References
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- Barone, T., and E. W. Eisner. 2012. Arts Based Research. Los Angeles: Sage.
- Barrett, E. 2007. “Introduction.” In Practice as Research: Approaches to Creative Arts Enquiry, edited by E. Barrett and B. Bolt, 1–14. London: I. B. Tauris.
- Baudrillard, J. 1994. Simulacra and Simulation. Ann Arbor: University of Michigan Press.
- Bazin, A. 1967. “The Myth of Total Cinema.” In What Is Cinema? 17–22. London: University of California Press.
- Borgdorff, H. 2006. The Debate on Research in the Arts. Accessed: 14 January 2017. http://www.ips.gu.se/digitalAssets/1322/1322713_the_debate_on_research_in_the_arts.pdf.
- Bukatman, S. 1990. “Who Programs You? The Science Fiction of the Spectacle.” In Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, edited by A. Kuhn, 196–213. London: Verso Books.
- Bukatman, S. 1993. Terminal Identity: the Virtual Subject in Postmodern Science Fiction. Durham, NC: Duke University Press.
- Deleuze, Gilles, and Félix Guattari. 2004. Anti-Oedipus. London: Continuum International Publishing Group.
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- Shaviro, S. 2003. Connected, or What It Means to Live in the Network Society. Minneapolis: University of Minnesota Press.
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- Sobchack, V. 2001. Screening Space: The American Science Fiction Film. 4th ed. New Brunswick, NJ: Rutgers University Press.
- Stewart, G. 2007. Framed Time: Toward a Postfilmic Cinema. Chicago: University of Chicago Press.
- Telotte, J. P. 1995. Replications: A Robotic History of the Science Fiction Film. Urbana: University of Illinois Press.
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- Ulmer, G. L. 1994. Heuretics: The Logic of Invention. Baltimore: The John Hopkins University Press.
Selected Filmography
- Blade Runner (Ridley Scott 1982).
- Dark City (Alex Proyas, 1998).
- Johnny Mnemonic (Robert Longo, 1995).
- The Thirteenth Floor (Josef Rusnak 1999).
- Total Recall (Paul Verhoeven, 1990).
- The Truman Show (Peter Weir, 1998).