References
- Ally McBeal. 1997-2002. USA: Twentieth Century Fox.
- Alsop, Elizabeth. 2021. “Chapter 11: “The Radical Middle: Jane the Virgin, Crazy Ex-Girlfriend, and the Subversive Potential of the Television Post-Romcom.” In After “Happily Ever After”: Romantic Comedy in the Post-Romantic Age, edited by Filippo, Maria San, 219-238. Detroit: Wayne State University Press.
- Brown, Wendy. 2006. “American Nightmare Neoliberalism, Neoconservatism, and De-Democratization.” Political Theory 34 Number (6): 690–714. doi:10.1177/0090591706293016. 6 December 2006
- Caroline in the City. 1995-1999. Television Series. Seasons 1-4. USA: CBS Entertainment Productions.
- Chewing Gum. 2015-2017. Television Series. Seasons: 1–2. UK: E4.
- Crazy Ex-Girlfriend. 2015-2019. Television Series. Seasons 1-4. USA: The CW.
- Dale, Joshua Paul, Joyce Goggin, Julia Leyda, Anthony P. McIntyre, and Diane Negra. 2016. “The Aesthetics and Affects of Cuteness.” In The Aesthetics and Affects of Cuteness, 1–34. New York: Routledge.
- Dobson, Amy Shields, and Akane Kanai. 2019. “From ‘Can-do’ Girls to Insecure and Angry: Affective Dissonances in Young Women’s Post-recessional Media.” Feminist Media Studies 19 (6): 771–786. doi:10.1080/14680777.2018.1546206.
- Eckert, Charles. 1974. “Shirley Temple and the House of Rockefeller.” Jump Cut: A Review of Contemporary Media from Jump Cut, no. 2, 1974: 17–20.
- Elizabethtown. 2005. Film. Directed by Cameron Crowe. USA: Paramount Pictures.
- Enchanted. 2007. Film. Directed by Kevin Lima. USA: Walt Disney Pictures.
- Fleabag. 2016-2019. Television Series. Seasons 1-2. UK: BBC.
- Ford, Jessica, and Phoebe Macrossan. 2019. “The Musical Number as Feminist Intervention in Crazy Ex-Girlfriend.” Australasian Journal of Popular Culture 8 (1): 55–69. doi:10.1386/ajpc.8.1.55_1.
- Gentlemen Prefer Blondes. 1953. Film. Directed by Howard Hawks. USA: Twentieth Century Fox.
- Gill, Rosalind. 2017. “The Affective, Cultural and Psychic Life of Postfeminism: A Postfeminist Sensibility 10 Years On.” European Journal of Cultural Studies 20 (6): 606–626. doi:10.1177/1367549417733003.
- Girls. 2012-2017. Television Series. Seasons 1-6. USA: HBO.
- Harris, Daniel. 2000. “Cuteness.” In Cute, Quaint, Hungry and Romantic: The Aesthetics of Consumerism. 1-20. New York: Da Capo.
- Hiland, Emma Bedor. 2018. ““Fluff,” Affect, and the Circulation of Feeling.” Feminist Media Studies 18 (1): 138–143. doi:10.1080/14680777.2017.1407119.
- Iley, Chrissy 1993. “What Makes Meg a Star?”; Sunday Times, 5 September: 6–7.
- Jane the Virgin. 2014-2019. Television Series. Seasons: 1-5. USA: CW.
- Kanai, Akane. 2017. “Beyond Repudiation: The Affective Instrumentalisation of Feminism in Girlfriendly Spaces.” Australian Feminist Studies 32 (93): 240–258. doi:10.1080/08164649.2017.1407641.
- Karnick, Kristine Brunovska. 1995. “Commitment and Reaffirmation in Hollywood Romantic Comedy.” In Classical Hollywood Comedy, edited by Kristine Brunovska Karnick and Henry Jenkins, 123–146. New York: Routledge.
- Kevin Can F**k Himself. 2021. Television Series: Seasons: 1. USA: AMC Studios.
- Liu, Rebecca 2019. “The Making of a Millennial Woman.” Another Gaze, 12 June, www.anothergaze.com/making-millennial-woman-feminist-capitalist-fleabag-girls-sally-rooney-lena-dunham-unlikeable-female-character-relatable/
- The Mary Tyler Moore Show. 1970-1977. Television Series. Seasons: 1–7. USA: MTM Enterprises.
- May, Simon. 2019. The Power of Cute. Princeton University Press.
- McIntyre, Anthony P. 2015. “Isn’t She Adorkable! Cuteness as Political Neutralization in the Star Text of Zooey Deschanel.” Television & New Media 16 (5): 422–438. doi:10.1177/1527476414524284.
- McRobbie, Angela. 2009. The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage.
- Morris, Wesley 2019. “Rom-Coms Were Corny and Retrograde. Why Do I Miss Them so Much?” The New York Times Magazine, 24 April., www.nytimes.com.
- New Girl. 2011-2018. Television Series. Seasons: 1–7. USA: Twentieth Century Fox.
- Russian Doll. 2019. Television Series. Seasons: 1. USA: Netflix.
- Suddenly Susan. 1996-2000. Television Series. Seasons: 1-4. USA: Warner Bros.
- Tasker, Yvonne, and Diane Negra. 2007. “Feminist Politics and Postfeminist Culture.” In Interrogating Postfeminism: Gender and Politics in Popular Culture, edited by Yvonne Tasker and Diane Negra, 1–25. Durham: Duke University Press.
- Unbreakable Kimmy Schmidt. 2015-2019. Television Series. Seasons: 1-4. USA: Netflix.
- Unbreakable Kimmy Schmidt: Kimmy vs the Reverend. 2020. Film. Directed by Claire Scanlon. USA: Netflix.
- Wandavision. 2021. Television Series. Seasons: 1. USA: Marvel Studios.
- Wanzo, Rebecca. 2016. “Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abjection Aesthetics.” Camera Obscura 31 (2): 27–59. doi:10.1215/02705346-3592565.