References
- Adeduntan, A. (2014). What the forest told me: Yoruba hunter, culture and narrative performance. UNISA Press.
- Adeduntan, A. (2018). Yorùbá imaginary in the ecocinema of Tunde Kelani. Green Letters, 22(3), 288–300. https://doi.org/10.1080/14688417.2018.1531724
- Adeduntan, A. (2020). Road called Vagina: African Womanist Detours of Túndé Kèlání’s The Narrow Path. Journal of African Cultural Studies, 32(4), 400–414. https://doi.org/10.1080/13696815.2020.1755831
- Adeoti, G. (2017). Memorandum of (mis)understanding: Thoughts on Fagunwas novels and their translations. In A. Adeeko & A. Adesokan (Eds.), Celebrating D.O. Fágúnwà: Aspects of African and world literary history (pp. 230–249). Bookcraft.
- Bádéjo̩, T. (2017). The zoologist in D.O. Fágúnwà. In A. Adeeko & A. Adesokan (Eds.), Celebrating D.O. Fágúnwà: Aspects of African and world literary history (pp. 75–97). Bookcraft.
- Bamgbose, A. (2007). The novels of D.O. Fágúnwà: A commentary. Ethiope.
- Dash, M. C., & Dash, S. P. (2009). Fundamentals of ecology. Tata McGraw Hill.
- Estok, S. C. (2015). Tracking ecophobia: The utility of empirical and systems studies for ecocriticism. Comparative Literature, 67(1), 29–36. https://doi.org/10.1215/00104124-2861991
- Fágúnwà, D. O. (1949). Igbo Olodumare. Nelson
- Fágúnwà, D. O. (1950). Ògbójú o̩dẹ nínú Igbó Irúnmo̩lè̩. Nelson.
- George, O. (1997). Compound of spells: The predicament of D.O. Fágúnwà (1903 – 63). Research in African Literatures, 28(1), 78–97.
- Gorke, M. (2003). The death of our planet’s species: A challenge to ecology and ethics. Island Press.
- Irele, A. (1981). African experience in literature and ideology. Indiana U.P.
- Izevbaye, D. (2017). Fágúnwà’s audience consciousness. In A. Adeeko & A. Adesokan (Eds.), Celebrating D.O. Fágúnwà: Aspects of African and world literary history (pp. 1–18). Bookcraft.
- Jeyifo, B. (2004). Wole Soyinka: Politics, poetics and postcolonialism. Cambridge U.P.
- Jeyifo, B. (2008). Oguntoyinbo: Wole Soyinka and Igilango Geesi. Philosophia Africana, 11(1), 21–36. https://doi.org/10.5840/philafricana200811110
- Lamont, C. (1997). The philosophy of humanism. Humanist Press.
- Laurence, M. (1968). Long drums and cannons: Nigerian dramatists and novelists 1952 – 1966. Macmillan.
- Leach, M. (2000). New shapes to shift: War, parks and the hunting person in modern West Africa. The Journal of the Royal Anthropological Institute, 6(4), 577–595. https://doi.org/10.1111/1467-9655.00034
- Lindfors, B. (1979). Form, theme and style in the narratives of D.O. Fágúnwà. The International Fiction Review, 6(1), 11–16.
- Ogundipe-Leslie, O. (1979). The poetics of fiction by Yorùbá writers: The case of Ògbójú Ọdẹ Ninu Igbo Irunmale. CLA Journal, 22(3), 240–253. http://www.jstor.org/stable/44324762.
- Smith, P. J. O. (2013). Review: D.O. Fagunwa’s Forest of a thousand daemons: A hunter’s saga. Goodrich Scholarship Faculty Publications, 3. http://digitalcommons.unomaha.edu/goodrichfacpub/3.
- Soyinka, W. (1963). A dance of the forests. Oxford U.P.
- Soyinka, W. (2009). Ethics, bioethics and environment in healing designs. African Journal of Reproductive Health, 13(4), 9–24. http://www.jstor.org/stable/27802619.
- Wali, O. (1963). The dead end of African literature. Transition, 10(10), 13–15. https://doi.org/10.2307/2934441
- Washington, T. N. (2005). Our mothers, our powers, our texts: Manifestations of àjé̩ in Africana literatures. Indiana University Press.
- Willoquet-Maricondi, P. (Ed.). (2010). Framing the world: Exploration in ecocriticism and film. University of Virginia Press.