899
Views
5
CrossRef citations to date
0
Altmetric
Articles

Re-thinking ballet pedagogy: approaching a historiography of fifth position

Pages 245-258 | Received 01 Jun 2014, Accepted 20 Jan 2015, Published online: 18 May 2015

References

  • Alterowitz, G. 2014. “Toward a Feminist Ballet Pedagogy: Teaching Strategies for Ballet Technique Classes in the Twenty-first Century.” Journal of Dance Education 14 (1): 8–17.10.1080/15290824.2013.824579
  • Blasis, C. 1968. An Elementary Treatise upon the Theory and Practice of the Art of Dancing. Translated by Mary Steward Evans. New York: Dover.
  • Carter, A., ed. 2004. Rethinking Dance History: A Reader. New York: Routledge.
  • Champion, L. M., and S. J. Chatfield. 2008. “Measurement of Turnout in Dance Research, a Critical Review.” Journal of Dance Medicine & Science 12 (4): 121–135.
  • Chatterjea, A. 2003. “Subversive Dancing: The Interventions in Jawole Willa Jo Zollar’s Batty Moves.” Theatre Journal 55 (3): 451–465.10.1353/tj.2003.0098
  • Cohen, S. J. 1992. Dance as a Theatre Art, Source Readings in Dance History from 1581 to the Present. Princeton, NJ: Princeton Book.
  • Feuillet, R. 1706 (original). ebook posted 2003. Orchesographie or, the Art of Dancing. Translated by John Weaver. Gutenberg project. Accessed February 1, 2013. http://www.gutenberg.org
  • Fitt, S. 1996. Dance Kinesiology. 2nd ed. New York: Schirmer Books.
  • Foster, S. 1986. Reading Dancing. Los Angeles, CA: University of California Press.
  • Grossman, G., D. Krasnow, and T. M. Welsh. 2005. “Effective Use of Turnout: Biomechanical, Neuromuscular, and Behavioral Considerations.” Journal of Dance Education 5 (1): 15–27.10.1080/15290824.2005.10387279
  • Homans, J. 2010. Apollo’s Angels. New York: Random House.
  • Jackson, J. 2005. “My Dance and the Ideal Body: Looking at Ballet Practice from the Inside out.” Research in Dance Education 6 (1–2): 25–40.10.1080/14617890500373089
  • Janesick, V. 2010. Oral History for the Qualitative Researcher: Choreographing the Story. New York: Guilford Press.
  • Jenkins, K. 2003. Re-thinking History. 3rd ed. New York: Routledge.
  • Koda, Harold. 2001. Extreme Beauty: The Body Transformed. New York: Metropolitan Museum of Art.
  • Lee, C. 1983. An Introduction to Classical Ballet. Hillsdale, NJ: L. Erlbaum Associates.
  • Midgelow, V. L. 2007. Reworking the Ballet: Counter Narratives and Alternative Bodies. New York: Routledge.
  • Ritenburg, H. M. 2010. “Frozen Landscapes: A Foucauldian Genealogy of the Ideal Ballet Dancer’s Body.” Research in Dance Education 11 (1): 71–85.10.1080/14647891003671775
  • Toepfer, K. 1999. “Twisted Bodies: Aspects of Female Contortionism in the Letters of a Connoisseur.” TDR/The Drama Review 43 (1): 104–136.10.1162/105420499320582187
  • Vaganova, A. 1969. Basic Principles of Classical Ballet. New York: Dover.
  • Warren, G. W. 1989. Classical Ballet Technique. Tampa, FL: University of South Florida Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.