References
- Agier, M. (2011). Managing the undesirables: Refugee camps and humanitarian government. Cambridge: Polity.
- Agier, M. (2016). Borderlands: Towards an anthropology of the cosmopolitan condition. Cambridge: Polity.
- Agier, M. (2018). The Jungle: Calais's camps and migrants. Medford, MA: Polity.
- Alvarez, N., & Stephenson, J. (2012). A Manifesto for manifestos. Canadian Theatre Review, 150, 3–7. doi: 10.3138/ctr.150.3
- Appel des 800. (2015, October 20). Libération. Retrieved from https://www.liberation.fr
- Appiah, K. A. (2007). Cosmopolitanism: Ethics in a world of strangers. London: Penguin.
- Appiah, K. A. (2016). Mistaken identities: Creed, country, color, culture. Reith Lectures 2016. Retrieved from https://www.bbc.co.uk
- Austin, J. L. (1962). How to do things with words. Cambridge, MA: Harvard University Press.
- Balibar, E. (2004). We, the people of Europe?: Reflections on transnational citizenship. Princeton, NJ: Princeton University Press.
- Barrett, M. (2016). Foreword. In M. Byram, I. Golubeva, H. Hui, & M. Wagner (Eds.), From principles to practice in education for intercultural citizenship (pp. i–vi). Bristol: Multilingual Matters.
- Butler, J. (1997). Excitable speech: A politics of the performative. New York; London: Routledge.
- Butler, J. (2015). Notes toward a performative theory of assembly. Cambridge, MA: Harvard University Press.
- Caraus, T., & Paris, E. (eds.). (2018). Migration, protest movements and the politics of resistance. New York: Routledge.
- Carta di Lampedusa. (2014). Retrieved from http://www.lacartadilampedusa.org
- Caws, M.-A. (2001). Manifesto: A century of isms. Lincoln; London: University of Nebraska Press.
- Chamoiseau, P. (2017). La Déclaration des Poètes. In Frères migrants. Paris: Seuil ( English Translation: Amoz M. & Rönnbäck F. (2018). Migrant brothers: A poet’s declaration of human dignity. New Haven; London: Yale University Press).
- Chamoiseau, P., & Le Bris, M. (eds.). (2018). Osons la fraternité! Les écrivains aux côtés des migrants. Paris: Philippe Rey.
- Cusumano, E. (2018). The sea as humanitarian space: Non-governmental search and rescue dilemmas on the central Mediterranean migratory route. Mediterranean Politics, 23(3), 387–394. doi: 10.1080/13629395.2017.1302223
- Dabashi, H. (2016, 4 February). A Portrait of the artist as a dead boy. Aljazeera. Retrieved from https://www.aljazeera.com/
- Danchev, A. (2011). 100 artists’ manifestos: From the Futurists to the Stuckists. London: Penguin.
- Dolan, J. (2005). Utopia in performance: Finding hope at the theater. Ann Arbor: University of Michigan Press.
- Ebert, T. L. (2003). Manifesto as theory and theory as material force: Toward a red polemic. JAC, 23(3), 553–562.
- Fischer-Lichte, E. (2008). The transformative power of performance: A new aesthetics. London: Routledge.
- Gisti: Groupe d’information et de soutien des immigrés. (2019). Retrieved from https://gisti.org
- Glissant, É. (1990). Poétique de la relation. Paris: Gallimard.
- Glissant, É. (1993). Tout-monde. Paris: Gallimard.
- Guardian. (2019, 17 May). The Guardian view on the Venice Biennale’s migrant boat: Pushing the limits of art. Guardian. Retrieved from https://www.theguardian.com
- Hazelton, R., & Parker, A. M. (2017). The Manifesto project. Akron: University of Akron Press.
- hooks, b. (1990). Marginality as a site of resistance. In R. Ferguson (Ed.), Out there: Marginalization and contemporary cultures (pp. 341–343). Cambridge, MA: MIT.
- Immigrant Movement International (IMI) (2019). Retrieved from http://immigrant-movement.us/
- Institut du Tout-Monde. (2017). Retrieved from https://www.tout-monde.com/
- International Organization for Migration. (2016, 4 April). Who is a migrant? Retrieved from http://weblog.iom.int
- Jeffers, A. (2011). Refugees, theatre and crisis: Performing global identities. Basingstoke: Palgrave Macmillan.
- King, R., & Wood, N. (eds.). (2013). Media and migration: Constructions of mobility and difference. London: Routledge.
- Lack, J. (2017). Why are we ‘artists'? 100 world art manifestos. London: Penguin.
- Landy, R. J., & Montgomery, D. T. (2012). Theatre for change: Education, social action and therapy. Basingstoke: Palgrave Macmillan.
- Le Monde, (2018, 6 July). Aide aux migrants: “Mon combat est légitimé”, se réjouit Cédric Herrou. Le Monde. Retrieved from https://www.lemonde.fr
- Lyon, J. (1999). Manifestoes: Provocations of the modern. Ithaca, NY; London: Cornell University Press.
- Manifeste des 66. (1997, 4 February). Libération. Retrieved from https://www.liberation.fr
- Matsuda, M. (1993). Words that wound: Critical race theory, assaultive speech, and the first Amendment. Boulder, CO: Westview Press.
- Mazzara, F. (2016). Subverting the narrative of the Lampedusa borderscape’. Crossings: Journal of Migration & Culture, 7(2), 135–147.
- Mazzara, F. (2019). Reframing migration: Lampedusa, border spectacle and the aesthetics of subversion. Oxford; New York: Peter Lang.
- Migrant Manifesto. (2011). (Im)migrant Movement International. Retrieved from http://immigrant-movement.us
- RISE. (2017). 10 Things you need to consider if you are an artist - Not of the refugee and asylum seeker community - Looking to work with our community. Retrieved from http://riserefugee.org/
- Scarabicchi, C. (2019). Borrowed voices: Narrating the migrant’s story in contemporary European literature between advocacy, silence and ventriloquism. Journal for Cultural Research. doi:10.1080/14797585.2019.1665895.
- Schechner, R. (2013). Performance studies: An introduction. London: Routledge.
- Spivak, G. (1988). Can the subaltern speak? In C. Nelson, & L. Grossberg (Eds.), Marxism and the interpretation of culture (pp. 271–313). London: Macmillan.
- Stierl, M. (2019). Migrant resistance in contemporary Europe. London & New York: Routledge.
- Stonebridge, L. (2018). Placeless people: Writings, rights, and refugees. Oxford: Oxford University Press.