References
- Alhadeff, Albert. 2002. The Raft of the Medusa: Géricault, Art, and Race. London: Prestel.
- Alhadeff, Albert. 2008. “Julian Barnes and the ‘Raft of the Medusa’.” The French Review 82 (2): 276–291.
- Araüna, Núria, and Laia Quílez, eds. 2017. Género y (pos)memorias en el cine documental sobre la Guerra Civil y el franquismo. Granada: Laia.
- Bachelard, Gaston. 1994. Water and Dreams: An Essay on the Imagination of Matter. Translated by Edith R Farrell. Dallas: Dallas Institute of Humanities & Culture.
- Badiou, Alain. 1993. Rhapsody for the Theatre. London: Verso.
- Baricco, Alessandro. 2013 [1993]. Oceano Mare. Rome: Feltrinelli.
- Barnes, Julian. 1989. A History of World in 10 ½ Chapters. New York: Alfred A. Knopf.
- Beistegui, Miguel de. 2018. The Government of Desire: A Genealogy of the Liberal Subject. Chicago: Chicago University Press.
- Boudon, Jacques-Olivier. 2016. Les naufragés de la Méduse. Paris: Belin.
- Bradatan, Costica, and Camil Ungureanu, eds. 2014. Religion in the Contemporary European Cinema: The Postsecular Constellation. New York: Routledge.
- Bradatan, Costica, and Camil Ungureanu, eds. 2016. Cinema and Sacrifice. New York: Routledge.
- Burke, Edmund. (1757) 1998. A Philosophical Enquiry into the Sublime and Beautiful. London: Penguin Classics.
- Capilla, Ignacio Valls. 2019. “El Mar (Augustí Villaronga, 2000)” Cinemateca Rialto (blog). 4 August 2019. http://cinematecarialto.blogspot.com/2019/08/el-maragusti-villaronga-2000.html?m=0.
- Chappuzeau, Bernhard. 2007. “Memoria histórica de la Guerra Civil y esteticismo de la violencia: los discursos de erotismo y poder en El mar de Agustí Villaronga.” Cine español en el cambio de milenio, edited by Pol Burkhard and Jörg Türschmann, 89–105. Madrid: Iberoamericana/Vervuert.
- Derrida, Jacques. 1988. Limited Inc. Edited by Gerald Graff. Evanston, IL: Northwestern University Press.
- Eitner, Lorenz. 1983. Géricault: His Life and Work. London: Orbis.
- Espinós, Joaquim Felipe. 2013. “Les adaptacions literàries d'Agustí Villaronga.” L’Aiguadolç 41: 37–46.
- Espinós, Joaquim Felipe. 2019. “Agustí Villaronga: una mirada heterodoxa sobre la Guerra Civil.” eHumanista/IVITRA 15: 478–485.
- Europapress. 2013. “La 1 estrena ‘Carta a Eva’, de Agustí Villaronga.” Europapress (24 May). https://www.europapress.es/tv/noticia-estrena-carta-eva-agusti-villaronga-20130524163553.html.
- Fanon, Frantz. (1952) 2008. Black Skin, White Masks. New York: Grove Books.
- Fanon, Frantz. (1961) 2005. The Wretched of the Earth. New York: Grove Books.
- Fanon, Frantz. (1964) 1994. Toward the African Revolution. New York: Grove Books.
- Gibson, Nigel. 2003. Fanon: The Postcolonial Imagination. London: Polity Press.
- Gomila, Andreu. 2023. “Agustí Villaronga i el teatre.” El Temps de les Arts (23 January). https://tempsarts.cat/arts-esceniques/teatre/agusti-villaronga-i-el- teatre/.
- Grigsby, Darcy Grimaldo. 2002. Extremities: Painting Empire in Post-Revolutionary France. New Haven, CT: Yale University Press.
- Hegel, Georg Friedrich Wilhelm. (1807) 2017. Phenomenology of Spirit. Translated by Terry Pinkard. Cambridge: Cambridge University Press.
- Hristova, Mariana. 2021. “Crítica: El Ventre del Mar.” Cineuropa. 11 November. https://cineuropa.org/es/newsdetail/413385/.
- Imbert, Gérard. 2019. “Agustí Villaronga: horror y memoria histórica.” In Imaginarios y figuras en el cine de la Postransición, edited by José Luis Sánchez Noriega, 133–155. Barcelona: Laertes.
- Jaspers, Karl. 1970. Philosophie. Vol. 2. Translated by E. B. Ashton. Chicago: University of Chicago Press.
- López, María. 2020. “La ‘Clitemnestra’ de Agustí Villaronga planta cara al poder establecido.” Diario de Mallorca (21 September). https://www.diariodemallorca.es/cultura/2020/09/21/clitemnestra-agusti- villaronga-planta-cara-13290597.html.
- Martínez, Beatriz. 2021. “Crítica de El vientre del mar.” Fotogramas (10 November). https://www.fotogramas.es/peliculas-criticas/a38207035/el-vientre-del-mar-critica-pelicula/.
- Mbembe, Achille. 2019. Necropolitics. Durham, NC: Duke University Press.
- Murray, Michelle. 2021. “Visualizing the Black Mediterranean.” Liquid Borders, edited by Mabel Moraña, 289–302. London: Routledge.
- Parra, Eduardo. 2021. “Entrevista: Augustí Villaronga. ‘Mi cine explora la herida del ser humano y trata de pensar sobre ella’.” La Opinión de Málaga (11 June). https://www.laopiniondemalaga.es/cultura-espectaculos/2021/06/11/cine-explora-herida-humano-trata-52863122.html.
- Pedraza, Pilar. 2007. Agustí Villaronga. Madrid: Akal.
- Popa, Bogdan. 2023. “‘Reanimating the Spirit of the Avant-Garde’, But with Ideology Critique: Montage in Solomon and Jude's Films.” Transilvania 8: 67–77.
- Prieto, Darío. 2011. “Villaronga y un «pan negro» limpio de ideología política.” El Mundo (12 March) https://www.elmundo.es/elmundo/2011/02/15/cultura/1297726896.html.
- Prieto, David (2021) “Villaronga y un 'pan negro' limpio de ideología política.” El Mundo, Accessed December 3, 2021. https://www.elmundo.es/elmundo/2011/02/15/cultura/1297726896.html
- Rosenstone, Robert, and Constantin Parvulescu, eds. 2013. A Companion to Historical Cinema. London: Blackwell-Wiley.
- Sánchez de León Serrano, José María, and Noa Shein. 2019. “The Coincidence of the Finite and the Infinite in Spinoza and Hegel.” Idealistic Studies 49 (1): 23–44. https://doi.org/10.5840/idstudies201989100
- Seguró, Miguel. 2015. Sendas de la finitud. Barcelona: Herder.
- Smith, Matthew Price. 2009. De la página a la pantalla: Memoria de la Guerra Civil española en la narrativa contemporánea. Tucson, AZ: The University of Arizona Press.
- Terrasa, Jacques. 2007. “La Guerra civil en Mallorca, ¿una amnesia nacional? Reflexiones en torno al íncipit de la película El mar (1999).” In Cine, nación y nacionalidades en España, edited by Nancy Berthier and Jean-Claude Seguin, 279–291. Madrid: Casa de Velásquez.
- Tordera, Carlos Vera. 2022. “El vientre del mar: conocer la verdad de este mundo.” Cinemagavia (10 January). https://cinemagavia.es/el-vientre-del-mar-pelicula-critica/.
- Tulbure, Corina. 2022. “Mobility and Post-Socialism: Cross-Border Shaming and Un-Belonging in a White Europe.” State Crime Journal 1 (11): 110–127.
- Ungureanu, Camil. 2008. “Derrida on Free Decision: Between Habermas’ Discursivism and Schmitt’s Decisionism.” Journal of Political Philosophy 16 (3): 293–325. https://doi.org/10.1111/j.1467-9760.2007.00302.x
- Ungureanu, Camil. 2019a. “Jacques Derrida on Religion and Universalizing Faith.” Journal for the Study of Religions and Ideologies 18 (54): 18–32.
- Ungureanu, Camil. 2019b. “Philosophy of History.” In The Cambridge Habermas-Lexicon, edited by Amy Allen and Eduardo Mendieta, 296–299. Cambridge: Cambridge University Press.
- Ungureanu, Camil, and Ivan Pintor. 2021. “The Battle for Re-Imagining Catalonia: Cinematic Populism, Myth-Making, and Cathedral of the Sea (Jordi Frades, 2018).” Catalan Review 35 (1): 69–88. https://doi.org/10.3828/catr.35.4
- Villaronga, Agustí, dir. 2000. El mar. Barcelona. Massa d’Or Produccions.
- Villaronga, Agustí, dir. 2010. Pa negre. Barcelona: Massa d’Or Produccions.
- Villaronga, Agustí, dir. 2017. Incerta glòria. Barcelona: Massa d’Or Produccions.
- Villaronga, Agustí, dir. 2021. El ventre del mar. Barcelona: Testamento PCT et. al.
- Zamora, Andrés. 2016. Featuring Post-National Spain. Film Essays. Liverpool: Liverpool University Press.
- Zizola, Francesco. 2015. In the Same Boat. Noor Images. https://www.noorimages.com/in-the-same-boat.