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Articles

The absenting subject: research notes on PhDs in Fine Art

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References

PhDs in research study

  • Desjardin, A. 2011. “The Everyday Press: Artists’ Book Imprint.” PhD diss., Kingston University, London.
  • Harris, R. 2013. “Inzide the Zynthetik Theatre: A Polymer Research Assemblage Catalysed by Friedrich Hemlig's Plaztik Remnants Expanded through On-Thermoset Bodies of Zynthetik Textual Production.” PhD diss., Kingston University, London.
  • Hays, D. 2012. “Screen as Landscape.” PhD diss., Kingston University, London.
  • Palmer, K. 2012. “Reality Flickers Writing with Found Objects and Imagined Sculpture.” PhD diss., Royal College of Art, London.
  • Thompson, M. 2012. “Fragments from a Future Archive.” PhD diss., Kingston University, London.

Cited texts

  • Borgdorff, H. 2012. Conflict of the Faculties: Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.
  • Dombois, F., U Meta Bauer, C. Mareis and M. Schwab eds. 2012. Intellectual ‘Birdhouse Artistic Practice as Research’. London: Koenig Books.
  • Dronsfield, J. 2009. “Theory as Art Practice: Notes for Discipline.” Art & Research: A Journal of Ideas, Contexts and Methods 2 (2): 1.
  • Fried, M. 1998. Art and Objecthood: Essays and Reviews. Chicago & London: University of Chicago press ops 148–172.
  • Hannula, M., J. Kaila, R. Palmer and K. Sarje eds. 2013. Artists as Researchers: A New Paradigm for Art Education in Europe. Helsinki: Academy of Fine Arts, Helsinki.
  • Maharaj, S. 2009. “Know-How and No-How: Stopgap Notes on ‘Method’ in Visual Art as Knowledge Production.” Art & Research: A Journal of Ideas, Contexts and Methods, 2 (2): 2.
  • Miles, J. 2012. “Fine Art and Research.” In Intellectual ‘Birdhouse Artistic Practice as Research’, edited by F. Dombois et al., 217–227. London: Koenig Books.
  • Rogoff, I. 2008. “What is a Theorist?” In On Knowledge Production: A Critical Reader in Contemporary Art, edited by M. Hlavajova et al., 142–158. Utrecht: BAK.

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