in the Amateur Chess World.” In Doing Ethnography: Studying Everyday Life, edited by D. Pawluch, W. Shaffir, and C. Miall, 300–311. Toronto, ON: Canadian Scholars’ Press.
  • Ravilious, Chris P. 1994. “The Aesthetics of Chess and the Chess Problem.” The British Journal of Aesthetics 34 (3): 285–290. doi: 10.1093/bjaesthetics/34.3.285
  • Rogoff, Kenneth. 2012. “King Ludd is Still Dead.” https://www.project-syndicate.org/commentary/technology-unemployment-jobs-internet-by-kenneth-rogoff.
  • Runco, Mark A., and Steven R. Pritzker, eds. 2011. Encyclopedia of Creativity. 2nd ed. San Diego, CA: Academic Press.
  • Schwager, Christian, and Markus Lotter. 2008. “Lewon Aronjan erklärt, warum Schach Krieg ist – und nichts für Frauen.” http://www.berliner-zeitung.de/archiv/lewon-aronjan-erklaert--warum-schach-krieg-ist---und-nichts-fuer-frauen-serie-b-lewon-aronjan-ueber-emotionen--ich-habe-so-viel-blut-im-kopf-,10810590,10600362.html.
  • Seitz, Jay A. 2003. “A Communitarian Approach to Creativity.” Mind, Culture, and Activity 10 (3): 245–249. doi: 10.1207/s15327884mca1003_6
  • Short, Nigel. 2004. “The Sunday Chess Column.” http://www.telegraph.co.uk/culture/chess/3623047/The-Sunday-chess-column.html.
  • Silver, David, Aja Huang, Chris J. Maddison, Arthur Guez, Laurent Sifre, George van den Driessche, Julian Schrittwieser, et al. 2016. “Mastering the Game of Go with Deep Neural Networks and Tree Search.” Nature 529 (7587): 484–489.
  • Stockfish. 2016. “Stockfish Tests.” http://tests.stockfishchess.org/users.
  • Tartakover, Saveliı˘. 1924. Die Hypermoderne Schachpartie [The Hypermodern Chess Game]. Wien: Wiener schachzeitung.
  • TCEC. 2016. “Top Chess Engine Champinship (TCEC).” http://tcec.chessdom.com/.
  • Thomas, Kerry. 2007. “Creativity as a Function of Open Secretiveness, Denial and Euphemisation in the Transactions between Art and Design Teachers and their Students.” Proceedings of ConnectED 2007 International Conference on Design Education, University of New South Wales, Sydney, July 9–12.
  • Thomas, Kerry, and Janet Chan, eds. 2013. Handbook of Research on Creativity. Cheltenham: Edward Elgar.
  • Umnov, Evgeniy (Умнов, Евгений). 1954. Chto takoe shakhmatnaya kompositsiya (Что такое шахматная композиция) [What is Chess Composition]. Moskva: Fizkul'tura i sport.
  • Vijaykumar, Ajit. 2009. “Kasparov: Anand’s Reign Will End Soon.” http://en.chessbase.com/post/kasparov-anand-s-reign-will-end-soon/32.
  • Wimsatt, William K. 1968. “How to Compose Chess Problems, and Why.” Yale French Studies, no. 41: 68–85. doi: 10.2307/2929666

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.