Limits of sharing and materialization of support: Indonesian Net Label Union

References

• Agamben, Giorgio. 2009. What is an Apparatus? and Other Essays. Stanford: Stanford University Press.
   Google Scholar
• Aribowo, Taufiq. 2016. “Netlabel, Kurasi dan Pengarsipan.” [Netlabel, Curation, and Archiving]. In Ensemble: Mozaik Musik Dalam Masyarakat [Ensemble: a Mosaic of Music in the Society], edited by Leilani Hermiasih, 103–115. Yogyakarta: LARAS – Studies of Music in Society in collaboration with Tan Kinira.
   Google Scholar
• Baulch, Emma. 2002. “Alternative Music and Mediation in Late New Order Indonesia.” Inter-Asia Cultural Studies 3 (2): 219–234. doi: 10.1080/1464937022000000138
   Google Scholar
• Benkler, Yochai. 2006. The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press.
   Google Scholar
• Boon, Marcus. 2013. Memuliakan Penyalinan: Bagaimana Penyalinan Bekerja dan Menjadi Dasar Hidup Manusia [In Praise of Copying]. Yogyakarta: Kunci Cultural Studies Center.
   Google Scholar
• Bowen, John R. 1986. “On the Political Construction of Tradition: Gotong Royong in Indonesia.” The Journal of Asian Studies 45 (3): 545–561. doi: 10.2307/2056530
   Web of Science ®Google Scholar
• Brabham, Daren C. 2013. Crowdsourcing. Cambridge and London: The MIT Press.
   Google Scholar
• Fonarow, Wendy. 2006. Empire of Dirt: The Aesthetics and Rituals of British Indie Music. Middletown: Wesleyan University Press.
   Google Scholar
• Hardt, Michael. 1999. “Affective Labour.” Boundary 26 (2): 89–100.
   Web of Science ®Google Scholar
• Hayden, Dolores. 1982. The Grand Domestic Revolution: A History of Feminist Designs for American Homes, Neighborhood and Cities. Cambridge and London: The MIT Press.
   Google Scholar
• Hess, Charlote, and Elinor Ostrom. 2007. Understanding Knowlede as Commons: From Theory to Practice. Cambridge and London: The MIT Press.
   Google Scholar
• Hill, David T., and Khrisna Sen. 2000. Media, Culture, and Politics in Indonesia. Melbourne: Oxford University Press.
   Google Scholar
• Hill, David T., and Khrisna Sen. 2005. The Internet in Indonesia’s New Democracy. London: Routledge.
   Google Scholar
• Hu, Kelly. 2005. “Techno-Orientalization: The Asian VCD Experience.” In John Asian Media Studies: Politics of Subjectivities, edited by Nguyet Erni, and Siew Keng, 55–71. Malden: Blackwell.
   Google Scholar
• Jenkins, Henry. 2006. Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
   Google Scholar
• Lessig, Lawrence. 2008. Remix: Making art and Commerce Thrive in the Hybrid Economy. London: Penguin Press.
   Google Scholar
• Lessig, Lawrence. 2011. Budaya Bebas: Bagaimana Media Besar Memakai Teknologi dan Hukum Untuk Membatasi dan Mengontrol Kreativitas [Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity]. Yogyakarta: Kunci Cultural Studies Center.
   Google Scholar
• Lim, Merlyna. 2003. “From War-net to Net-war: The Internet and Resistance Identities in Indonesia.” International Information and Library Review 35: 233–248. doi: 10.1016/S1057-2317(03)00019-5
   Google Scholar
• Lim, Merlyna. 2013. “Many Clicks but Little Sticks: Social Media Activism in Indonesia.” Journal of Contemporary Asia, 43 (4): 1–22.
   Web of Science ®Google Scholar
• Litman, Jessica. 2000. “The Demonization of Piracy.” Paper presented at the 10th Conference on Computers, Freedom and Privacy: Challenging the Assumptions, Toronto, Canada, April 6. http://www-personal.umich.edu/~jdlitman/papers/demon.pdf.
   Google Scholar
• Luvaas, Brent. 2012. DIY Style: Fashion, Music, and Global Digital Culture. London: Berg.
   Google Scholar
• Mauss, Marcel. 1974. The Gift: Forms and Functions of Exchange in Archaic Societies. London: Cohen & West.
   Google Scholar
• Mukti, Bagus Anggoro. 2016. “Yuk, Mampir ke Lapak! Interaksi pada Lapak Merchandise dalam Gigs Musik di Yogyakarta.” [Let’s Stop By the Lapak, Shall We? A Study of Interaction in Merchandise Lapak in Music Gigs in Yogyakarta]. In Ensemble: Mozaik Musik dalam Masyarakat [Ensemble: a Mosaic of Music in the Society], edited by Leilani Hermiasih, 87–101. Yogyakarta: LARAS – Studies of Music in Society in collaboration with Tan Kinira.
   Google Scholar
• Nugroho, Yanuar. 2011. “Opening the Black box: The Adoption of Innovations in the Voluntary Sector—The Case of Indonesian Civil Society Organisations.” Research Policy 40 (5): 761–777. doi: 10.1016/j.respol.2011.03.002
   Web of Science ®Google Scholar
• Nugroho, Yanuar. 2012. “Localizing the Global, Globalizing the Local: The Role of the Internet in Shaping Globalisation Discourse in Indonesian NGOs.” Journal of International Development 24 (3): 341–368. doi: 10.1002/jid.1733
   Google Scholar
• Simoné, AbdouMaliq. 2004. “People as Infrastructure: Intersecting Fragments in Johannesburg.” Public Culture 16 (3): 407–429. doi: 10.1215/08992363-16-3-407
   Web of Science ®Google Scholar
• Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Middletown: Wesleyan University Press.
   Google Scholar
• Sterne, Jonathan. 2009. “The Preservation Paradox in Digital Audio.” In Sound Souvenirs: Audio Technologies, Memory and Cultural Practices, edited by K. Bijsterveld, and J. van Dijk, 55–65. Amsterdam: Amsterdam University Press.
   Google Scholar
• Sterne, Jonathan. 2012. MP3: The Meaning of Format. Durham and London: Duke University Press.
   Google Scholar
• Strassler, Karen. 2010. Refracted Visions: Popular Photography and National Modernity in Java. Durham and London: Duke University Press.
   Google Scholar
• Sundaram, Ravi. 2010. Pirate Modernity: Delhi’s Media Urbanism. London and New York: Routledge.
   Google Scholar
• Swaragita, Gisela. 2016. “Why are You So Kind? Menilik Praktek Akomodasi Skena Musik Yogyakarta lewat Rangga Nasrullah dan Hendra Adityawan.” [Why Are You so Kind? An Observation of Accommodation Practices in Yogyakarta’s Music Scene through Rangga Nasrullah and Hendra Adityawan]. In Ensemble: Mozaik Musik dalam Masyarakat [Ensemble: a Mosaic of Music in the Society], edited by Leilani Hermiasih, 117–131. Yogyakarta: LARAS – Studies of Music in Society in collaboration with Tan Kinira.
   Google Scholar
• Yar, Majid. 2005. “The Global ‘Epidemic’ of Movie “Piracy”: Crime Wave or Social Construction?” Media, Culture, and Society 27 (5): 677–696. doi: 10.1177/0163443705055723
   Web of Science ®Google Scholar