References
- Altenburger, Roland. 2009. The Sword or the Needle: The Female Knight-errant (Xia) in Traditional Chinese Narrative. Bern: Peter Lang.
- Altenburger, Roland. 2019. “The Knight-Errant and the Good Fellow in Chinese Narrative Water Margin and the Xia (Hero) Tradition.” In A Companion to World Literature, edited by Ken Seigneurie, 1–11. New York: John Wiley & Sons.
- Burning of the Red Lotus Temple. 1928. “Film. Directed by Zhang Shichuan.” Shanghai.
- Chen, Ya-chen. 2012. Women in Chinese Martial Arts Films of the New Millennium: Narrative Analyses and Gender Politics. Lanham: Lexington Books.
- Crouching Tiger Hidden Dragon. 2000. “Film. Directed by Ang Lee.” Taiwan and Hong Kong.
- Fan, Victor. 2015. “The Something of Nothing. Hou Hsia-hsien’s the Assassin [On-line].” Los Angelos Review of Books. Accessed August 7, 2020. https://lareviewofbooks.org/article/the-something-of-nothing-hou-hsiao-hsiens-the-assassin/
- Hsieh, Terence. 2014. “Remarkable Propensity for Violence.” The World of Chinese. Accessed August 10, 2020. https://theworldofchinese.com/2014/05/a-touch-of-sin/
- Jia, Zhangke, 2007. “Interview: Jia Zhangke Wants to Try Commercial Films after ‘Attacking’ Curse of the Golden Flower.” Accessed June 10, 2020. https://yule.sohu.com/20070111/n247561018_2.shtml
- Jia, Zhangke. 2013. “I Don’t Have to Pick up a Gun, I Can Just Pick up a Camera.” Filmmaker. Accessed August 10, 2020. http://filmmakermagazine.com/76463-i-dont-have-to-pick-up-a-gun-i-can-just-pick-up-a-camera-jia-zhangke-on-a-touch-of-sin/#.VHapYoslDU7/
- Jia, Zhangke. 2014. “Interview with Jia Zhangke: I Made a Film about Killing despite All Risks,” ELLEMen. Accessed June 12, 2018. http://ellechina.com/men/people/20130724-146872.shtml
- Lin, Po-chun. 1997. “The Images of Lady Knights-Errant in Classic Chinese Fiction.” Bulletin of the Institute of Chinese Literature and Philosophy 11: 43–88.
- Lin, Po-chun. 2019. “The Old School and the New School of Martial Arts Fiction.” Guandong Journal 33 (3): 98–123. doi:10.19470/j.cnki.cn22-1417/c.2019.03.012.
- Liu, James J. Y. 1967. The Chinese Knight-Errant. Chicago: University of Chicago Press.
- Ma, Iris. 2019. “Imagining Female Heroism: Three Tales of the Female Knight-Errant in Republican China.” Cross-Currents: East Asian History and Culture Review 8 (2): 661–688. doi:10.1353/ach.2019.0023.
- Song, Geng. 2019. “Masculinizing Jianghu Spaces in the past and Present: Homosociality, Nationalism and Chineseness.” NAN NÜ 21 (1): 107–129. doi:10.1163/15685268-00211P04.
- Sun, Jinyan. 2013. “The Kung Fu Novel: A ‘Whirlpool’ Literary Style.” Journal of Jiangsu Social Sciences 3: 199–203. doi:10.13858/j.cnki.cn32-1312/c.2013.03.005.
- Teo, Stephen. 2009. Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh: Edinburgh University Press. The Assassin. 2015. Film. Directed by Hou Hsiao-Hsien. Taiwan.
- Wang, Yanjie. 2015. “Violence, Wuxia, Migrants: Jia Zhangke’s Cinematic Discontent in A Touch of Sin.” Journal of Chinese Cinemas 9 (2): 159–172. doi:10.1080/17508061.2015.1020626.
- Xiao, Jiwei. 2015. “China Unraveled: Violence, Sin, and Art in Jia Zhangke’s A Touch of Sin.” Film Quarterly 68 (4): 24–35. doi:10.1525/fq.2015.68.4.24.
- Yang, Yi. 1998. The Classical Chinese Novel. Beijing: People’s Publishing House.
- Zhu, Ping. 2011. “Destruction, Moral Nihilism and the Poetics of Debris in Jia Zhangke’s Still Life.” Visual Anthropology 24 (4): 318–328. doi:10.1080/08949468.2011.583566.