References
- Allison, David 2018. “Face to Face Interview with Author”. 7 March.
- Barham, Amy 2018. “Skype Interview With Author”. 9 July.
- Batty, Craig, and Dallas J. Baker. 2018. “Screenwriting as a Mode of Research, and the Screenplay as Research Artefact.” In Screen Production Research: Creative Practice as a Mode of Enquiry, edited by Craig Batty, and Susan Kerrigan, 67–84. Basingstoke: Palgrave.
- Batty, Craig, Radha O’Meara, Stayci Taylor, Hester Joyce, Philippa Burne, Noel Maloney, Mark Poole, and Marilyn Tofler. 2018. “Script Development as a ‘Wicked Problem’.” Journal of Screenwriting 9 (2): 153–174. doi:10.1386/josc.9.2.153_1.
- Bloore, Peter. 2013. The Screenplay Business: Managing Creativity and Script Development in the Film Industry. Abingdon: Routledge.
- Bruun, Hanne. 2021. “From Scheduling to Trans–Programming.” Media, Culture & Society 43 (4): 613–628. doi:10.1177/0163443720957556.
- Calvisi, Daniel. 2016. Story Maps: TV Drama. The Structure of the One–Hour Television Pilot. Los Angeles, CA: Act Four Screenplays.
- Conor, Bridget. 2014. Screenwriting: Creative Labor and Professional Practice. Abingdon: Routledge.
- Cooke, Lez. 2003. British Television Drama: A History. London: B.F.I.
- Creeber, Glen. 2004. Serial Television: Big Drama on the Small Screen. London: B.F.I.
- Directors UK. 2018. “Who’s Calling the Shots? Gender Inequality among Screen Directors Working in Television”. Report. UK. August.
- Douglas, Pamela. 2011. Writing the TV Drama Series: How to Succeed as a Professional Writer in TV. 3rd ed. Los Angeles, CA: Michael Weise Productions.
- Dunleavy, Trisha. 2018. Complex Serial Drama and Multiplatform Television. Abingdon: Routledge.
- Dunn, Anne. 2012. “The Genres of Television.” In Narrative and Media, edited by Helen Fulton, Rosemary Huisman, Julian Murphet, and Anne Dunn, 125–139. Cambridge: Cambridge University Press.
- Eikhoff, Doris Ruth, and Stevie Marsden. 2019. “Diversity and Opportunity in the Media Industries.” In Making Media: Production, Practices, and Professions, edited by Mark Deuze, and Mirjam Prenger, 247–258. Amsterdam: Amsterdam University Press.
- Fee, Richard. 2018. “Face to Face Interview with Author”. 23 May.
- Gorton, Kristyn, and Joanne Garde–Hansen. 2019. Remembering British Television: Audience, Archive and Industry. London: B.F.I.
- Hallam, Julia. 2013. “Drama Queens: Making Television Drama for Women 1990–2009.” Screen 54 (2): 256–261. doi:10.1093/screen/hjt013.
- Harrod, Mary, and Katarzyna Paszkiewicz, Editors. 2018. Women Do Genre in Film and Television. Abingdon: Routledge.
- Hill, Annette. 2019. Media Experiences: Engaging with Drama and Reality Television. Abingdon: Routledge.
- Hollick, Caroline 2018. “Face to Face Interview with Author”. 8 May.
- Johnson, Beth. 2019. “Leading, Collaborating, Championing: RED’s Arresting Women.” Journal of British Cinema and Television 16 (3): 327–345. doi:10.3366/jbctv.2019.0480.
- Jones, Neil 2018. “Skype Interview With Author”. 19 April.
- Kozloff, Sarah. 1992. “Narrative Theory and Television.” In Channels of Discourse, Reassembled, edited by Robert C. Allen, 67–100. 2nd ed. Abingdon: Routledge.
- Krauβ, Florian. 2020. “From ‘Redakteursfernsehen’ to ‘Showrunners’: Commissioning Editors and Changing Project Networks in TV Fiction from Germany.” Journal of Popular Television 8 (2): 177–194. doi:10.1386/jptv_00017_1.
- Kreager, Alexis, with Stephen Follows. 2018. “Gender Inequality and Screenwriters: A Study of the Impact of Gender on Equality of Opportunity for Screenwriters and Key Creatives in the UK Film and Television Industries”. Report. Writers Guild of Great Britain/Authors’ Licensing and Collecting Society. UK. May.
- Levy, Bob. 2019. Television Development: How Hollywood Creates New TV Series. New York, NY: Routledge.
- Maras, Steven. 2009. Screenwriting: History, Theory, Practice. London: Wallflower.
- Mayne, Laura. 2012. “Creative Commissioning: Examining the Regional Aesthetic in the Work of Channel 4ʹs First Commissioning Editor for Fiction, David Rose.” Journal of British Cinema and Television 9 (1): 40–57. doi:10.3366/jbctv.2012.0059.
- Maynes, Mary Jo, Jennifer L. Pierce, and Barbara Laslett. 2008. Telling Stories: The Use of Personal Narratives in the Social Sciences and History. Ithaca, NY: Cornell University Press.
- McCabe, Janet. 2000. “Diagnosing the Alien: Producing Identities, American ‘Quality’ Drama and British Television Culture in the 1990s.” In Frames and Fictions on Television: The Politics of Identity within Drama, edited by Bruce Carson and Margaret Llewellyn–Jones, 141–154. Exeter: Intellect.
- McElroy, Ruth. 2016. “The Feminisation of Contemporary British Television Drama: Sally Wainwright and RED Productions.” In Television for Women: New Directions, edited by Rachel Moseley, Helen Wheatley, and Helen Wood, 34–52. Abingdon: Routledge.
- McElroy, Ruth, and Catriona Noonan. 2019. Producing British Television Drama: Local Production in a Global Era. Basingstoke: Palgrave.
- Mensah, Anne 2018. “Telephone Interview With Author”. 30 July.
- Mero-Jaffe, Irit. 2018. “‘Is that What I Said?’ Interview Transcript Approval by Participants: An Aspect of Ethics in Qualitative Research.” International Journal of Qualitative Methods 10 (3): 231–247. doi:10.1177/160940691101000304.
- Moseley, Rachel, Helen Wheatley, and Helen Wood. 2016. “Introduction: Television for Women – What New Directions?” In Television for Women: New Directions, edited by Rachel Moseley, Helen Wheatley, and Helen Wood, 1–12. Abingdon: Routledge.
- Noonan, Catriona. 2018. “Commissioning and Producing Public Service Content: British Arts Television.” Media Industries 5 (2): 1–18. doi:10.3998/mij.15031809.0005.201.
- Parker, Chris 2018. “Skype Interview With Author”. 30 March.
- Price, Steven. 2017. “Script Development and Academic Research.” Journal of Screenwriting 8 (3): 319–333. doi:10.1386/josc.8.3.319_1.
- Redvall, Eva Novrup. 2013. Writing and Producing Television Drama in Denmark. Basingstoke: Palgrave.
- Reeks, Jenny 2018. “Telephone Interview With Author”. 3 December.
- Rixon, Paul. 2007. “American Programmes on British Screens: A Revaluation.” Critical Studies in Television 2 (2): 96–112. doi:10.7227/CST.2.2.9.
- Rosencrantz, Claudia 2018. “Telephone Interview with Author”. 19 November.
- Saha, Anamik. 2018. Race and the Cultural Industries. Cambridge: Polity.
- Selbo, Jules. 2016. Screenplay: Building Story Through Character. Abingdon: Routledge.
- Shindler, Nicola 2019. “Telephone Interview With Author”. 18 November.
- Taylor, Stayci, and Craig Batty. 2016. “Script Development and the Hidden Practices of Screenwriting: Perspectives from Industry Professionals.” New Writing: The International Journal for the Practice and Theory of Creative Writing 13 (2): 204–217. doi:10.1080/14790726.2015.1120314.
- Tofler, Marilyn, Craig Batty, and Stayci Taylor. 2019. “The Comedy Web Series: Reshaping Australian Script Development and Commissioning Practices.” Australasian Journal of Popular Culture 8 (1): 71–84. doi:10.1386/ajpc.8.1.71_1.
- Wreyford, Natalie. 2018. Gender Inequality in Screenwriting Work. Basingstoke: Palgrave.
- Yin, Robert K. 2016. Qualitative Research from Start to Finish. 2nd ed. London: Guildford Press.
- Zoellner, Anna. 2022. ”Commissioning and Independent Television Production: Power, Risk, and Creativity.” International Journal of Communication 16: 585–603.