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Hispanic Research Journal
Iberian and Latin American Studies
Volume 23, 2022 - Issue 1
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Article

Buñuel’s Messy Law and the “Extimate” Image in El ángel exterminador and La Mort en ce jardin

Bibliography

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  • Bright, Octavia. 2016. “Bourgeois, Buñuel, and Venus’ Empty Shell: Hysteria and Crisis in Cet obscur objet du désir (1977).” Bulletin of Spanish Studies 93 (4): 697–719. doi:10.1080/14753820.2016.1183395.
  • Buñuel, Luis. 1985. My Last Breath. Trans. by Abigail Israel. London: Fontana Paperbacks.
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  • Fotiade, Ramona. 2007. “From Ready-Made to Moving Image: The Visual Poetics of Surrealist Cinema.” In The Unsilvered Screen: Surrealism on Film, edited by Graeme Harper and Rob Stone, 9–22. London: Wallflower Press.
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  • Ripley, Marc. 2016. “Housed Nowhere and Everywhere Shut In: Uncanny Dwelling in Luis Buñuel’s El ángel exterminador.” Bulletin of Spanish Studies 93 (4): 679–695. doi:10.1080/14753820.2016.1178508.
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Filmography

  • El ángel exterminador. 1962. Directed by Luis Buñuel. Producciones Alatriste, Uninci, and Films 59.
  • L’Age d’or. 1930. Directed by Luis Buñuel. Vicomte de Noailles.
  • La Mort en ce jardin. 1956. Directed by Luis Buñuel. Films Dismage and Producciones Tepeyac.
  • Simón del desierto. 1965. Directed by Luis Buñuel. Producciones Alatriste.
  • Un Chien andalou. 1929. Directed by Luis Buñuel. Produced by Luis Buñuel.
  • Viridiana. 1961. Directed by Luis Buñuel. Producciones Alatriste, Uninci, and Films 59.

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