13,937
Views
17
CrossRef citations to date
0
Altmetric
Research Articles

Post-feminism and chick flicks in China: subjects, discursive origin and new gender norms

Pages 1059-1074 | Received 29 Sep 2019, Accepted 01 Jul 2020, Published online: 09 Jul 2020

References

  • Berry, J., and A. Errigo. 2004. Chick Flicks: Movies Women Love. Bloomington: Author House.
  • Chen, Eva. 2012. “Shanghai (Ed) Babies: Geopolitics, Biopolitics and the Global Chick Lit.” Feminist Media Studies 12 (2): 214–228. doi:10.1080/14680777.2011.597102.
  • Chua, B. H., Ed. 2002. Consumption in Asia: Lifestyle and Identities. London: Routledge.
  • Dai, Jinhua. 1999. Implicit Writing: A Study of Chinese Culture in the 1990s. Nanjing: Jiangsu People’s Publisher.
  • Ding, Kewen. 2017. “A Study on Chinese Chick Flicks and Young Female Spectators.” Youth Exploration, 17 (2): 13–19.
  • Dosekun, S. 2015. “For Western Girls Only? Post-feminism as Transnational Culture.” Feminist Media Studies 15 (6): 960–975.
  • Ferriss, Suzanne., and M. Young, Eds. 2008. Chick Flicks: Contemporary Women at the Movies. Abingdon: Routledge.
  • Fraser, David. 2000. “Inventing Oasis: Luxury Housing Advertisements and Reconfiguring Domestic Space in Shanghai.” In The Consumer Revolution in Urban China, edited by Deborah Davis, 25–53. California: University of California Press.
  • Gan, Li. 2015. “Chinese Middle-class People Exceed 200 Million.” https://chfs.swufe.edu.cn/ thinktank/columnarticle.html?id=1731
  • “The Global Gender Gap Report 2018”. 2018. World Economic Forum. https://www.weforum. org/reports/the-global-gender-gap-report-2018
  • Halberstam, Judith. 1998. Female Masculinity. Durham: Duke University Press.
  • Hansen, Mette., and R. Svarverud. 2010. IChina: The Rise of the Individual in Modern Chinese Society. Copenhagen: NIAS Press.
  • Honig, Emily, and Hershatter. Gail. 1988. Personal Voices: Chinese Women in the 1980s. California: Stanford University Press.
  • Li, Li. 2003. “The Structure and Ratio of Middle-class in the Contemporary China.” Chinese Journal of Population Science 6 (5): 25–32.
  • Li, Li. 2011. “The Development of Chinese Middle-class.” Journal of Heilongjiang Social Science 1: 75–87.
  • Li, Li. 2012. “On Chinese Chick Flick Movies.” Contemporary Cinema 2012 (5): 51–55.
  • Li, Xiaojiang. 1988a. “Reform and the Awakening Female Consciousness of Chinese Women.” Social Science Front, 88 (4): 300–310.
  • Li, Xiaojiang. 1988b. Eve’s Exploration: Women’s Studies. Zhengzhou: He Nan People’s Publisher.
  • Li, Xiaojiang. 1995. Becoming Women: Women’s Studies in the New Era. Zhengzhou: He Nan People’s Publisher.
  • Lu, Xueyi. 2002. Research Report on Social Stratification in Contemporary China. Beijing: Social Sciences Academic Press.
  • Ma, Huidi, and E. Liu. 2017. Traditional Chinese Leisure Culture and Economic Development: A Conflict of Forces. Berlin: Springer.
  • McDonald, Tarmer. 2007. Romantic Comedy: Boy Meets Girl Meets Genre. Columbia: Columbia University Press.
  • McRobbie, Angela. 2007. “Post Feminism and Popular Culture: Bridget Jones and the New Gender Regime.” In Interrogating Postfeminism: Gender and the Politics of Popular Culture, edited by Yvonne Tasker and Diane Negra, 27–39. Durham: Duke University Press.
  • Mou, Ge. 2014. “Comparative Studies on the Continent and Tiny Times 3 Based on Data Analysis.” eFuture. http://www.e-future.com.cn/news_details.php?nid=1637
  • Negra, D., and Y. Tasker. 2007. Interrogating Postfeminism: Gender and the Politics of Popular Culture. Durham: Duke University Press.
  • Peng, A. Y. 2019. “Neoliberal Feminism, Gender Relations, and a Feminized Male Ideal in China: A Critical Discourse Analysis of Mimeng’s WeChat Posts.” Feminist Media Studies 1–17. doi:10.1080/14680777.2019.1653350.
  • Thornham, Sue, and Feng Pengpeng. 2010. ““Just a Slogan” Individualism, Post-feminism, and Female Subjectivity in Consumerist China.” Feminist Media Studies 10 (2): 195–211. doi:10.1080/14680771003672320.
  • Walder, Andrew. 1995. “Career Mobility and the Communist Political Order.” American Sociological Review 60 (3): 309–328. doi:10.2307/2096416.
  • Wang, Lei. 2010. “Go, Lala Go! Is a Work-Place Film or a Show”. Sohu Education. http://learning.sohu.com/20100421/n271651689.shtml
  • Wang, Zheng. 1997. “The Differences between Female Consciousness and Gender.” Journal of Chinese Women’s Studies 1997 (1): 14–20.
  • Wang, Zheng. 2017. Finding Women in the State: A Socialist Feminist Revolution in the People’s Republic of China, 1949-1964. California: University of California Press.
  • Wright, Teresa. 2010. Accepting Authoritarianism: State-society Relations in China’s Reform Era. California: Stanford University Press.
  • Xian, Jia. 2012. “The Definition of Chick Flick Movie.” Contemporary Cinema 2012 (5): 46–51.
  • Yao, Tang, Zhao Yuan, and Chen Zhian. 2018. “Chinese Women in Transition: From the “Class and Gender” Perspective.” Universal Journal of Management 6 (12): 478–490. doi:10.13189/ujm.2018.061202.
  • Yu, Mengtong. 2018. “Glass Ceiling Unbreakable: The Political Predicament for Chinese Women Reflected in Data of People’s Congress”. https://www.voachinese.com/a/chinese-women-in-politics-20180307/4284883.html