References
- Albers, J. 2010. Interaction of Color: New Complete Edition. New Haven, CT: Yale University Press.
- Albers, J., G. E. Edgardo, N. F. Weber and B. Danilowitz, eds. 2009. Josef Albers: Homage to the Square. New York: RM.
- Barone, T., and E. W. Eisner. 2011. Arts Based Research. Thousand Oaks, CA: Sage.
- Biggs, M. 2002. “The Role of the Artifact in Art and Design Research.” International Journal of Design Sciences and Technology 10 (2): 19–24.
- Biggs, M., and H. Karlsson, eds. 2011. Routledge Companion to Research in the Arts. London: Routledge.
- Borgdorff, H. 2010. “The Production of Knowledge in Artistic Research.” In Routledge Companion to Research in the Arts, edited by M. Biggs and H. Karlsson, 44–63. London: Routledge.
- Buchanan, R., D. Doordan, L. Justice, and V. Margolin, eds. 1999. Doctoral Education in Design. Pittsburgh, PA: Carnegie Mellon University Press.
- Dewey, J. 1934. Art as Experience. New York: Capricorn.
- Elkins, J. 2009. Artists with PhDs: On the New Doctoral Degree in Studio Art. Washington, DC: New Academia.
- Elkins, J. 2014. Artists with PhDs: On the New Doctoral Degree in Studio Art. Washington, DC: New Academia.
- Farmelo, G. 2009. The Strangest Man. London: Faber and Faber.
- Foucault, M. 1976. The Archaeology of Knowledge. New York: Harper & Row.
- Fukai, A., B. Vinken, S. Frankel, H. Kurino, and R. Nie. 2011. Future Beauty: 30 Years of Japanese Fashion. London: Merrell.
- Gronert, S. 2009. Düsseldorf School of Photography. London: Thames & Hudson.
- Hannula, M., J. Suoranta, and T. Vadén. 2005. Artistic Research: Theories, Methods and Practices. Helsinki: Academy of Fine Arts and University of Gothenburg.
- Korvenmaa, P., ed. 1999. Useful and Critical: the Position of Research in Design. Helsinki: University of Art and Design Helsinki.
- Lange, S., and J. Gaines. 2006. Bernd and Hilla Becher: Life and Work. Cambridge: MIT Press.
- Leavy, P. 2009. Method Meets Art: Arts-based Research Practice. New York: Guilford Press.
- Mann, A. 1987. The Study of Fugue. New York: Dover Books on Music.
- Schön, D. 1983. The Reflective Practitioner: How Professionals Think in Action. New York: Basic Books.
- Scrivener, S. 2002. “The Art Object Does Not Embody a Form of Knowledge.” Working Papers in Art and Design 2. Accessed January 2014. http://sitem.herts.ac.uk/artdes_research/papers/wpades/vol2/scrivenerfull.html.
- Sein, M. K., O. Henfridsson, S. Purao, M. Rossi, and R. Lindgren. 2011. “Action Design Research.” MIS Quarterly 35 (1): 37–56.
- Stimson, B. 2004. “The Photographic Comportment of Bernd and Hilla Becher.” Accessed January 20, 2013. http://www.tate.org.uk/research/tateresearch/tatepapers/04spring/stimson_paper.htm.
- “The Art of the Fugue.” 2014. Accesses February. http://pipedreams.publicradio.org/articles/artoffugue/fugue.shtml.
- Tufte, E. 2006. Beautiful Evidence. Cheshire: Graphics Press.
- Van Schaik, L., A. Johnson, R. Blythe, P. Downtown, K. Heron, L. Shiqiao, and J. Verbeke. 2012. By Practice, by Invitation: Design Practice Research in Architecture and Design at RMIT, 1988–2011. Melbourne, VIC: RMIT University.
- Wittgenstein, L. 1968. Philosophical Investigations. Oxford: Blackwell.
- Wollf, C. 2000. Johann Sebastian Bach, the Learned Musician. Oxford: Oxford University Press.
- Young, J. O. 2001. Art and Knowledge. London: Routledge.