REFERENCES
- Ananich, B. 2006. “The Historian and the Source: Problems of Reliability and Ethics.” In Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar, edited by Francis X. Blouin and William G. Rosenberg, 490–496. University of Michigan Press. http://www.jstor.org/stable/10.3998/mpub.93171.54.
- Antonov, D., ed. 2019. The Power of the Gaze: Eyes in Mythology and Iconography. Moscow: Russian State University for Humanities. (In Russian).
- Antonov, D., and O. Khristoforova, eds. 2013. In Umbra: Demonology as a Semiotic System. Moscow: Indrik Publishing House. (In Russian).
- Arkhipova, A., and A. Kirziuk. 2020. Dangerous Soviet Things: Urban Legends and Fears in the USSR. Moscow: Novoe Literaturnoe Obozrenie. (In Russian).
- Aurell, J. 2017. “L’ego-histoire en perspective: réflexions sur la nature d’un projet historiographique ambitieux.” Cahiers de Civilisation Médiévale 238: 125–138.
- Bykova, S. 2009. “Soviet Iconography and ‘Portrait Cases’ in a Context of Visual Politics 1930s.” In Visual Anthropology: Regimes of Visibility Under Socialism, edited by E. Iarskaya-Smirnova and P. Romanov, 105–125. Moscow: Variant. (In Russian).
- Figes, O., and B. Kolonitskii. 1999. Interpreting the Russian Revolution: The Language and Symbols of 1917. New Haven, CT: Yale University Press.
- Iarskaia-Smirnova, E., and P. Romanov, eds. 2009. Visual Anthropology: Tuning the Lens. Moscow: Variant, CSPGS. (In Russian).
- Iarskaia-Smirnova, E., and P. Romanov, eds. 2009. Visual Anthropology: Urban Memory Cards/Mental Maps. Moscow: Variant, CSPGS. (In Russian).
- Iarskaya-Smirnova, E., and P. Romanov, eds. 2009. Visual Anthropology: Regimes of Visibility Under Socialism. Moscow: Variant, CSPGS. (In Russian).
- Iarskaia-Smirnova, E., P. Romanov, and V. Krutkin, eds. 2007. Visual Anthropology: New Social Reality Outlooks. Saratov: Nauchnaia kniga, CSPGR. (In Russian).
- Johnson, R., G. McLennan, B. Schwarz, and D. Sutton, eds. 1982. Making Histories: Studies in History-Writing and Politics. Minneapolis: University of Minnesota Press.
- Kolonitskii, B. 2010. Tragic Erotica: Images of the Imperial Family During World War I. Moscow: Novoe Literaturnoe Obozrenie. (In Russian).
- Leskinen, M. 2016. A Great Russian: Excerpts on the History of Constructing Ethnicity: Century XIX. Moscow: Indrik Publishing House. (In Russian).
- Magidov, V. 2005. Film-, Photo-, Phono-Documents in the Context of Historical Science. Moscow: Russian State University for the Humanities. (In Russian).
- Maizuls, M. 2019. “Blinding a Saint and Blinding the Devil: The Reader’s Aggression in Medieval Manuscripts.” In The Power of the Gaze: Eyes in Mythology and Iconography, edited by D. Antonov, 44–124. Moscow: Russian State University for Humanities. (In Russian).
- Narskii, I., et al., eds. 2008. Eye-vident History: Questions of Visual History of Russia of XX Century. Chelyabinsk: Kamennyj Poyas. (In Russian).
- Nora, P., ed. 1987. Essais d'ego-histoire. Paris: Gallimard.
- Plamper, J. 2010. Alchemy of Power: The Stalin Cult in the Visual Arts. Moscow: Novoe Literaturnoe Obozrenie. (In Russian).
- Sologubov, A. 2008. “Photography and Personal Feeling of History (Auto-Photographic Essay).” In Eye-vident History: Questions of Visual History of Russia of XX Century, edited by I. Narskii, et al., 75–102. Chelyabinsk: Kamennyj Poyas. (In Russian).
- Tikhomirov, A. 2012. “Symbols of Power in Rituals of Violence: The Personality Cult and Iconoclasm on the Soviet Empire’s Periphery (East Germany, 1945-61).” Kritika: Explorations in Russian and Eurasian History 13 (1): 47–88.
- Vasileva, V., and E. Trushkina. 2017. “Visual Anthropology in the USSR and Post-Soviet Russia: A History of Festival Practices.” In Film Festivals and Anthropology, edited by A. Vallejo and M. Paz Peirano, 89–110. Newcastle upon Tyne: Cambridge Scholars Publishing.
- Vishlenkova, E. 2011. Visual Ethnography in an Empire, or ‘Not Everyone Can Discern a Russian’. Moscow: Novoe Literaturnoe Obozrenie. (In Russian).
- Volkov, E. 2008. “Face of Enemy: Images of the White Movement in the Soviet Visual Art (1918-1939).” In Eye-vident History: Questions of Visual History of Russia of XX Century, edited by I. Narskii, et al., 129–153. Chelyabinsk: Kamennyj Poyas. (In Russian).
- Waldstein, M. 2008. The Soviet Empire of Signs: A History of the Tartu School of Semiotics. Saarbrucken: VDM Verlag Dr. Muller.
- Watson, Rubie S. 1994. Memory, History, and Opposition Under State Socialism. Santa Fe: SAR Press.