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Research Article

The multipart film: extended anthropological analysis and non-textual forms

References

  • Barthes, R. 1977. Image-Music-Text. New York: Hill and Wang.
  • Bateson, G., and M. Mead. 1942. Balinese Character: A Photographic Analysis. New York: New York Academy of Sciences.
  • Chio, J. 2017. “Guiding Lines.” Dispatches, Cultural Anthropology website, May 2. https://culanth.org/fieldsights/1118-guiding-lines
  • Chio, J., T. L. Smith, K. Hennessy, P. Alvarez Astacio, J. Chio, C. Nye, S. Shankar, et al. 2019. “Bad Habitus: Anthropology in the Age of the Multimodal.” American Anthropologist 121 (2): 517–524. DOI:10.1111/aman.13265.
  • Clifford, J., and G. Marcus, eds. 1986. Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press.
  • Collins, S. G., M. Durington, and H. Gill. 2017. “Multimodality: An Invitation.” American Anthropologist 119 (1): 142–153. doi:10.1111/aman.12826.
  • Griffiths, A. 2002. Wondrous Difference: Cinema, Anthropology and Turn of the Century Visual Culture. New York: Columbia University Press.
  • Grimshaw, A. 2001. The Ethnographer’s Eye: Ways of Seeing in Modern Anthropology. Cambridge: Cambridge University Press.
  • Grimshaw, A., and A. Ravetz. 2009. Observational Cinema: Anthropology, Film and the Exploration of Social Life. Bloomington: Indiana University Press.
  • Gürsel, Z. D. 2014. “Photographic Figure Studies as a Mode of Ethnography?, Cultural Anthropology Review Essay for “Corpus: Mining the Border,” Inaugural Photo-essay by Hoffman, Daniel. “Corpus: Mining the Border.” Writing with Light.” Cultural Anthropology website, January 31. https://culanth.org/photo_essays/1-corpus-mining-the-border
  • MacDougall, D. 1995. Conversations with Anthropological Filmmakers. Cambridge: Prickly Pear Pamphlet. no. 9.
  • MacDougall, D. 1998. Transcultural Cinema. Princeton, NJ: Princeton University Press.
  • MacDougall, D. 2006. The Corporeal Image. Princeton: Princeton University Press.
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  • Marcus, G. 1990. “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” Society for Visual Anthropology Review 6 (1): 2–12. doi:10.1525/var.1990.6.1.2.
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Filmography

  • Character Formation in Different Cultures. 1952. Gregory Bateson and Margaret Mead. Pennsylvania State University, USA. 86 mins
  • Dead Birds. 1963. Robert Gardner. Film Study Center, Harvard University, USA. 84 mins
  • Doon School Series. 2000-2003. David MacDougall, Berkeley Media/Royal Anthropological Institute. Doon School Chronicles. 2000, 143 Mins; with Morning Hearts, 2001, 110 Mins; Karam in Japiur, 54 Mins, 2003; the New Boys, 100 Mins, 2003; the Age of Reason, 87 Mins, 2003.
  • Forest of Bliss. 1985. Robert Gardner. Film Study Center, Harvard University, USA. 91 Mins.
  • Leviathan. 2013. Lucien Castaing-Taylor and Véréna Paravel. Cinema Guild, USA. 87 Mins
  • Nanook of the North. 1922. Robert Flaherty. Revillon Frères, France. 75 Mins
  • Netsilik Eskimo (Series). 1963-68. Asen Balikci and Guy Mary-Rousselière. Eduvational Development Center (Usa)/national Film Board of Canada.
  • To Live with Herds. 1972. David MacDougall. University of California at Los Angeles, USA. 70 Mins
  • Turkana Conversations. 1977-81. David and Judith MacDougall. Lorang’s Way, 1979, 70 Mins; A Wife among Wives, 1981, 75 Mins; the Wedding Camels, 1977, 108 Mins. Rice University Media Center, USA.
  • Yanomamo Shorts. 1968-1975. Timothy Asch and Napoleon Chagnon. Documentary Educational Resources, USA. 139 Mins

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