References
- (All of the listed websites were last accessed on September 20, 2016.)
- Aamaa. 19 September 2006. “ Pussy Cat Dolls Sway.” https://www.youtube.com/watch?v=aFPvKGL69kE.
- Alejos, Robert. 8 December 2007. “ Pedro Infante – Quien sera.” https://www.youtube.com/watch?v=kYorZEdoaPU.
- anuroman. 23 September 2013. “ Tohama – C’est si doux (sous titres; traducere romana).” http://www.youtube.com/watch?v=Q21hc_jP4O0.
- Bebek Versiyon. 4 December 2014. “ Ajda Pekkan Kim Ne Derse Desin + Bebek Versiyon.” https://www.youtube.com/watch?v=A7-maGhw_aY. (no longer available)
- Boyd, Michael S. 2014. “(New) Participatory Framework on YouTube? Commenter Interaction in US Political Speeches.” Journal of Pragmatics 72: 46–58. doi:10.1016/j.pragma.2014.03.002.
- Brito, Enrique. 27 August 2010. “ Quien sera la que me quiere a mi los cuervos de ecuador.” https://www.youtube.com/watch?v=gG-R4mgI6ZY. (no longer available)
- Burgess, Jean. 2015. “From ‘Broadcast Yourself’ to ‘Follow Your Interests’: Making Over Social Media.” International Journal of Cultural Studies 18 (3): 281–285. doi:10.1177/1367877913513684.
- Burgess, Jean, and Joshua Green. 2009. YouTube: Online Video and Participatory Culture. Malden, MA: Polity Press.
- Cabrera, Christopher. 30 September 2012. “ Michael Buble Sway (Subtitulos).” https://www.youtube.com/watch?v=KrPtYlD2LSo.
- Carl, Vannes. 28 December 2012. https://www.youtube.com/watch?v=OfldAhC8rgA. (no longer available).
- Cine Mexicano. 1 September 2007. “ Pedro Infante Cruz – Quien sera.” http://www.youtube.com/watch?v=DrwxfvQ5QcA.
- Click, Melissa A., Hyunji Lee, and Holly W. Holladay. 2013. “Making Monsters: Lady Gaga, Fan Identification, and Social Media.” Popular Music and Society 36 (3): 360–379. doi:10.1080/03007766.2013.798546.
- Collins, Steve. 2014. “YouTube and Limitations of Fair Use in Remix Videos.” Journal of Media Practice 15 (2): 92–106. doi:10.1080/14682753.2014.960764.
- Crawley, Harry. 10 May 2010. “ Dean Martin ‘Sway’ Harry Crawley sings on the Nescafe Gold Blend 2011 TV ad.” https://www.youtube.com/watch?v=LLmSlg_aaCI.
- Delabastita, Dirk. 1989. “Translation and Mass-communication: film and TV Translation as Evidence of Cultural Dynamics.” Babel 35 (4): 193–218. doi:10.1075/babel.35.4.02del.
- derayokai. 28 November 2008. “ Aaron Kwok Quien sera.” http://www.youtube.com/watch?v=UKWIgvXfF7g.
- Dovey, Jonathan. 2008. “Dinosaurs and Butterflies – Media Practice Research in New Media Ecologies.” Journal of Media Practice 9 (3): 243–256. doi:10.1386/jmpr.9.3.243/1
- Duffett, Mark. 2015. “Fan Practices.” Popular Music and Society 38 (1): 1–6. doi:10.1080/03007766.2014.973764.
- Edmond, Maura. 2014. “Here We Go Again: Music Videos after YouTube.” Television and New Media 15 (4): 305–320. doi:10.1177/1527476412465901.
- Fuchs, Christian. 2009. “Information and Communication Technologies and Society: A Contribution to the Critique of the Political Economy of the Internet.” European Journal of Communication 24 (1): 69–87. doi:10.1177/0267323108098947.
- Galuszka, Patryk. 2015. “New Economy of Fandom.” Popular Music and Society 38 (1): 25–43. doi:10.1080/03007766.2014.974325.
- Garibaldi, Batuqueabc. 17 June 2013. “ Quien sera la que me quiere Daniel Santos Karaoke.” https://www.youtube.com/watch?v=LaLwJ-Q6D14.
- Gauntlett, David. 2011. Making Is Connecting: The Social Meaning of Creativity. From DIY and knitting to YouTube and Web 2.0. London: Polity Press.
- Girti, Gül. 21 August 2012. “ Kim ne derse desin aşk için.” http://www.youtube.com/watch?v=Egq1Uk0WLbk.
- h.b.hasan89. 4 August 2014. “ Dean Martin Sway Arabic Translation.” https://www.youtube.com/watch?v=eRGx5-lZY40.
- İlter, Aykut. 11 July 2013. “ Ders Blok Flüt Sway Kim Ne Derse Desin Aşk İçin Aykut Öğretmen.” https://www.youtube.com/watch?v=LcCEXmvjc3s.
- jazzuela66. 15 August 2011. “ Björk Gling – Gló Í dansi með þér.” http://www.youtube.com/watch?v=d1EoZH87lb0. (no longer available).
- Jellynote Screencast. 12 July 2014. “ Sway dean Martin (piano sheet music).” https://www.youtube.com/watch?v=jZRN22FLMlY.
- Jenkins, Henry, Sam Ford, and Joshua Green. 2013. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press.
- Jones, Katy. 31 December 2011. “ Nguyễn Hưng – Ai Sẽ Là Em.” http://www.youtube.com/watch?v=xZrDtSZft6E.
- Kaindl, Klaus. 2005. “The Plurisemiotics of Pop Song Translation: Words, Music, Voice and Image.” In Song and Significance: Virtues and Vices of Vocal Translation, edited by Dinda L. Gorlée, 235–262. Amsterdam: Rodopi.
- KatyPerryVEVO. 20 February 2014. “ Katy Perry – Dark Horse (Official) ft. Juicy J.” https://www.youtube.com/watch?v=0KSOMA3QBU0&list=PLSTz8jpJdr5qrbVEburBasItcSBO43xPv&index=1.
- Kim, Jin. 2012. “The Institutionalization of YouTube: From User-generated Content to Professionally Generated Content.” Media, Culture and Society 34 (1): 53–67. doi:10.1177/0163443711427199.
- Kirsch, Steven J. 2010. Media and Youth: A Developmental Perspective. West Sussex: Wiley.
- Leadbeater, Charles. 2013. “Improvers, Entertainers, Shockers, and Makers.” In A Companion to New Media Dynamics, edited by John Hartley, Jean Burgess, and Axel Bruns, 221–230. West Sussex: Wiley.
- lesdemsoul bramhs. 27 February 2015. “ Dino Mattei C’est si doux (Dean Martin Sway).” https://www.youtube.com/watch?v=4niMTRoEYbc.
- madeena360. 15 January 2008. “ Albi Da2- Rula Zaki on OTV- RulaZaki.com.” https://www.youtube.com/watch?v=iuqBWqjQaHs.
- Magpie08AA5. 21 July 2008. “ Dean Martin and Jerry Lewis ‘Sway.’” https://www.youtube.com/watch?v=FuR3tp3DwbM.
- Manovich, Lev. 2009. “The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production?” Critical Inquiry 35 (2): 319–331. doi:0093-1896/09/3502-0006
- Marshall, David P. 2010. “The Promotion and Presentation of the Self: Celebrity as Marker of Presentational Media.” Celebrity Studies 1 (1): 35–48. doi:10.1080/19392390903519057.
- Negus, Keith. 1992. Producing Pop: Culture and Conflict in the Popular Music Industry. London: Arnold.
- Negus, Keith. 1996. Popular Music Theory. An Introduction. Cambridge: Blackwell.
- O’Reilly, Tim. 2005. “ What Is Web 2.0_Design Patterns and Business Models for the Next Generation of Software.” http://www.oreilly.com/pub/a/web2/archive/what-is-web-20.html?page=1.
- papyonlu bağyan. 9 June 2015. “ kore klip (kim ne derse desin).” https://www.youtube.com/watch?v=9Ihcu2fh9_0. (no longer available)
- Payaminvegas. 9 February 2009. “ Persian Cowboy sings dean Martin’s sway.” https://www.youtube.com/watch?v=i6mu0LOjA3U.
- Furkan, Paylaşım. 10 September 2016. “ Kanal D Yeni Sezon Tanıtım Filmi 2016–2017.” https://www.youtube.com/watch?v=M1Tgpy8FfrE.
- phokimyen1. 26 July 2011. “ C’est si doux (Sway – Quien sera) – phokimyen.” https://www.youtube.com/watch?v=DC_VWMox2ns.
- Plasketes, George. 2010. “Introduction: Like a Version.” In Play it again: Cover Songs in Popular Music, edited by George Plasketes, 1–7. New York: Ashgate Press.
- Red Teapot. 12 December 2014. “ Marimba Dance.” https://www.youtube.com/watch?v=g6U1RyqFXss.
- rezaamo. 2 October 2012. “ Mohsen Namjoo Khat Bekesh.” http://www.youtube.com/watch?v=_kJ5x2aybn4.
- Senft, Theresa M. 2013. “Microcelebrity and the Branded Self.” In A Companion to New Media Dynamics, edited by John Hartley, Jean Burgess, and Axel Bruns, 346–354. West Sussex: Wiley.
- Sironaca. 26 December 2011. “ Mercedes ve Durul Gence 5'lisi – Çok Yazık Sana 1968.” https://www.youtube.com/watch?v=UYHtRGTjvD0. (no longer available)
- Sociedad de Autores y Compositores de México (Mexican Society of Lyricists and Composers). 2016. http://www.sacm.org.mx/biografias/biografias-interior.asp?txtSocio=08623.
- sorryskies. 12 July 2010. “ Starsky and Hutch Mina Chi sarà – Mina50.” https://www.youtube.com/watch?v=P0NBFpa7vVU.
- Stevebenfleet. 18 August 2010. “ Sway – Play Along.” https://www.youtube.com/watch?v=hFe2akH54ZE.
- Tagg, Philip. 2000. “Analysing Popular Music: Theory, Method and Practice.” In Reading Pop: Approaches to Textual Analysis in Popular Music, edited by Richard Middleton, 71–103. Oxford: Oxford University Press.
- Tarasti, Eero. 2002. Signs of Music: A Guide to Musical Semiotics. Berlin: Mouton de Gruyter.
- Taylor, Timothy D. 2006. “Music + Digital Culture: New Forms of Consumption and Commodification.” In Digital Media: Transformations in Human Communication, edited by Paul Messaris and Lee Humphreys, 87–94. Bern: Peter Lang.
- The raves party. 22 May 2012. “ Pedro Infante Quien sera la que me quiera a mi.” https://www.youtube.com/watch?v=Zcio_2lSxvA.
- Van Buggenhout, Djazia. 21 July 2011. “ Rita Hayworth Sway Dancing.” https://www.youtube.com/watch?v=M5FtCIoJATM.
- van Dijck, José. 2013. The Culture of Connectivity: A Critical History of Social Media. New York: Oxford University Press.
- Vernalis, Carol. 2010. “Music Video and YouTube: New Aesthetics and Generic Transformations Case Study – Beyoncé’s and Lady Gaga’s Video Phone.” In Rewind Play Fast Forward the Past, Present and Future of the Music Video, edited by Henry Keazor and Thorsten Wübbena, 233–260. Bielefeld: Transcript Verlag.
- Vernalis, Carol. 2013. Unruly Media: YouTube, Music Video and the New Digital Cinema. Oxford: Oxford University Press.
- Vonderau, Patrick. 2016. “The Video Bubble: Multichannel Networks and the Transformation of YouTube.” Convergence: The International Journal of Research into New Media Technologies 22 (4): 361–375. doi:10.1177/1354856516641882.
- Waldrop, Nicholas. 22 March 2014. “ Sway Dean Martin Cover.” https://www.youtube.com/watch?v=Q9_qc5qlopc.
- Wikipedia. 2016. “ Sway (Song).” https://en.wikipedia.org/wiki/Sway_(song).
- WSM Music HK. 23 April 2014. “ Besame Mucho/Quien sera/ Quando Quando Quando.” https://www.youtube.com/watch?v=ZPfccsZaYGM.
- YouTube. 2016. “ Statistics.” https://www.youtube.com/yt/press/statistics.html.