Finding the ‘Epic of Jangar’: the literary construction of an early Oirat epic in the Xinjiang Uyghur Autonomous Region

Bibliography

• Atwood, Christopher P. Encyclopedia of Mongolia and the Mongolian Empire. Bloomington: Indiana University Press, 2004.
   Google Scholar
• Baolin, Jia. Zhongguo minjian wenxue gaiyao [Introduction to China’s Folk Literature]. Beijing: Beijing Daxue Chubanshe, 1981.
   Google Scholar
• Bata. “Shouji diaocha ‘jiangge’er’ gongzuo baogao.” [Report on Work to Collect and Investigate the ‘Jangar’.] In ‘Jiangge’er’ lunwenji [Essays on Jangar], edited by The Chinese Federation of Literary and Art Circles, Xinjiang Branch, 6–13. Wulumuqi: Xinjiang Renmin Chubanshe, 1988.
   Google Scholar
• Bauman, Richard. A World of Others’ Words: Cross-Cultural Perspectives on Intertexuality. Maiden, MA: Blackwell, 2004.
   Google Scholar
• Bendix, Regina. In Search of Authenticity: The Formation of Folklore Studies. Madison: University of Wisconsin Press, 1997.
   Google Scholar
• Bergmann, Benjamin. Benjamin Bergmann’s Nomadische Streifereien Unter den Kalmüken in den Jahren 1802 und 1803 [Nomadic Forays among the Kalmyks in the Year 1802 and 1804]. Riga: C. J. G. Hartmann, 1804.
   Google Scholar
• China ICH Office. “Jiange’er..” Accessed 29 November 2019. http://www.ihchina.cn/project_details/12228
   Google Scholar
• Chinese Federation of Literary and Art Circles, Xinjiang Branch (ed.). ‘Jiangge’er’ lunwenji [Essays on Jangar]. Wulumuqi: Xinjiang Renmin Chubanshe, 1988.
   Google Scholar
• Deming, An., and Yang. Lihui. “Chinese Folklore since the Late 1970s: Achievements, Difficulties, and Challenges.” Asian Ethnology 74, no. 2 (2015): 273–290.
   Web of Science ®Google Scholar
• Enlai, Z. “Zai wenyi gongzuo zuotanhui he gushipian chuangzuo huiyi shang de jianghua.” [Speeches at the Literature and Art Conference and Feature Film Production Meeting.] In Zhou Enlai xuanji (xia juan), edited by the Editorial Committee on Party Literature of the Central Committee. Beijing: Renmin Chubanshe, 1984[1961].
   Google Scholar
• Gejin, Chao “Mongolian Oral Epic Poetry: An Overview.” Oral Tradition 12, no. 2 (1997): 322–336.
   Google Scholar
• Holm, David. Art and Ideology in Revolutionary China. Oxford: Clarendon Press, 1991.
   Google Scholar
• Hung, Chang-tai. Going to the People: Chinese Intellectuals and Folk Literature, 1918-1937. Cambridge: Harvard University Press, 1985.
   Google Scholar
• Jiamucha. Shishi ‘jiangge’er’ tanyuan [The Origins of the “Jangar” Epic]. Wulumuqi: Xinjiang Renmin Chubanshe, 1996.
   Google Scholar
• Jingwen, Zhong. Minjian wenxue gailun [Introduction to Folk Literature]. Shanghai: Shanghai Wenyi Chubanshe, 1980.
   Google Scholar
• Kuipers, Joel. “Evidence and Authority in Ethnographic and Linguistic Perspective.” Annual Review of Anthropology 42, no. 1 (2013): 399–413. doi:10.1146/annurev-anthro-081309-145615.
   Google Scholar
• Latour, Bruno. “Postmodern? No, Simply Amodern: Steps Towards an Anthropology of Science.” Studies in History and Philosophy of Science 21, no. 1 (1990): 145–171. doi:10.1016/0039-3681(90)90018-4.
   Web of Science ®Google Scholar
• Latour, Bruno., and Steve. Woolgar. Laboratory Life: The Construction of Scientific Facts. Princeton: Princeton University Press, 1986.
   Google Scholar
• Law, John. After Method: Mess in Social Science Research. London: Routledge, 2004.
   Google Scholar
• Mackerras, Colin. The Performing Arts in Contemporary China. London: Routledge & Kegan Paul, 1981.
   Google Scholar
• Maosai, Y. “Zizhiqu shouci ‘jiangge’er’ xueshu taolunhui.” [The Autonomous Region’s First ‘Jangar’ Symposium.] In ‘Jiangge’er’ Lunwenji, edited by the Chinese Federation of Literary and Art Circles, Xinjiang Branch, 1–3. Wulumuqi: Xinjiang Renmin Chubanshe, 1988.
   Google Scholar
• Marsh, Peter K. The Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia. London: Routledge, 2009.
   Google Scholar
• Mosse, David. Adventures in Aidland. Oxford: Berghahn, 2011.
   Google Scholar
• Pegg, Carole. “Ritual, Religion and Magic in West Mongolian (Oirad) Heroic Epic Performance.” British Journal of Ethnomusicology 4, no. 1 (1995): 77–99. doi:10.1080/09681229508567239.
   Google Scholar
• Pegg, Carole., and Elizaveta. Yamaeva. “Sensing ‘Place’: Performance, Oral Tradition, and Improvisation in the Hidden Temples of Mountain Altai.” Oral Tradition 27, no. 2 (2012): 291–318. doi:10.1353/ort.2012.0012.
   Google Scholar
• Poppe, Nicholas. Mongolische Epen V: Übdrsezung see Sammlung U. Zagdsüren, Žangaryn Tuul’s [Mongolian Epics V: Translated Collection of U. Zagdsüren’s Žangaryn Tuul]. Weisbaden: Otto Harrassowitz, 1977.
   Google Scholar
• Prior, Daniel. Patron, Party, Patrimony: Notes on the Cultural History of the Kirghiz Epic Tradition. Bloomington: IUP Research Institute for Inner Asian Studies, 2000.
   Google Scholar
• Renqindaoerji. “Ping ‘jiangge’er’ li de honggeer de xingxiang.” [ An Appraisal of Hongor’s Image in Jangar’.] Wenxue Pinglun 2, no. 1 (1978): 91–97.
   Google Scholar
• Renqindaoerji. “Xu.” In Hao badai lunwenji [Collection of the Worls of Hao Badai]. Beijing: Renmin Chubanshe, 1997.
   Google Scholar
• Renqindaoerji. ‘Jiangge’er’ lun [Discussing Jangar]. Beijing: Fangzhi Chubanshe, 2007.
   Google Scholar
• Sayintana. “Dagur Folktales.” In China’s Dagur Minority: Society, Shamanism, and Folklore, edited by Kevin Stuart, Li Xuewei, and Shelear, 71–167. Philadelphia: University of Pennsylvania Department of East Asian Languages and Civilization, 1994.
   Google Scholar
• Seligman, Adam., Robert. Weller, Michael. Puett, and Bennett. Simon. Ritual and Its Consequences: An Essay on the Limits of Sincerity. Oxford: Oxford University Press, 2008.
   Google Scholar
• “Tuanjie qilai, wei jianshe shehuizhuyi de xiandaihua qiangguo er douzheng.” [ Unite and Fight to Build a Modern, Powerful Nation.] Renmin Ribao, 7 March, 1978. Accessed 7 March 2019. http://www.people.com.cn/zgrdxw/zlk/rd/5jie/newfiles/a1140.html
   Google Scholar
• Tuohy, Sue. “Cultural Metaphors and Reasoning: Folklore Scholarship and Ideology in Contemporary China.” Asian Folklore Studies 50, no. 1 (1991): 189–220. doi:10.2307/1178190.
   Google Scholar
• Tuohy, Sue. “The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation.” Ethnomusicology 45, no. 1 (2001): 107–131. doi:10.2307/852636.
   Web of Science ®Google Scholar
• Turino, Thomas. “Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations.” Latin American Music Review 24, no. 2 (2003): 169–209. doi:10.1353/lat.2003.0024.
   Web of Science ®Google Scholar
• Wolfgram, Matthew. “Science Talk and Scientific Reference.” Annual Review of Anthropology 45, no. 1 (2016): 33–44. doi:10.1146/annurev-anthro-102214-014019.
   Google Scholar
• Xiang, Xiang. “Qianlun minjian wenxue de kexue jiazhi.” [A Brief Discussion on the Scientific Value of Folk Literature.] In Folk Literature Series, edited by the Chinese Federation of Literary and Art Circles Research Division, 37–62. Beijing: Zhongguo Minjian Wenyi Chubanshe, 1981.
   Google Scholar
• Xiaoping, Deng. “Zai zhongguo wenxue yishu gongzuozhe di sici daibiaohui shang de zhici.” [Speech at China’s Fourth Congress of Literature and Art Workers.] In Deng Xiaoping Wenxuan, edited by Deng Xiaoping Wenxuan Zhudu Bianxie Zu, 389–393. Vol. 2. Beijing: Renmin chubanshe, 1983[1979].
   Google Scholar
• Zhongguo minjian wenxue jicheng quanguo bianji weiyuanhui. Zhongguo minjian gushi jicheng, Vol. 1 Liaoning juan [A Collection of China’s Folktales, Vol. 1, Liaoning]. Beijing: Zhongguo ISBN Zhongxin, 1992.
   Google Scholar