Where the #bgirls at? politics of (in)visibility in breaking culture

References

• Aprahamian, Serouj. 2020. “‘There Were Females that Danced Too’: Uncovering the Role of Women in Breaking History.” Dance Research Journal 52 (2): 41–58. doi:10.1017/S0149767720000169.
   Web of Science ®Google Scholar
• Bennett, Andy, and Richard A. Peterson. 2004. Music Scenes: Local, Translocal and Virtual. Nashville: Vanderbilt University Press.
   Google Scholar
• Bgirlsessions. 2020. “#dontrushchallenge Celebrating BGirls Worldwide [Instagram].” April 28. Accessed 30 April 2020. https://www.instagram.com/tv/B_hXA2-jUQA/?igshid=2s6xpql7g8fk
   Google Scholar
• Chang, Jeff. 2007. Can’t Stop Won’t Stop: A History of the Hip-Hop Generation. Reading, Berkshire: Ebury Press.
   Google Scholar
• Chew, Matthew Ming-tak, and Sophie Pui Sim Mo. 2019. “Towards a Chinese Hip-Hop Feminism and a Feminist Reassessment of Hip-Hop with Breakdance: B-Girling in Hong Kong, Taiwan and China.” Asian Studies Review 43 (3): 455–474. doi:10.1080/10357823.2019.1631256.
   Web of Science ®Google Scholar
• Crawley, Sara L. 2012. “Autoethnography as Feminist Self-Interview.” In The SAGE Handbook of Interview Research: The Complexity of the Craft, edited by Jaber F. Gubrium, James A. Holstein, Amir B. Marvasti, and Karyn D. McKinney, 143–161. 2nd ed. Thousand Oaks, CA: SAGE Publications.
   Google Scholar
• Diaries, Dyzee. 2019. “Changing “Bboyin” Terminology to Be More Bgirl Inclusive | Feat Jilou | Bboy Vlog #88 [Youtube].” December 29. Accessed 8 January 2020. https://www.youtube.com/watch?v=nFWNQlkhavo
   Google Scholar
• Dodds, Sherril. 2018. “The Brutal Encounters of a Novice B-Girl.” Choreographic Practices 9 (2): 233–252. doi:10.1386/chor.9.2.233_1.
   Web of Science ®Google Scholar
• Durham, Aisha. 2010. “Hip Hop Feminist Media Studies.” International Journal of Africana Studies 16 (1): 117–135.
   Google Scholar
• Durham, Aisha, Brittney C. Cooper, and Susana M. Morris. 2013. “The Stage Hip-Hop Feminism Built: A New Directions Essay.” Signs: Journal of Women in Culture and Society 38 (3): 721–737. doi:10.1086/668843.
   Web of Science ®Google Scholar
• FlavaDM. 2014. “Girls, Girls, Girls! X Outbreak Europe 2014 | A Clip by ZS [Youtube].” July 29. Accessed 27 November 2019. https://www.youtube.com/watch?v=FeijPSrLP0E
   Google Scholar
• Fogarty, Mary. 2012. “Breaking Expectations: Imagined Affinities in Mediated Youth Cultures.” Continuum 26 (3): 449–462. doi:10.1080/10304312.2012.665845.
   Web of Science ®Google Scholar
• Fogarty, Mary, Erica Cleto, Jessie Zsolt, and Jacqueline Melindy. 2018. “Strength in Numbers: B-Girls, Gender Identities and Hip-Hop Education.” Journal of Popular Music Education 2 (1): 115–132. doi:10.1386/jpme.2.1-2.115_1.
   Google Scholar
• Gottlieb, Joanne, and Gayle Wald. 2006. “Smells like Teen Spirit: Riot Grrrls, Revolution, and Women in Independent Rock.” In The Popular Music Studies Reader, edited by Andy Bennett, Barry Shank, and Jason Toynbee, 355–361. London: Routledge.
   Google Scholar
• Guevara, Nancy. 1996. “Women Writin’ Rappin’ Breakin’.” In Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture, edited by William Eric Perkins, 49–62. Philadelphia: Temple University Press.
   Google Scholar
• Gunn, Rachael. 2016. “‘Don’t Worry, It’s Just a Girl!’: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene.” Journal of World Popular Music 3 (1): 54–74. doi:10.1558/jwpm.v3i1.31223.
   Web of Science ®Google Scholar
• Gunn, Rachael, and John Scannell. 2013. “Overcoming the Hip-Hop Habitus.” In “Shifting Sounds: Musical Flow” A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference, edited by Oli Wilson and Sarah Attfield, 53–61. Dunedin, New Zealand: International Association for the Study of Popular Music. https://search.informit.com.au/documentSummary;dn=875845369540905;res=IELHSS
   Google Scholar
• Gupta-Carlson, Himanee. 2010. “Planet B-Girl: Community Building and Feminism in Hip-Hop.” New Political Science 32 (4): 515–529. doi:10.1080/07393148.2010.520438.
   Google Scholar
• Harris, Anita. 2004. Future Girl: Young Women in the Twenty-First Century. London: Routledge.
   Google Scholar
• Haugen, Jason D. 2003. “‘Unladylike Divas’: Language, Gender, and Female Gangsta Rappers.” Popular Music and Society 26 (4): 429–444. doi:10.1080/0300776032000144904.
   Web of Science ®Google Scholar
• Isoke, Zenzele. 2013. “Women, Hip Hop, and Cultural Resistance in Dubai.” Souls 15 (4): 316–337. doi:10.1080/10999949.2013.884449.
   Web of Science ®Google Scholar
• Johnson, Imani Kai. 2014. “From Blues Women to B-Girls: Performing Badass Femininity.” Women & Performance: A Journal of Feminist Theory 24 (1): 15–28. doi:10.1080/0740770X.2014.902649.
   Google Scholar
• Kopytko, Tania. 1986. “Breakdance as an Identity Marker in New Zealand.” Yearbook for Traditional Music 18 (January): 21–28. doi:10.2307/768516.
   Google Scholar
• Loots, Lliane. 2003. “Being a ‘Bitch’: Some Questions on the Gendered Globalisation and Consumption of American Hip-Hop Urban Culture in Post-Apartheid South Africa.” Agenda 17 (57): 65–73. doi:10.1080/10130950.2003.9674476.
   Google Scholar
• Macdonald, Nancy. 2001. The Graffiti Subculture: Youth, Masculinity and Identity in London and New York. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Mahoney, Cat. 2020. “Is This What a Feminist Looks Like? Curating the Feminist Self in the Neoliberal Visual Economy of Instagram.” Feminist Media Studies. Routledge: 1–17. doi: 10.1080/14680777.2020.1810732.
   Web of Science ®Google Scholar
• Maxwell, Ian. 2003. Phat Beats, Dope Rhymes: Hip Hop Down Under Comin’ Upper. Middletown: Wesleyan University Press.
   Google Scholar
• McRobbie, Angela. 2009. The Aftermath of Feminism: Gender, Culture and Social Change. London: SAGE.
   Google Scholar
• McRobbie, Angela. 2015. “Notes on the Perfect.” Australian Feminist Studies 30 (83): 3–20. doi:10.1080/08164649.2015.1011485.
   Web of Science ®Google Scholar
• McRobbie, Angela, and Jenny Garber. 1977. “Girls and Subcultures.” In The Subcultures Reader, edited by Ken Gelder, 105–112. London & New York: Routledge.
   Google Scholar
• Mitchell, Tony. 2003. “Australian Hip-Hop as a Subculture.” Youth Studies Australia 22 (2): 40–47.
   Google Scholar
• Morgan, Joan. 2000. When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down. New York: Simon and Schuster.
   Google Scholar
• Mulvey, Laura. 2001. “Visual Pleasure and Narrative Cinema.” In Media and Cultural Studies: Keyworks, edited by Meenakshi Gigi Durham and Douglas M. Kellner, 342–352. Malden, MA: Blackwell.
   Google Scholar
• Pabón-Colón, Jessica Nydia. 2017. “Writin’, Breakin’, Beatboxin’: Strategically Performing ‘Women’ in Hip-Hop.” Signs: Journal of Women in Culture & Society 43 (1): 175–200. doi:10.1086/692481.
   Web of Science ®Google Scholar
• Pabón-Colón, Jessica Nydia. 2018. Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora. New York, NY: NYU Press.
   Google Scholar
• Plummer, Ken. 2001. “The Call of Life Stories in Ethnographic Research.” In Handbook of Ethnography, edited by Paul Atkinson, Amanda Coffey, Sara Delamont, John Lofland, and Lyn Lofland, 395–406. Thousand Oaks, CA: SAGE.
   Google Scholar
• Pough, Gwendolyn D. 2004. Check It while I Wreck It: Black Womanhood, Hip-Hop Culture, and the Public Sphere. Lebanon, NH: University Press of New England.
   Google Scholar
• Raimist, Rachel. 2007. “B-Girls, Femcees, Graf Girls and Lady Deejays: Women Artists in Hip Hop.” In Home Girls Make Some Noise: Hip-Hop Feminism Anthology, edited by Gwendolyn D. Pough, Elaine Richardson, Rachel Raimist, and Aisha Durham, 1–3. California: Parker Publishing, LLC.
   Google Scholar
• Red Bull BC One. 2019. “Rise of the B-Girls [Youtube].” September 10. Accessed 27 November 2019. http://www.youtube.com/playlist?list=PLFESWvkiXqSVQub_-Ly8kprDWo7v5StMt
   Google Scholar
• Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover: Wesleyan University Press.
   Google Scholar
• Sassen, Saskia. 2002. “Towards a Sociology of Information Technology.” Current Sociology 50 (3): 365–388. doi:10.1177/0011392102050003005.
   Google Scholar
• Saunders, Tanya. 2016. “Towards A Transnational Hip-Hop Feminist Liberatory Praxis: A View from the Americas.” Social Identities 22 (2): 178–194. doi:10.1080/13504630.2015.1125592.
   Web of Science ®Google Scholar
• Schloss, Joseph G. 2009. Foundation: B-Boys, B-Girls and Hip-Hop Culture in New York. New York: Oxford University Press.
   Google Scholar
• Sharpley-Whiting, T. Denean. 2007. Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women. New York: NYU Press.
   Google Scholar
• Thornton, Sarah 2006. “Understanding Hipness: ‘Subcultural Capital’ as Feminist Tool.” In Andy Bennett, Barry Shank, and Jason Toynbee (Eds.), The Popular Music Studies Reader, 99–105. London: Routledge.
   Google Scholar
• Wajcman, Judy. 2010. “Feminist Theories of Technology.” Cambridge Journal of Economics 34 (1): 143–152. doi:10.1093/cje/ben057.
   Web of Science ®Google Scholar
• Washington, Alesha Dominek. 2007. “Not the Average Girl from the Videos: B-Girls Defining Their Space in Hip-Hop Culture.” In Home Girls Make Some Noise: Hip-Hop Feminism Anthology, edited by Gwendolyn D. Pough, Elaine Richardson, Rachel Raimist, and Aisha Durham, 80–91. California: Parker Publishing, LLC.
   Google Scholar
• Wheeler, Darby, and Rodrigo Bascunan. 2016. “Hip-Hop Evolution [TV Series 2016–].” Canada: Banger Films.
   Google Scholar