References
- Ahmed, S. 2018. “Front Row.” April 26. https://www.bbc.co.uk/programmes/b09zt3nc
- BBC. 2018. “BBC Defends Rivers of Blood Broadcast.” April 12. https://www.bbc.co.uk/news/uk-43745447
- BBC. 2019. “Crossing The Brexit Divide.” February. http://crossingdivides.bbcnewslabs.co.uk/story/start/3/en
- Benson, M., and C. Lewis. 2019. “Brexit, British People of Colour in the EU-27 and Everyday Racism in Britain and Europe.” Ethnic and Racial Studies 42 (13): 2211–2228.
- Billington, M. 2017. “The Majority Review: Solo Show Asks Us to Vote on Ethical Issues.” Guardian, August 15. https://www.theguardian.com/stage/2017/aug/15/the-majority-review-vote-political-violence-dorfman-national-theatre
- Bush, C., and M. Winkworth. 2018. The Assassination of Katie Hopkins. London: Nick Hern.
- Bybee, K. 2016. How Civility Works. Stanford: Stanford University Press.
- Cavendish, D. 2007. “Would an Enoch Powell Play Be Staged?” The Telegraph, December 31. https://www.telegraph.co.uk/culture/theatre/3670229/Would-an-Enoch-Powell-play-be-staged.html
- Cavendish, D. 2016. “Enoch Powell Play What Shadows Is the Most Provocative Theatrical Act of the Decade – Review.” November 2. https://www.telegraph.co.uk/theatre/what-to-see/what-shadows-birmingham-rep-review-the-most-provocative-theatric/
- Drummond, R. 2017. The Majority. London: Oberon.
- Duffy, B., K. Hewlett, J. McRae, and J. Hall. 2019. Divided Britain? Polarisation and Fragmentation Trends in the UK. The Policy Institute. https://www.kcl.ac.uk/policy-institute/assets/divided-britain.pdf
- Fisher, M. 2016. “Back to the Rivers of Blood: Enoch Powell Returns to a Divided Britain.” Guardian, October 31. https://www.theguardian.com/stage/2016/oct/31/enoch-powell-rivers-of-blood-play-what-shadows-ian-mcdiarmid
- Forrester, K. 2019. “The Crisis of Liberalism: Why Centrist Politics Can No Longer Explain the World.” Guardian, November 18. https://www.theguardian.com/books/2019/nov/18/crisis-in-liberalism-katrina-forrester
- Goodhart, D. 2017. The Road to Somewhere: The Populist Revolt and the Future of Politics. London: C. Hurst.
- Graham, J. 2018. “Enemies, Traitors, Saboteurs: How Can We Face the Future with This Anger in Our Politics?” Guardian, February 17. https://www.theguardian.com/commentisfree/2018/feb/17/language-public-social-media-politics-repercussions
- Grieve, J. 2018. “James Grieve: The Assassination of Katie Hopkins.” April 5. https://www.asiw.co.uk/my-own-words/james-grieve-the-assassination-of-katie-hopkins
- Grochala, S. 2017. The Contemporary Political Play. Bloomsbury: Methuen.
- Hannan, C. 2016. What Shadows. London: Nick Hern.
- Higgins, C. 2015. “Theatre: The Nation’s Debating Chamber.” Guardian, May 6. https://www.theguardian.com/stage/2015/mar/06/political-theatre-nations-debating-chamber
- Hillman, R. 2015. “(Re)constructing Political Theatre: Discursive and Practical Frameworks for Theatre as an Agent of Change.” New Theatre Quarterly 31 (4): 380–396.
- Howe-Krizter, A. 2008. Political Theatre in post-Thatcher Britain. Basingstoke: Palgrave Macmillan.
- Lewis, H. 2020. “The State of the National: How Britain’s Biggest Theatre Reflects the Country’s Identity Crisis.” January 3. https://www.theatlantic.com/international/archive/2020/01/britain-national-theater-politics-challenges/603973/
- McKie, R. 2011. “Rival Plays on Climate Change Go Head to Head on London Stage.” Guardian, January 9 https://www.theguardian.com/stage/2011/jan/09/climate-change-plays-london-stage
- Mondon, A., and A. Winter. 2020. Reactionary Democracy: How Racism and the Populist Dar Right Became Mainstream. London: Verso.
- Murphy, P. P. 2017. “White Nationalist Richard Spencer Punched during Interview.” CNN, January 21. https://edition.cnn.com/2017/01/20/politics/white-nationalist-richard-spencer-punched/index.html
- Overend, D., and O. Heath. 2019. “‘The Majority Has Spoken: Performing Referenda at the National Theatre.” Studies in Theatre and Performance 12 (October): 1–23.
- Patel, T. G., and L. Connelly. 2019. “‘Post-race’ Racisms in the Narratives of ‘Brexit’ Voters.” The Sociological Review 67 (5): 968–984.
- Poland, B. 2016. Haters: Harassment, Abuse, and Violence Online. Lincoln, NE: Potomac Books.
- Rebellato, D. 2017. “The Majority.” August 17. http://www.danrebellato.co.uk/spilledink/2017/8/17/the-majority
- Shakespeare, W. [1599] 1984. “Julius Caesar.” In The Oxford Shakespeare: The Complete Works, edited by Stanley Wells, Gary Taylor, John Jowett and William Montgomery. Oxford: Oxford University Press.
- Sierz, A. 2011. Rewriting the Nation: British Theatre Today. Bloomsbury: Methuen.
- Spencer, J. 2012. “Editor’s Introduction.” In Political and Protest Theatre after 9/11: Patriotic Dissent, edited by J. Spencer, 1–15. New York: Routledge.
- Tomlin, L. 2018. “A Victory for Real People: Dangers in the Discourse of Democratisation.” Journal of Contemporary Drama in English 6 (1): 234–248.
- Tomlin, L. 2019. Political Dramaturgies and Theatre Spectatorship: Provocations for Change. London: Methuen Drama.
- Wardle, H., and L. Obermuller. 2019. “‘Windrush Generation’ and ‘Hostile Environment’: Symbols and Lived Experiences in Caribbean Migration to the UK.” Migration and Society: Advances in Research 2 (1): 81–89.
- Wilkinson, M. 2016. “The Brexit Referendum and the Crisis of ‘Extreme Centrism.” German Law Journal 17: 131–142.