Art on the chain? On the possibilities of new media art preservation on the Web3

References

• Adorno, T. W., and y. M. Horkheimer. 2007. Dialéctica de la Ilustración. Madrid: Ediciones Akal.
   Google Scholar
• Anderson, J. C. 2022. “Data Integrity and $345 Million Worth of Missing NFTs”. NFTStorage Blog. Retrieved from: https://blog.nft.storage/posts/2022-04-04-missing-nfts.
   Google Scholar
• Balduf, L., M. Florian, and B. Scheuermann. 2022, November. “Dude, Where's my NFT: Distributed Infrastructures for Digital art.” In Proceedings of the 3rd International Workshop on Distributed Infrastructure for the Common Good, 1–6.
   Google Scholar
• Bauman, Z. 2007. Arte ¿Líquido? Madrid: Sequitur.
   Google Scholar
• Brand, S. 1999. “Escaping the Digital Dark Age.” Library Journal 124 (2): 46–48.
   Web of Science ®Google Scholar
• Chohan, U. W. 2021. “Non-fungible Tokens: Blockchains, Scarcity, and Value.” Critical Blockchain Research Initiative (CBRI) Working Papers.
   Google Scholar
• Colella, S. 2022. “Disrupting the Art Market? Blockchain, NFTs and the Promise of Inclusion.” IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage 26: 233–256.
   Google Scholar
• Currid, E. 2007. “The Economics of a Good Party: Social Mechanics and the Legitimization of Art/Culture.” Journal of Economics and Finance 31: 386–394. https://doi.org/10.1007/BF02885728.
   Google Scholar
• Das, D., P. Bose, N. Ruaro, C. Kruegel, and G. Vigna. 2022. “Understanding Security Issues in the NFT Ecosystem.” In Proceedings of the 2022 ACM SIGSAC Conference on Computer and Communications Security, 667–681. https://doi.org/10.1145/3548606.3559342
   Google Scholar
• Dekker, A. 2018. Collecting and Conserving Net Art: Moving Beyond Conventional Methods. London: Routledge.
   Google Scholar
• Dépocas, A. 2002. “Digital Preservation: Recording the Recoding”. The Documentary Strategy. Ars Electronica. Takeover. Who’s Doing the Art of Tomorrow.
   Google Scholar
• Engel, D., T. Ensom, P. Falcao, and J. Phillips. 2022. “Caring for Software- and Computer-Based Art.” In Conservation of Time-Based Media Art, 453–511. Routledge.
   Google Scholar
• Engel, D., and G. Wharton. 2014. “Reading Between the Lines: Source Code Documentation as a Conservation Strategy for Software-Based Art.” Studies in Conservation 59 (6): 404–415. https://doi.org/10.1179/2047058413Y.0000000115.
   Web of Science ®Google Scholar
• Fazli, M., A. Owfi, and y. M. R. Taesiri. 2021. “Under the Skin of Foundation NFT Auctions”. arXiv preprint arXiv:2109.12321.
   Google Scholar
• Fhrone, U. 1999. “Old Art and New Media.” Afterimage 27 (2): 9. https://doi.org/10.1525/aft.1999.27.2.9.
   Google Scholar
• Fxhash. 2024. “Why Store Files On-Chain?”. Retrieved from: https://docs.fxhash.xyz/decentralised-storage-ipfs-and-onchfs.
   Google Scholar
• Grau, O. 2019. “Resisting a Total Loss of Digital Heritage: Web 2.0-Archiving & Bridging Thesaurus for Media art Histories.” In Digital Art Through the Looking Glass: New Strategies for Archiving, Collecting and Preserving in Digital Humanities, edited by O. Grau, J. Hoth, and E. Wandl-Vogt. Edition Donau-Universität Krems.
   Google Scholar
• Guggenheim Museum. 2020. “The Conserving Computer-Based Art Initiative (CCBA).” The Guggenheim Museums and Foundation. Accessed September 2, 2020. https://www.guggenheim.org/conservation/the-conserving-computer-based-art-initiative.
   Google Scholar
• Han, B. C. 2015. The Transparency Society. Stanford University Press.
   Google Scholar
• Hassan, S., and P. De Filippi. 2017. “The Expansion of Algorithmic Governance: From Code is Law to Law is Code.” Field Actions Science Reports. The Journal of Field Actions (Special Issue 17): 88–90. https://doi.org/10.1016/B978-0-08-097086-8.10424-6.
   Google Scholar
• Ippolito, J. 2022. “Crypto-Preservation and the Ghost of Andy Warhol.” Arts 11 (2): 47. https://doi.org/10.3390/arts11020047.
   Web of Science ®Google Scholar
• Janssen, S., and y. M. Verboord. 2015. “Cultural Mediators and Gatekeepers.” In International Encyclopedia of the Social & Behavioral Sciences, edited by James D. Wright, 2nd ed., Vol. 5, 440–446. Oxford: Elsevier.
   Google Scholar
• Jansson, A. 2002. “The Mediatization of Consumption.” Journal of Consumer Culture 2 (1): 5–31. https://doi.org/10.1177/146954050200200101.
   Google Scholar
• Jeffrey, S. 2012. “A New Digital Dark Age? Collaborative Web Tools, Social Media and Long-Term Preservation.” World Archaeology 44 (4): 553–570. https://doi.org/10.1080/00438243.2012.737579.
   Web of Science ®Google Scholar
• Joselit, David. 2021. “NFTS, or the Readymade Reversed.” October 175: 3–4. https://doi.org/10.1162/octo_a_00419.
   Google Scholar
• Larvalabs. nd. “O-Chain Cryptopunks”. Retrieved from: https://www.larvalabs.com/blog/2021-8-18-18-0/on-chain-cryptopunks.
   Google Scholar
• Liu, Qinyue. 2020. “An Investigation Into New Media Artists’ Personal Preservation Practices.” Arts Management and Technology Laboratory, December 17, 2020. https://amtlaborg/blog/2020/10/investigation-into-new-media-artists-personal-preservation-practices.
   Google Scholar
• Lozano-Hemmer, Rafael. 2015. “Best Practices for Conservation of Media Art from an Artist’s Perspective.” GitHub Antimodular Best-Practices-for-Conservation-of-Media-art, September 28, 2015. https://github.com/antimodular/Best-practices-for-conservation-of-media-art.
   Google Scholar
• Martín Prada, J. 2018. El ver y las Imágenes en el Tiempo de Internet. Madrid: Ediciones Akal.
   Google Scholar
• Murray, M. D. 2022. “NFTs Rescue Resale Royalties? The Wonderfully Complicated Ability of NFT Smart Contracts to Allow Resale Royalty Rights” (July 15, 2022).
   Google Scholar
• Parikka, J. 2023. Operational Images: From the Visual to the Invisual. U of Minnesota Press.
   Google Scholar
• Paul, C. 2022. “Authentication in the Expanded Field”. Retrieved from: https://outland.art/nfts-as-certificates-of-authenticity/.
   Google Scholar
• Pye, G. 2010. “Introduction: Trash as Cultural Category.” In Trash Culture: Objects and Obsolescence in Cultural Perspective, edited by G. Pye, and y.S. Schroth, 1–14. Peter Lang.
   Google Scholar
• Quaranta, D. 2014. “Saved by Copying. Web Collecting and the Preservation of Digital Artworks.” Possible Futures: Art, Museums and Digital Archives, 224–238.
   Google Scholar
• Seol, J., J. Ke, S. Joshi, N. Park, and A. Kancharla. 2022, September. “A Bivariate Performance Model Across On- and Off-Chain in A NFT (Non-Fungible Token) Chain.” In 2022 Fourth International Conference on Blockchain Computing and Applications (BCCA), 159–166. IEEE.
   Google Scholar
• Siegelaub, S. 1973. “The Artist's Reserved Rights Transfer and Sale Agreement Artist's Reserved Rights Transfer and Sale Agreement.” Leonardo 6 (4): 347–350. https://doi.org/10.2307/1572857.
   Google Scholar
• Snark.art. 2021. 89 s Atomized. White Paper. Retrieved from: https://snark.art/89seconds/assets/artworks/89seconds/89-seconds-Atomized-White-Paper.pdf.
   Google Scholar
• Srnicek, N. 2017. Platform Capitalism. John Wiley & Sons.
   Google Scholar
• Steyerl, H. 2009. “In Defense of the Poor Image.” e-flux Journal 10: 11.
   Google Scholar
• UNESCO. 2003. Charter of the Preservation of Digital Heritage. París.
   Google Scholar
• Van Haaften-Schick, L., and y. A. Whitaker. 2021. “From the Artist’s Contract to the Blockchain Ledger: New Forms of Artists’ Funding Using NFTs, Fractional Equity, and Resale Royalties”. SSRN Electronic Journal, and Resale Royalties (December 14, 2020). https://doi.org/10.2139/ssrn.3842210
   Google Scholar
• Virilio, P. 1998. Estética de la Desaparición. Editorial Anagrama.
   Google Scholar
• Wang, Y., F. Horky, L. J. Baals, B. M. Lucey, and y. S. A. vigne. 2022. “Bubbles All the Way Down? Detecting and Date-Stamping Bubble Behaviours in NFT and DeFi Markets.” Journal of Chinese Economic and Business Studies 20 (4): 415–436. https://doi.org/10.1080/14765284.2022.2138161.
   Web of Science ®Google Scholar
• Whitaker, A. 2018. “Artist as Owner Not Guarantor: The art Market from the Artist’s Point of View.” Visual Resources 34 (1-2): 48–64. https://doi.org/10.1080/01973762.2018.1435609.
   Web of Science ®Google Scholar
• Zafiris, A., and y.X. Cheng. 2022. “The Business Models of NFTs and Fan Tokens and How They Build Trust.” Journal of Electronic Business & Digital Economics.
   Google Scholar