References
- Abulafia, Y. 2016. The Art of Light on Stage. Oxon: Routledge.
- Alston, A., and M. Welton, eds. 2017. Theatre in the Dark - Shadow, Gloom and Blackout in Contemporary Theatre. London: Bloomsbury Methuen Drama.
- Baugh, C. 2013. Theatre, Performance and Technology: The Development and Transformation of Scenography. 2nd ed. Basingstoke: Palgrave Macmillan doi:https://doi.org/10.1007/978-1-137-10943-9
- Bergman, G. M. 1977. Lighting in the Theatre. Stockholm: Almqvist & Wiksell International.
- Bille, M. 2015. “Lighting up Cosy Atmospheres in Denmark.” Emotion, Space and Society 15: 56–63. doi:https://doi.org/10.1016/j.emospa.2013.12.008.
- Bille, M., and T. F. Sørensen. 2007. “An Anthropology of Luminosity: The Agency of Light.” Journal of Material Culture 12 (3): 263–284. doi:https://doi.org/10.1177/1359183507081894.
- Bleeker, M. 2017. “Thinking that Matters: Towards a Post-Anthropocentric Approach to Performance Design.” In Scenography Expanded - an Introduction to Contemporary Performance Design, edited by J. McKinney and S. Palmer. London: Bloomsbury Methuen Drama, 125 - 135.
- Blumenberg, H. 1993. “Light as a Metaphor for Truth: At the Preliminary Stage of Philosophical Concept Formation.” In Modernity and the Hegemony of Vision, edited by D. M. Levin, 30–62. Berkeley: University of California Press.
- Böhme, G. 1993. “Atmosphere as the Fundamental Concept of a New Aesthetics.” Thesis Eleven 36 (1): 113–126. doi:https://doi.org/10.1177/072551369303600107.
- Böhme, G. 2013. “The Art of the Stage Set as a Paradigm for an Aesthetics of Atmospheres.” Ambiances, International Journal of Sensory Environment https://journals.openedition.org/ambiances/315.
- Böhme, G. 2017. The Aesthetics of Atmospheres. London: Routledge.
- Collins, J., and A. Aronson. 2015. “Editors’ Introduction.” Theatre and Performance Design 1 (1–2): 1–6. doi:https://doi.org/10.1080/23322551.2015.1028172.
- Crisafulli, F. 2013. Active Light, Issues of Light in Contemporary Theatre. Dublin: Artdigiland.
- Di Benedetto, S. 2010. The Provocation of the Senses in Contemporary Theatre. London: Routledge.
- Edensor, T., and S. Sumartojo. 2015. “Designing Atmospheres: Introduction to the Special Issue.” Visual Communication 14 (3): 251–265. doi:https://doi.org/10.1177/1470357215582305.
- Essig, L. 2005. Lighting and the Design Idea. 2nd ed. London, Wadsworth: Thomson.
- Fischer-Lichte, E. 2008. The Transformative Power of Performance: A New Aesthetics. London: Routledge.
- Fisher, M. 2015. How to Write about Theatre, A Manual for Critics, Students and Bloggers. London: Bloomsbury Methuen Drama.
- Graham, K. 2016. “Active Roles of Light in Performance Design.” Theatre and Performance Design 2 (1–2): 73–81. doi:https://doi.org/10.1080/23322551.2016.1178006.
- Graham, K. 2018. “In the Shadow of a Dancer: Light as Dramaturgy in Contemporary Performance.” Contemporary Theatre Review 28 (2): 196–209. doi:https://doi.org/10.1080/10486801.2017.1412953.
- Gröndahl, L. 2014. “From Candle Light to Contemporary Lighting Systems: How Lighting Technology Shapes Scenographic Practices.” Nordic Theatre Studies 26 (2): 20–32. doi:https://doi.org/10.7146/nts.v26i2.24305.
- Hann, R. 2019. Beyond Scenography. London: Routledge.
- Heidegger, M. 1996. Being and Time: A Translation of Sein Und Zeit. New York: SUNY Press.
- Hurley, E. 2010. Theatre & Feeling. Basingstoke: Palgrave Macmillan. Ingold, T. 2005. “ Visual Studies. 20 (2): 97–104. doi:https://doi.org/10.1080/13528165.2013.818316.
- Lehmann, H.-T. 2006. Postdramatic Theatre. London: Routledge.
- Ingold, T. 2005. The eye of the storm: visual perception and the weather. Visual Studies. 20(2), 97–104 doi:https://doi.org/10.1080/14725860500243953
- Jones, R.E. 2004. The Dramatic Imagination: Reflections and Speculations on the Art of the Theatre. London: Routledge. Lynch, A. 2017. “Enda Walsh: 'It should bypass the intellect and go straight to the bones'”. Irish Independent, February 5, 2017. https://www.independent.ie/entertainment/theatre-arts/enda-walsh-it-should-bypass-the-intellect-and-go-straight-to-the-bones-35419474.html
- McKinney, J. 2013. “Scenography, Spectacle and the Body of the Spectator.” Performance Research 18 (3): 63–74. doi:https://doi.org/10.1080/13528165.2013.818316.
- McKinney, J., and S. Palmer, eds. 2017. Scenography Expanded - an Introduction to Contemporary Performance Design. London: Bloomsbury Methuen Drama.
- Moran, N. 2017. The Right Light. Basingstoke: Palgrave doi:https://doi.org/10.1057/978-1-137-33479-4
- Moran, N. 2019. Performance Lighting Design, How to Light for the Stage, Concerts, Exhibitions and Live Events. 2nd ed. London: Bloomsbury Methuen.
- O’Gorman, S., and S. Dargent. 2015. “Sculpting the Spaces of Enda Walsh’s Work: An Interview with Sabine Dargent.” In The Theatre of Enda Walsh, edited by M. P. Caufield and I. R. Walsh, 215–226. Dublin: Carysfort Press.
- Palmer, R. H. 1994. The Lighting Art, the Aesthetics of Stage Lighting Design. 2nd ed. Englewood Cliffs, N.J.: Prentice-Hall.
- Palmer, S. 2013. Light: Readings in Theatre Practice. Basingstoke: Palgrave Macmillan.
- Palmer, S. 2015. A ‘choréographie’ of light and space: Adolphe Appia and the first scenographic turn. Theatre & Performance Design. 1(1–2), pp.31–47 doi:https://doi.org/10.1080/23322551.2015.1024975
- Palmer, S. 2018. “Light and Projection.” In The Routledge Companion to Scenography, edited by A. Aronson, 48–62. Abingdon: Routledge.
- Paull, M. C. 2015. “Ballyturk, Theatre and Event.” In The Theatre of Enda Walsh, edited by M. P. Caufield and I. R. Walsh, 177–194. Dublin: Carysfort Press.
- Pilbrow, R. 1997. Stage Lighting Design : The Art, the Craft, the Life. London: Nick Hern Books
- Pilný, O. 2016. “Life in a Box, Enda Walsh.” In The Grotesque in Contemporary Anglophone Drama, edited by O. Pilný, 81–102. London: Palgrave Macmillan.
- Ratcliffe, M. 2013. “Why Mood Matters.” In The Cambridge Companion to Heidegger’s Being and Time, edited by M. Wrathall, 157–176. Cambridge: Cambridge University Press. doi:https://doi.org/10.1017/CCO9781139047289.008.
- Rayner, A. 2006. Ghosts - Death’s Double and the Phenomena of Theatre. Minneapolis: University of Minnesota Press.
- Rebellato, D. 2009. “When We Talk of Horses, Or, What Do We See When We See a Play?” Performance Research 14 (1): 17–28. doi:https://doi.org/10.1080/13528160903113155.
- Schneider, R. 2015. “New Materialisms and Performance Studies.” TDR/The Drama Review 59 (4): 7–17. doi:https://doi.org/10.1162/DRAM_a_00493.
- Shyldkrot, Y. 2019. “Mist Opportunities: Haze and the Composition of Atmosphere.” Studies in Theatre and Performance 39 (2): 147–164. doi:https://doi.org/10.1080/14682761.2018.1505808.
- Wallace, C. 2017. ““ … ultimately alone and walking around in your own private universe”: Metatheatre and Metaphysics in Three Plays by Enda Walsh.” Hungarian Journal of English and American Studies 23 (1): 35–50.
- Walsh, E. 2014. Enda Walsh Plays, Two. London: Nick Herne Books.
- Weaver, J. 2015. “Enda Walsh and Space: The Evolution of a Playwright.” In The Theatre of Enda Walsh, edited by M. P. Caufield and I. R. Walsh. Dublin: Carysfort Press, 13 - 25.
- Welton, M. 2011. Feeling Theatre. Basingstoke: Palgrave Macmillan.
- Welton, M. 2013. “The Possibility of Darkness, Blackout and Shadow in Chris Goode’s Who You Are.” Theatre Research International 38 (1): 4–19. doi:https://doi.org/10.1017/S0307883312000958.
- Welton, M. 2018. “Making Sense of Air.” Performance Research 23 (3): 80–90. doi:https://doi.org/10.1080/13528165.2018.1495951.
- Zerdy, J., and M. Schweitzer. 2016. “Provocative Atmospheres, Refracted Nations, and the Performance of Light.” Performance Matters 2 (2): 4–22.