References
- Ahmad, Ali Nobil. 2014. “Film and Cinephilia in Pakistan: Beyond Life and Death.” BioScope: South Asian Screen Studies 5 (2): 81–98.
- Ahmad, Ali Nobil, and Sophia Anjum. 2014. “Independent Filmmaking in Pakistan: An Interview withSabihaSumar.” BioScope: South Asian Screen Studies 5 (2): 153–162.
- Ahmad, Sadaf. 2016. “Sexualised Objects and the Embodiment of Honour: Rape in Pakistani Films.” South Asia: Journal of South Asian Studies 39 (2): 386–400. doi:10.1080/00856401.2016.1166473.
- Ahmed, Tufayel. 2018. “Mahira Khan: How Time’s up Is Crossing over from Hollywood to Pakistan and Bollywood.” Newsweek. Accessed March 1, 2020. http://www.newsweek.com/mahira-khan-howtimes-crossing-over-hollywood-pakistan- film-industry-and-828888
- Al-Rawi, Ahmed. 2014. “The Representation of September 11th and American Islamophobia in non-Western Cinema.” Media, War & Conflict 7 (2): 152–164. doi:10.1177/1750635214530208.
- Aslam, Erum Hafeez. 2015. “Lollywood-Pakistani Cinema Through A Transitional Lens.” Journal of Independent Studies & Research: Management & Social Sciences & Economics 13 (1): 1–17.
- Ayaz, Shaikh. 2011. “Bol Is Superlative with a Message for the Society.” Rediff. Accessed March 1, 2020. http://www.rediff.com/movies/review/review-bol/20110831.htm
- Baer, Hester. 2016. “Redoing Feminism: Digital Activism, Body Politics, and Neoliberalism.” Feminist Media Studies 16 (1): 17–34. doi:10.1080/14680777.2015.1093070.
- Banaji, Shakuntala. 2007. “Fascist Imaginaries and Clandestine Critiques: Young Hindi Film Viewers Respond to Violence, Xenophobia and Love in Cross-border Romances.” In Filming the Line of Control: The Indo–Pak Relationship through the Cinematic Lens, edited by Meenakshi Bharat and Nirmal Kumar, 157–178. Oxford, UK: Routledge.
- BBCAsianNetwork. 2018. “Mahira Khan Interview on Maula Jatt, Harassment & the Haters.” YouTube. Accessed March 1, 2020. https://www.youtube.com/watch?v=eCJuzkehgJE
- Bhattacharya, Ananya. 2017. “Padmavati and Verna: India and Pakistan Shame Shame, Not Different.” India Today. Accessed March 1, 2020. https://www.indiatoday.in/movies/standpoint/story/padmavati-verna-india-pakistan- deepika-padukone-mahira-khan-1086223-2017-11-14
- Bhattacharya, Spandan, and Anugyan Nag. 2016. “Watching Zindagi: Pakistani Social Lives on Indian TV.” South Asian Popular Culture 14 (1–2): 61–72. doi:10.1080/14746689.2016.1260865.
- Bilal, Ahmad. 2018. “Oppositional Cultural Elements in the Emergent Cinema of Pakistan.” South Asian Popular Culture 16 (1): 1–8. doi:10.1080/14746689.2018.1451587.
- Bol. 2011. Film. Directed byShoaib Mansoor. Pakistan: ShomanProductions.
- Chatterjee, Partha. 1989. “Colonialism, Nationalism, and Colonialized Women: The Contest in India.” American Ethnologist 16 (4): 622–633. doi:10.1525/ae.1989.16.4.02a00020.
- Chatterjee, Partha. 2018. “Women and Nation Revisited.” South Asian History and Culture 9 (4): 380–387. doi:10.1080/19472498.2018.1535548.
- Chatterjee, Tupur. 2019. “Rape Culture, Misogyny, and Urban Anxiety in NH10 and Pink.” Feminist Media Studies 19 (1): 130–146. doi:10.1080/14680777.2017.1369446.
- Cheema, Munira. 2018. Women and TV Culture in Pakistan: Gender, Islam and National Identity. London: Bloomsbury Publishing.
- Dadi, Iftikhar. 2010. “BioScopic and Screen Studies of Pakistan, and of Contemporary Art.” BioScope: South Asian Screen Studies 1 (1): 11–15.
- DAWN. 2011. “‘Bol’ Gets Indians Talking.” Accessed March 1, 2020 https://www.dawn.com/news/656754/bol-gets-indians-talking
- Durham, Meenakshi Gigi. 2015. “Scene of the Crime: News Discourse of Rape in India and the Geopolitics of Sexual Assault.” Feminist Media Studies 15 (2): 175–191. doi:10.1080/14680777.2014.930061.
- Egan, Eric. 2002. “Pakistani Cinema: Between the Domestic and the Regional.” Asian Cinema 13 (1): 27–38. doi:10.1386/ac.13.1.27_1.
- The Express Tribune. 2018. “Mahira Khan’s ‘Verna’ to Screen at Women-centric UK Asian Film Fest.” Accessed March 1, 2020. https://tribune.com.pk/story/1628303/4-mahira-khans- verna-screen-women-centric-uk-asian-film-fest
- Ganguly, Šumit. 2002. Conflict Unending: India-Pakistan Tensions since 1947. New York: Columbia University Press.
- Ghadery, Farnush. 2019. “#metoo—has the ‘Sisterhood’ Finally Become Global or Just Another Product of Neoliberal Feminism?” Transnational Legal Theory 10 (2): 252–274. doi:10.1080/20414005.2019.1630169.
- Goyal, Samarth. 2015. “No One Dared to Make a Film like KhudaKeLiye in India: Naseeruddin.” Hindustan Times. Accessed March 1, 2020. https://www.hindustantimes.com/bollywood/no-one-dared-to-make-a-film-like-khuda-ke- liye-in-india-naseeruddin/story-IH9NerdUVfFTpsSLNtvG0J.html
- Haroon, Fifi. 2017. “Verna, the Film on Power, Politics and Rape that Has Taken Pakistan by Storm.” Herald. Accessed March 1, 2020. https://herald.dawn.com/news/1153926
- Hegde, Radha S. 1998. “A View from Elsewhere: Locating Difference and the Politics of Representation from A Transnational Feminist Perspective.” Communication Theory 8 (3): 271–297. doi:10.1111/j.1468-2885.1998.tb00222.x.
- Hindustan Times. 2017. “Mahira Khan Posts Verna Disclaimer: This Film Is Imaginary, for Reality Is Too Bitter to Be Shown.” Accessed March 1, 2020. https://www.hindustantimes.com/bollywood/mahira-khan-take-a-jibe-at-pakistan-censor- board-with-verna-disclaimer-it-s-true-for-india-too/story z8zffyyquA3AHKd3Pm8S7N.html
- Javed, T. 2011. “BOL: A Review.” DAWN. Accessed March 1, 2020. https://www.dawn.com/news/641475
- Jelača, Dijana. 2017. “Teaching Transnational Cinema: Politics and Pedagogy.” Feminist Media Studies 17 (4): 697–699. doi:10.1080/14680777.2017.1331000.
- Khan, Shahnaz. 2016. “What Is in a Name? Khwaja Sara, Hijra and Eunuchs in Pakistan.” Indian Journal of Gender Studies 23 (2): 218–242. doi:10.1177/0971521516635327.
- Khuda Kay Liye. 2007. Directed by Shoaib Mansoor. Pakistan: Shoman Productions.
- Kumar, Sanjeev H. M. 2016. “Metonymies of Fear: Islamophobia and the Making of Muslim Identity in Hindi Cinema.” Society and Culture in South Asia 2 (2): 233–255. doi:10.1177/2393861716643874.
- LudVan 2 74. 2018. “HARDtalkMahira Khan.” YouTube. Accessed March 1, 2020. https://www.youtube.com/watch?v=bRHJ9FOgadQ&feature
- Malani, Gaurav. 2008. “Khuda Kay Liye: Movie Review.” The Economic Times. Accessed March 1, 2020. https://economictimes.indiatimes.com/industry/media/entertainment/khuda-kay- liyemovie-review/articleshow/2913371.cms
- Malani, Gaurav. 2011. “Bol: Movie Review.” The Times of India. Accessed March 1, 2020. https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Bol- MovieReview/articleshow/9795843.cms
- Mir, Amir. 2011. “A Speakeasy Panorama.” Outlook. Accessed March 1, 2020. https://www.outlookindia.com/magazine/story/a-speakeasy-panorama/277655
- Mohanty, Chandra Talpade. 2003. Feminism without Borders: Decolonizing Theory, Practicing Solidarity. Durham: Duke University Press.
- Padmaavat. 2018. Directed by Sanjay Leela Bhansali. India: Bhansali Productions and Viacom 18 Motion Pictures.
- Patil, Vrushali, and Bandana Purkayastha. 2017. “The Transnational Assemblage of Indian Rape Culture.” Ethnic and Racial Studies 41 (11): 1–19.
- Ray, Shankhamala. 2012. “Islamic Women in Films: Turning the Voyeurs into Spectators.” Students’ Research Global Media Journal–Indian Edition 3 (1): 1–5.
- Saif, Hamzah. 2013. “Internalized Colonial Narratives in Pakistani Cinema: Liberalism, “Good Muslims,” and the War on Terror - Ajam Media Collective.” Ajam Media Collective. Accessed March 1, 2020. https://ajammc.com/2013/07/02/internalized-colonial- narratives-in-pakistani-cinema-liberalism-good-muslims-and-the-war-on-terror
- Shome, Raka. 2006. “Transnational Feminism and Communication Studies.” The Communication Review 9 (4): 255–267. doi:10.1080/10714420600957266.
- Singh, Vandana. 2008. “KhudaKeLiye Lets Bridge the ‘Divide’.” India Today. Accessed March 1, 2020. https://www.indiatoday.in/latest-headlines/story/khuda-ke-liye-lets-bridge-the- divide-24572-2008-04-19
- Tarar, Mehr. 2017. “Why Pakistani Critics of Mahira Khan’s Verna Have a Problem with How a Rape Survivor Reacts.” Dailyo. Accessed March 1, 2020. https://www.dailyo.in/arts/rape- pakistani-filmverna-patriarchy-zakhmi-aurat-monica-bellucci- irrversible/story/1/20767.html
- Teli, Nusair. 2017. “What Verna Means for All of Us (And Meeting Mahira Khan!).” nt. Accessed March 1, 2020. https://nusairteli.com/2017/11/18/what-verna-means-for-all-of- us-and-meeting-mahira-khan
- Thompson, Zoë Brigley, and Sorcha Gunne. 2012. “Introduction: Feminism without Borders: The Potentials and Pitfalls of Retheorizing Rape.” In Feminism, Literature and Rape Narratives, edited by Sorcha Gunne and Zoë Brigley, 23–44. London: Routledge.
- The Times of India. 2016a. “Bol Movie Review.” Accessed March 1, 2020. https://timesofindia.indiatimes.com/entertainment/hindi/movie- reviews/bol/moviereview/9797368.cms
- The Times of India. 2016b. “Khuda Kay Liye Movie Review.” Accessed March 1, 2020. https://timesofindia.indiatimes.com/entertainment/hindi/movie-reviews/khuda- kayliye/movie-review/2926547.cms
- Verjee, Neelam. 2008. “Percept Hopes to Push Cross-border Cultural Exchange with a Film.” Livemint. Accessed March 1, 2020. https://www.livemint.com/Consumer/Hcfnybv3ApWr4D4jCfABcN/Percept-hopes- topush-crossborder-cultural-exchange-with-a.html
- Verna. 2017. Film. Directed byShoaib Mansoor. Pakistan: ShomanProductions.
- Waheed, Alia. 2017. “‘Rape Is a Rampant Issue’; Taboo Drama Verna Battles the Censors in Pakistan.” The Guardian. Accessed March 1, 2020. https://www.theguardian.com/film/2017/nov/17/verna-or-else-pakistan-shoaib-mansoor- mahira-khan-censors
- Waheed, Alia. 2018. “‘Pakistan Is Ready for Change’: Verna Star Mahira Khan on Her Controversial Career.” The Guardian. Accessed March 1, 2020. https://www.theguardian.com/film/2018/mar/16/pakistan-is-ready-for-change-verna-star- mahira-khan-on-her-controversial-career
- Zahra-Malik, Mehreen. 2017. “Pakistani Women Seize Film Dispute as Chance to Discuss Rape and Injustice.” The New York Times. Accessed March 1, 2020. https://www.nytimes.com/2017/12/25/world/asia/pakistan-rape-film-verna-mahira- khan.html