References
- Alexandrowicz, Conrad. 2014a. “The Poet’s Dream.” Rehearsal script based on selected poems by Lorna Crozier.
- Alexandrowicz, Conrad. 2014b. “Our Verges <borders>.” Rehearsal script based on texts by Erín Moure.
- Bruhn, Jørgen, Anne Gjelsvik, and Eirik Frisvold Hanssen. 2013. Adaptation Studies: New Challenges, New Directions. New York, NY: Bloomsbury Academic.
- Bryant, John. 2013. “Textual Identity and Adaptive Revision: Editing Adaptation as a Fluid Text.” In Adaptation Studies: New Challenges, New Directions, edited by Jørgen Bruhn, Anne Gjelsvik, and Eirik Frisvold Hanssen, 47–48. New York, NY: Bloomsbury.
- Buddies in Bad Times Theatre. http://buddiesinbadtimes.com/.
- Crozier, Lorna. 1992. Inventing the Hawk. Toronto: McClelland and Stewart.
- Crozier, Lorna. 2002. Apocrypha of Light. Toronto: McClelland and Stewart.
- Crozier, Lorna. 2011. Small Mechanics. Toronto: McClelland and Stewart.
- Gilbert, Sky. 2006. “Noel Coward and the Queer Feminine.” PhD diss., University of Toronto.
- Halberstam, Judith. 2011. The Queer Art of Failure. Durham: Duke University Press.10.1215/9780822394358
- Halperin, David. 2012. How To Be Gay. Cambridge: Harvard University Press.10.4159/harvard.9780674067516
- Hutcheon, Linda, and Siobhan O’Flynn. 2013. A Theory of Adaptation. 2nd ed. London: Routledge.
- Ledingham, Jo. 2014. “Mother Tongue Puts Poetry in Motion.” The Vancouver Courier, April 15. http://www.vancourier.com/entertainment/theatre-review-mother-tongue-puts-poetry-in-motion-1.1063228.
- Lehmann, Hans-Thies. 2006. Post-dramatic Theatre. Translated by Karen Jürs-Munby. Abingdon: Routledge.
- Meisner, Natalie, and Donia Mounsef. 2011. “From the Postdramatic to the Poly-dramatic: The Text/Performance Divide Reconsidered.” Journal of Dramatic Theory and Criticism 26 (1): 85–102. doi:10.1353/dtc.2011.0003.
- Moure, Erín. 2012. The Unmemntioable. Toronto: House of Anansi.
- Moure, Erín. 2015. “Tuteshni.” In Poet Pedagogues: Literary Reflections on 120 Years of Ukrainianness in Canada, edited by Lisa Grekul and Lindy Ledohowski. Toronto: University of Toronto Press.
- Murray, Simone. 2012. The Adaptation Industry: The Cultural Economy of Contemporary Literary Adaptation. New York, NY: Routledge.
- Nightswimming. http://nightswimmingtheatre.com/about-us/.
- One Yellow Rabbit Performance Theatre. http://www.oyr.org/.
- Sanders, Julie. 2006. Adaptation and Appropriation. Abingdon: Routledge.
- Sandler, Stephanie. 2011. “Poetry after 1930.” In The Cambridge Companion to Twentieth-Century Russian Literature, edited by Evgeny Dobrenko and Marina Balina, 115–134. Cambridge: Cambridge University Press.10.1017/CCOL9780521875356
- Thomas, Colin. 2014. “Mother Tongue Catches the Ineffable in its Net.” The Georgia Straight, May 15. http://www.straight.com/arts/646151/mother-tongue-catches-ineffable-its-net.
- Verrone, William. 2011. Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice. New York: Continuum.
- Wise, Jennifer. 1998. Dionysus Writes. Ithaca: Cornell University Press.
- Woolf, Virginia. 1977. The Letters of Virginia Woolf Volume 3: 1923–1928. Accessed December 27, 2014. http://modernism.research.yale.edu/ynote/?action=object&value=4632