References
- Asavei, M. A. 2013. “Aesthetics of Resistance and Persistence.” In Ion Grigorescu: The Man with a Single Camera, edited by Alina Şerban, 188–213. Berlin: Sternberg Press.
- Brătescu, G. 2017. “Interview with Geta Brătescu”. Interview by Adriana Oprea.” ARTmargins Online December 23, 2013. Accessed December 24, http://www.artmargins.com/index.php/5-interviews/730-interview-with-geta-brtescu-
- Buchczyk, M. 2014. “To Wave or Not to Wave: Vernacular Textiles and Historical Change in Romania.” Textile: The Journal of Cloth and Culture 12 (3): 328–345. doi:10.2752/175183514X14156359536980.
- Cojanu, C. 2014. “The Carpet Paradigm and the Blue Tile from the Wall of Damascus, the Grid and the Arabesque.” European Scientific Journal 2: 474–490.
- Deacon, D., and P. E. Calvin. 2014. War Imagery in Women’s Textile: An International Study of Weaving, Knitting and Other Fabric Arts. Jefferson, New Carolina: Mc Farland.
- “Decorum: Carpets and Tapestry by Artists”, E-Flux, October 10, 2013. Accessed January 20, 2018. http://www.e-flux.com/announcements/32071/decorum-carpets-and-tapestries-by-artists/.
- Erizanu, P. 2017. “Geta Brătescu: Romania’s Remarkable Avant-Garde Artist Is More Resilient than Ever.” The Calvert Journal 13: 2018. https://www.calvertjournal.com/features/show/8620/geta-bratescu-romania-art-venice-biennale.
- Gamboni, D. 2002. Potential Images: Ambiguity and Ideterminacy in Modern Art. London: Reaktion Books.
- French, A. 2010. “Modern and Contemporary Textile Art: Issues of Textile Conservators.” In Textile Conservation: Advances in Practice, edited by Frances Lennard and Patricia Ewer, 283–291, Amsterdam: Butterworth-Heinemann.
- Middleton, J. 2015. World Monarchies and Dynasties. London and New York: Routledge.
- Mills, A. 2004. “Dancing Yourself, Dancing for Others: Performing Identity in a Transylvanian-Romanian Folkdance Ensemble.” The Anthropology of East European Review 22 (1): 37–49.
- Mocănescu, A. 2002. “National Art as Legitimate Art: ‘National between Tradition and Ideology in Ceausescu’s Romania.” Accessed December 28, 2017. http://users.ox.ac.uk/∼oaces/conference/papers/Alice_Mocanescu.pdf.
- Nickell, K. 2015. “Troubles Textiles”: Textile Responses to the Conflict in Northern Ireland.” Textile 13 (3): 234–251. doi:10.1080/14759756.2015.1084693.
- Novicov, R. 2008. “Three Female Hypothesis of the Romanian Avant-Garde.” n.Paradoxa 20: 43–51. Accessed January 12, 2018. http://www.ktpress.co.uk/pdf/nparadoxaissue20_Ramona-Novicov_43-50.pdf.
- Ownby, T. 2013. “Critical Visual Methodology: Photographs and Visual Texts and a Visual Autoethnography.” Online Journal of Education and Media Technologies 1–24. http://www.ojcmt.net/special/jan_2013/1.pdf. (accessed February 20, 2018).
- Parker, R. 1984. The Subversive Stitch: Embroidery and the Making of the Feminine. London: The Women’s Press.
- Peirce, L. 1993. The Imperial Harem: Women and Sovereignty in the Ottoman Empire. New York and Oxford: Oxford University Press.
- Redzisz, K. 2013. “Geta Brătescu.” Frieze Accessed January 6, 2018. https://frieze.com/article/geta-br%C4%83tescu-0.
- Reiss, J. 2014. “Installation Art”. Oxford Bibliographies Online. http://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0026.xml.
- Schwab, G. 2010. Haunting Legacies: Violent Histories and Transgenerational Trauma. New York: Columbia University Press.
- Schultz, V.-S. 2014. “Portraits, Photographs and Politics in the Carpet Medium: Iran, the Soviet Union and Beyond.” Konsthistorisk Tidskrift Journal of Art History 83 (3): 244–256.
- Şerban, A. 2013. Geta brătescu: The Studio. Berlin: Stenberg Press.
- Sundberg, M., and J. Rosenqvist. 2014. “Editorial Reconsidering the Carpet Paradigm.” Konsthistorisk Tidskrift Journal of Art History 83 (3): 207–210. doi:10.1080/00233609.2014.933872.
- Taylor, L. 2002. The Study of Dress History. Manchester and New York: Manchester University Press.
- Verdery, K. 1995. National Ideology Under Socialism: Identity and Cultural Politics in Ceauşescu’s Romania. Berkley: California University Press.
- Weiner, A., and J. Schneider. 1989. Cloth and Human Experience. Maryland: Smithsonian Books.
- Williams, R. 2006. “Towards an Aesthetic of Poverty: Architecture and the Neo-Avant-Garde in 1960s Brazil.” In Neo-Avant-Garde, edited by David Hopkins, 197–219. Amsterdam, New York: Rodopi.