560
Views
2
CrossRef citations to date
0
Altmetric
Articles

Political depression and working practices in recent French cinema

References

  • Bourdieu, Pierre. 1998. “La précarité est aujourd’hui partout.” In Pierre Bourdieu, Contre-feux: propos pour servir à la résistance contre l’invasion néo-libérale, 95–101. Paris: Raisons d’agir.
  • Cadé, Michel. 2000. L’Écran bleu: la représentation des ouvriers dans le cinéma français. Perpignan: Presses universitaires de Perpignan.
  • Cvetkovich, Anne. 2012. Depression: A Public Feeling. Durham and London: Duke University Press.
  • Dejours, Christophe. 1998. Souffrance en France: la banalisation de l'injustice sociale. Paris: Seuil.
  • Dejours, Christophe. 2008. Travail, usure mentale: essai de psychopathologie du travail (New edition). Paris: Bayard.
  • Ehrenberg, Alain. 1991. Le Culte de la performance. Paris: Pluriel.
  • Ehrenberg, Alain. 2000. La Fatigue d’être soi: dépression et société. Paris: Odile Jacob.
  • Ehrenberg, Alain. 2010. La Société du malaise. Paris: Odile Jacob.
  • Emmanuel, François. 2001. The Quartet. Translated by Euan Cameron. London: Headline.
  • Eng, David L., and David Kazanjian, eds. 2003. Loss: The Politics of Mourning. Berkeley: University of California Press.
  • Foucault, Michel. 2008. The Birth of Biopolitics: Lectures at the Collège de France, 1978–1979. Translated by Graham Burchell. New York, NY: Palgrave Macmillan.
  • Higbee, Will. 2004. “‘Elle est où, ta place?’ The Social-Realist Melodramas of Laurent Cantet: Ressources humaines (2000) and Emploi du temps (2001).” French Cultural Studies 15 (3): 235–250.
  • Khanna, Ranjana. 2008. Algeria Cuts: Women and Representation From 1830 to the Present. Stanford: Stanford University Press.
  • Kristeva, Julia. 1989. Black Sun: Depression and Melancholia. Translated by L. S. Roudiez. New York, NY: Columbia University Press.
  • Lane, Jeremy. 2011. “Disaffection in the Post-fordist Workplace: Figurations of ‘Immaterial Labour’ in Recent French Theory and Literature.” Modern and Contemporary France 19 (4): 495–509.
  • Marks, John. 2011. “‘Ça tient qu’à toi’: Cartographies of Post-fordist Labour in Laurent Cantet’s L’Emploi du temps.” Modern and Contemporary France 19 (4): 477–493.
  • O’Shaughnessy, Martin. 2011. “French Film and the New World of Work: From the Iron to the Glass Cage.” Modern and Contemporary France 19 (4): 427–442.
  • Sansal, Boualem. 2010. An Unfinished Business. Translated by Frank Wynne. London: Bloomsbury.
  • Saxton, Libby. 2010. “Horror by Analogy: Paradigmatic Aesthetics in Nicolas Klotz and Elisabeth Perceval’s La Question humaine.” Yale French Studies 118/119: 209–224.
  • Smith, Graeme. 2006. “The Casson Memorial Lecture 2006: Telling Tales: How Stories and Narratives Co-Create Change.” British Journal of Occupational Therapy 69 (7): 1–9.
  • Williams, James S. 2013. Space and Being in Contemporary French Cinema. Manchester, NH: Manchester University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.