https://orcid.org/0000-0001-6406-7456
References
- Barthes, Roland. 1982. Empire of Signs. Translated by Richard Howard. New York: Hill and Wang.
- Barthes, R. 2005. The Neutral: Lecture Course at the Collège de France (1977–1978). Translated by R. E. Krauss and D. Hollier. New York: Columbia University Press.
- Barthes, R. 2013. How to Live Together: Novelistic Simulations of Some Everyday Spaces. Translated by K. Briggs. New York: Columbia University Press.
- Boyle, Brendan. 2012 ‘Outside the Law: Michael Fried’s “Four Honest Outlaws”’, Los Angeles Review of Books, January 20 2012. Accessed September 2017. https://lareviewofbooks.org/contributor/brendan-boyle/#.
- Buchholz, Daniel, and Christopher Müller, eds. 2005. Tomma Abts. London: Galerie Daniel Buchholz, Cologne; greengrassi. See also archive of articles about Abts kindly supplied by greengrassi (TA_selected texts_e.pdf).
- Fried, Michael. 1980. Absorption and Theatricality: Painting and the Beholder in the Age of Diderot. Berkeley: University of California Press.
- Fried, Michael. 1996. Manet’s Modernism or The Face of Painting in 1860s. Chicago: University of Chicago Press.
- Fried, Michael. 1998. Art and Objecthood: Essays and Reviews. Chicago: University of Chicago Press.
- Fried, Michael. 2008. Why Photography Matters as Art as Never Before. New Haven: Yale University Press.
- Fried, Michael. 2011. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven and London: Yale University Press.
- Fried, Michael. 2012. ‘Sala with Schiller: World, Form, and Play in Mixed Behaviour’, Nonsite. Accessed September 2017. http://nonsite.org/article/sala-with-schiller-world-form-and-play-in-mixed-behavior.
- Harland, Beth. 2021. “Drawing in Atopia: An Exploration of “Drift” as Method.” In A Companion to Contemporary Drawing, edited by Kelly Chorpening, and Rebecca Fortnum, 221–237. London: Wiley & Sons.
- Harland, Beth, and Sunil Manghani, eds. 2015. Painting: Critical and Primary Sources. 4 vols. London: Bloomsbury.
- Pippin, Robert B. 2005. The Persistence of Subjectivity: On the Kantian Aftermath. Cambridge: Cambridge University Press.
- Pippin, Robert B. 2014. After the Beautiful: Hegel and the Philosophy of Pictorial Modernism. Chicago: University of Chicago Press.
- Wroe, Nicholas, and Simon Grant. 2013. ‘Why painting still matters’ (Interviews), The Guardian, November Friday 8, 2013. https://www.theguardian.com/artanddesign/2013/nov/08/why-painting-still-matters-tate-britain.