Ordinary extraordinary: the para/pata:institutionalism of Critical Practice

References

• Beech, D. 2014. “Teaching the Unteachable.” Art Monthly 377 (June): 9–10.
   Google Scholar
• Benjamin, W. 1973. “The Task of the Translator: An Introduction to the Translation of Baudelaire’s Tableaux Parisian.” In Illuminations, edited by Hannah Arendt, 70–81. London: Fontana Press.
   Google Scholar
• Bradfield, M. 2013. “Utterance and Authorship in Dialogic Art: Or an Account of Barcamp in Response to the Question: What is Dialogic Art?” Ph.D. Thesis, Chelsea College of Arts, University of the Arts London.
   Google Scholar
• Bradfield, M., Amy McDonnell, and Neil Cummings. Forthcoming. “Three Metonyms for Critical Practice: Jig Foam Yield.” Journal for Research Cultures.
   Google Scholar
• Bruguera, T. 2011. “Introduction to Useful Art”. Accessed October 1, 2019. taniabruguera.com/cms/528-0-Introduction+on+Useful+Art.htm.
   Google Scholar
• Critical Practice. 2007. Critical Practice: Issue 1. London: University of the Arts London.
   Google Scholar
• Critical Practice. 2008. Critical Practice: Issue 2. London: University of the Arts London.
   Google Scholar
• Critical Practice. n.d. The Critical Practice Wiki. Accessed May 30, 2019. www.criticalpracticechelsea.org.
   Google Scholar
• Critical Practice and Neil Cummings, eds. 2011. Parade: Modes of Assembly and Forms of Address. London: CCW Graduate School.
   Google Scholar
• Figel, J., and Kuba Szreder. 2016. “Opening Speech”. Remarks Presented at the First Warsaw Patainsituitonal Convention, Museum of Modern Art, April 2. Accessed November 1, 2018. https://artmuseum.pl/en/doc/video-pierwszy-warszawski-zlot-patainstytucjonalny-brud-2.
   Google Scholar
• Friends of Kennington Park. 2019. “Chatists.” Accessed October 12, 2019. https://www.kenningtonpark.org/copy-of-history.
   Google Scholar
• Future Archive. 2016. “About & Contact.” Accessed October 1, 2019. thefuturearchiveblog.wordpress.com/about-2/.
   Google Scholar
• Henning, N., and Ulrike Jordan. 2016. Exhibition Reader: Context is Half the Work. A Partial History of the Artist Placement Group. Edinburgh: Summerhall.
   Google Scholar
• Jarry, A. [1965] 1996. The Exploits and Opinions of Doctor Faustroll, Pataphysician. Translated and annotated by Scott Watson Taylor. Boston: Exact Change.
   Google Scholar
• Levitas, R. 2007. “The Imaginary Reconstitution of Society: Utopia as Method.” In Utopia Method Vision: The Use Value of Social Dreaming, edited by Tom Moylan and Raffaella Baccolini, 47–66. Oxford: Peter Lang.
   Google Scholar
• Open Organizations. 2007. “Introduction to Organizations.” Accessed September 23, 2019. open-organizations.org/view/Main/IntroOpenOrg?skin=print.pattern.
   Google Scholar
• Oxford English Dictionary. 2019. “Word of the Year 2016 is … .” Oxford Dictionaries. Accessed October 13, 2019. https://languages.oup.com/word-of-the-year/word-of-the-year-2016.
   Google Scholar
• P2PF Wiki. 2019. “Open Organization.” Accessed October 12, 2019. https://wiki.p2pfoundation.net/Open_Organization.
   Google Scholar
• Paradox. 2015. “FOR, ABOUT, NEARBY: The Value of Diversity and Difference in Fine Art Practice, Research and Education.” Accessed October 1, 2019. https://www.nafae.org.uk/sites/default/files/downloads/far_about_nearby_conference_call_london.pdf.
   Google Scholar
• Precarious Workers Brigade. 2017. Training for Exploitation? Politicising Employability & Reclaiming Education. London: Journal of Aesthetics and Protest.
   Google Scholar
• Raunig, G. 2009. “Instituent Practices: Fleeing, Instituting, Transforming,” in Art and Contemporary Critical Practice: Reinventing Institutional Critique, edited by Gerald Raunig and Gene Ray, 3–13. London: Mayfly.
   Google Scholar
• Roberts, J. 2010. “Art After Deskilling.” Historical Materialism 18 (2010): 77–96. doi: 10.1163/156920610X512444
   Google Scholar
• Shattuck, R. 1996. Introduction to The Exploits and Opinions of Doctor Faustroll, Pataphysician. Translated and annotated by Scott Watson Taylor. Boston: Exact Change.
   Google Scholar
• Sholette, G. n.d. “Mocksituation.” Art & Social Justice Working Group, Vera List Center for Art and Politics. Accessed October 13, 2019. veralistcenter.org/art-and-social-justice/glossary/28/mocksituation/.
   Google Scholar
• Sholette, G. 2010. Dark Matter: Art and Politics in the Age of Enterprise Culture. London: Pluto Press.
   Google Scholar
• Wilson, M. 2016. “What is to be Done?” Talk for the Decommission Series, ICA, London, March 10.
   Google Scholar
• Wright, S. 2015. “Not, Not Art”. Filmed 18 November. YouTube video, 1:32:07. Posted 11 December 2015. Accessed October 13, 2019. https://www.youtube.com/watch?v=HTVSWtFfnzs.
   Google Scholar
• Y’Barbo, J. 2018. “Ph.D. Abstract.” Accessed September 23, 2019. joshuaybarbo.blogspot.com/2018/11/research-abstract.html.
   Google Scholar