747
Views
1
CrossRef citations to date
0
Altmetric
Articles

Interfering with the lived field of dance pedagogy from organizational and leadership studies perspectives–an explorative intervention with performing and teaching dance artists

&
Pages 57-73 | Received 25 Jun 2015, Accepted 13 Nov 2015, Published online: 10 Jan 2016

References

  • Alterowitz, G. 2014. “Toward a Feminist Ballet Pedagogy. Teaching Strategies for Ballet Technique Classes in the Twenty-first Century.” Journal of Dance Education 14 (1): 8–17.10.1080/15290824.2013.824579
  • Anttila, E. 2003. A Dream Journey to the Unknown. Searching for Dialogue in Dance Education. Helsinki: Theatre Academy.
  • Anttila, E. 2013. Koko Koulu Tanssii! Kehollisen Oppimisen Mahdollisuuksia Kouluyhteisössä [The Whole School is Dancing! The Possibilities with Embodied Learning in a School Context]. Helsinki: Theatre Academy.
  • Argyris, C., R. Putnam, and D. McLain Smith. 1985. Action Science. Concepts, Methods and Skills for Research and Intervention. San Francisco, CA: Jossey Bass.
  • Barr, S., and D. Risner. 2015. “Weaving Social Foundations through Dance Pedagogy. A Pedagogy of Uncovering.” Journal of Dance Education 14: 136–145.
  • Barry, D., and H. Hansen. 2008. The Sage Handbook of New Approaches in Management and Organization. London: Sage.10.4135/9781849200394
  • Benjamin, A. 2002. Making an Entrance. Theory and Practice for Disabled and Non-disabled Dancers. London: Routledge.
  • Beyes, T., and C. Steyaert. 2011. “The Ontological Politics of Artistic Interventions: Implications for Performing Action Research.” Action Research 9 (1): 100–115.10.1177/1476750310396944
  • Cassirer, E. 1944. An Essay on Man. New Haven, CT: Yale University Press.
  • Cuban, L. 1988. The Managerial Imperative and the Practice of Leadership in Schools. Albany, NY: State University of New York Press.
  • Foucault, M. 1983/1995. “Kant Ja Moderni Filosofia Nykyisyyden Ontologiana [Kant and Modern Philosophy as Contemporary Ontology].” In Mitä on valistus? [What is Enlightenment?] edited by J. Koivisto, M. Mäki, and T. Uusitupa, 248–260. Jyväskylä: Gummerus.
  • Green, J. 2000. “Emancipatory Pedagogy?: Women's Bodies and the Creative Process in Dance.” Frontiers: A Journal of Women Studies 21 (3): 124–140.10.2307/3347114
  • Green, J. 2002–03. “Foucault and the Training of Docile Bodies in Dance Education.” Arts and Learing Research Journal 19 (1): 99–125.
  • Hamlin, B., J. Keep, and K. Ash. 2001. Organizational Change and Development: A Reflective Guide for Managers, Trainers and Developers. Edinburgh: Pearson Education.
  • Hansen, H., A. Ropo, and E. Sauer. 2007. “Aesthetic leadership.” The Leadership Quarterly 18 (6): 544–560.10.1016/j.leaqua.2007.09.003
  • Irgens, Eirik J. 2011. Pluralism in Management: Organizational Theory, Management Education, and Ernst Cassirer. New York: Routledge.
  • Kolb, D. A. 1984. Experiential Learning: Experience as the Source of Learning and Development. Englewood Cliffs, NJ: Prentice-Hall.
  • Lakes, R. 2005. “The Messages behind the Methods: The Authoritarian Pedagogical Legacy in Western Concert Dance Technique Training and Rehearsals.” Arts Education Policy Review 106 (5): 3–20.10.3200/AEPR.106.5.3-20
  • Leithwood, K., D. Jantzi, and R. Steinbach. 1999. Changing Leadership for Changing times. Buckingham: Open University Press.
  • McWilliam, E. 2005. “Unlearning Pedagogy.” Journal of Learning Design 1 (1): 1–11.
  • Merleau-Ponty, M. 1962/2002. Phenomenology of Perception. Translated by Collin Smith. London: Routledge.
  • Mezirow, J. 1990. “How Critical Reflection Triggers Transformative Learning.” In Fostering Critical Reflection in Adulthood, edited by J. Mezirow, 1–20. San Fransisco, CA: Jossey-Bass Publishers.
  • Mezirow, J. 2000. Learning as Transformation: Critical Perspectives on a Theory in Progress. San Fransisco, CA: Jossey-Bass.
  • Newell, S., M. Robertson, H. Scarbrough, and J. Swan. 2002. Managing Knowledge Work. Basingstoke: Palgrave.
  • Novack, C. J. 1990. Sharing the Dance. Contact Improvisation and American Culture. Wisconsin: The University of Wisconsin Press.
  • Nygaard, C., and C. Holtham. 2008. “The Need for Learning-centred Higher Education.” In Understanding Learning-centred Higher Education, edited by C. Nygaard and C. Holtham, 11–29. Frederiksberg: Copenhagen Business School Press.
  • Østern, T. P. 2009. “Meaning-making in the Dance Laboratory. Exploring Dance Improvisation with Differently Bodied Dancers.” Diss., Theatre Academy, Helsinki.
  • Østern, T. P. 2014. “Den Skapende Og Undervisende Dansekunstneren [The Teaching Dance Artist].” In Kunstner Eller Lærer? Profesjonsdilemmaer I Musikk- Og Kunstpedagogiske Utdanning [Artist or Teacher? Dilemmas in Music and Art Pedagogical Educations], edited by E. Angelo and S. Karlsnes, 206–217. Oslo: Cappelen Damm Akademisk.
  • Putnam, L. L. 1983. “The Interpretive Perspective: An Alternative to Functionalism.” In Communication and Organizations: An Interpretive Approach, edited by L. L. Putnam and M. E. Pacanowsky, 31–54. Beverly Hills, CA: Sage.
  • Risner, D. 2010. “Challenges and Opportunities for Dance Pedagogy: Critical Social Issues and ‘Unlearning’ How to Teach.” In Global Perspectives on Dance: Research and Pedagogy, Conference Proceedings on the Congress on Research in Dance, edited by T. Randall, 204–209. Cambridge, MA: Congress on Research in Dance.
  • Rustad, H. 2013. “Dans Etter Egen Pipe; En Analyse Av Danseimprovisasjon Og Kontaktimprovisasjon – Som Tradisjon, Fortolkning Og Levd Erfaring [Dance as you Wish. An Analysis of Dance Improvisation and Contact Improvisation – as Tradition, Interpretation and Lived Experience].” Diss., Norwegian School of Sports Sciences, Oslo.
  • Scherer, A. G. 2003. “Modes of Explanation in Organization Theory.” In The Oxford Handbook of Organizational Theory, edited by H. Tsoukas and C. Knudsen, 310–344. Oxford: Oxford University Press.
  • Shapiro, S. 1998. “Toward Transformative Teachers.” In Dance, Power and Difference: Critical and Feminist Perspectives on Dance Education, edited by Sherry Shapiro, 7–22. Human Kinetics: Champaign.
  • Spillane, J. 2006. Distributed Leadership. San Francisco, CA: Jossey-Bass.
  • Stark-Smith, N. 1987. Contact Quarterly, 12 2 (spring – summer), 3.
  • Stogdill, R. M. 1974. Handbook of Leadership: A Survey of the Literature. New York: Free Press.
  • Svendler-Nielsen, C., and S. Burridge. 2015. Dance Education around the World. Perspectives on Dance, Young People and Change. London: Routledge.
  • Thagaard, T. 2013. Systematikk Og Innlevelse. En Innføring I Kvalitativ Metode. 4th ed. Bergen: Fagbokforlaget.
  • Thrift, N. 1999. “Presentational Form in First Person Research: Off-line Collaborative Reflection using Art.” Action Research 2 (1): 71–88.
  • Tjora, A. 2013. Kvalitative Forskningsmetoder I Praksis [Qualitative Research Methods in Practice]. Oslo: Gyldendal Akademisk.
  • Zerubavel, E. 2000. Sinnets Sosiale Landskap [Social Landscapes]. Oslo: Gyldendal.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.