Connecting with the Viewer: Affectivity and Cathexis in Textile Artwork

References

• Abella, A. 2010. “Contemporary Art and Hanna Segal’s Thinking on Aesthetics.” The International Journal of Psychoanalysis 91:163–181. doi:10.1111/j.1745-8315.2009.00203.x.
   PubMed Web of Science ®Google Scholar
• Bal, M. 2001. Looking in: The Art of Viewing. Amsterdam, Netherlands: G + B Arts International.
   Google Scholar
• Barthes, R. 1993. Image Music Text. New ed. London, UK: Fontana Press.
   Google Scholar
• Bennett, J. 2005. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA: Stanford University Press.
   Google Scholar
• Best, S. 2014. Visualising Feeling: Affect and the Feminine Avant-Garde. Paperback. London: I.B. Tauris.
   Google Scholar
• Bourriaud, N. 2002. Relational Aesthetics. Translated by Simon Pleasance and Fronza Woods. Dijon: les presses du reel.
   Google Scholar
• Brandl, M. S. n.d. “Tropes Exemplified in Works of Art 9: Symbol.” Accessed on 30 March 2015. At: http://www.metaphorandart.com/articles/examplesymbol.html#
   Google Scholar
• Brennan, T. 2004. The Transmission of Affect. Ithaca, NY: Cornell University Press.
   Google Scholar
• Cartwright, L. 2008. Moral Spectatorship. Durham NC: Duke University Press.
   Google Scholar
• Clewell, T. 2004. “Mourning beyond Melancholia: Freuds Psychoanalysis of Loss.” Journal of the American Psychoanalytic Association 52 (1):43–67. doi:10.1177/00030651040520010601.
   PubMed Web of Science ®Google Scholar
• Curtis, J. 1999. Textures of Memory: The Poetics of Cloth. Nottingham, UK: Angel Row Gallery.
   Google Scholar
• Deleuze, G. 2000. Proust and Signs. the Complete Text. Translated by Richard Howard. Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• DeSpelder, L. Strickland AL. 1992. The Last Dance: Encountering Death and Dying. 3rd ed. Palo Alto, CA: Mayfield Publishing Company.
   Google Scholar
• Didion, J. 2005. The Year of Magical Thinking. London, UK: Harper Perennial.
   Google Scholar
• Dormor, C. 2012. “Material Matrices: haptic, Scopic & Textile.” PhD diss., Norwich University College of the Arts and University of the Arts, London.
   Google Scholar
• Dufrenne, M. 1973. The Phenomenology of Aesthetic Experience. Evanston, IL: Northwestern University Press.
   Google Scholar
• Eco, U., and D. Robey. 1989. The Open Work. Translated by Anna Cancogni. Cambridge, MA: Harvard University Press.
   Google Scholar
• Ehrenzweig, A. 1967. The Hidden Order of Art. Berkeley, CA: University of California Press.
   Google Scholar
• Ettinger, B. L. 2002. ”Trans-subjective transferential borderspace.” In A Shock to Thought: expression after Deleuze and Guattari, edited by Brian Massumi, 215–239. London, UK: Routledge.
   Google Scholar
• Flatley, J. 2008. Affective Mapping: Melancholia and the Politics of Modernism. Cambridge, MA: Harvard University Press.
   Google Scholar
• Firth, A. 2015. The Strangled Cry.[email sent to author 11 January 2015]
   Google Scholar
• Fisher, J. 2006. “Exhibitionary Affect.” N. Paradoxa 18:27–33.
   Google Scholar
• Freedberg, D., and V. Gallese. 2007. “Motion, Emotion and Empathy in Esthetic Experience.” Trends in Cognitive Sciences 11 (5): 197–203. doi:10.1016/j.tics.2007.02.003.
   PubMed Web of Science ®Google Scholar
• Freud, S. 2005. On Murder, Mourning and Melancholia. Translated by Shaun Whiteside. London: Penguin Classics.
   Google Scholar
• Gibson, M. 2004. “Melancholy Objects.” Mortality 9 (4): 285–299. doi:10.1080/13576270412331329812.
   Google Scholar
• Hemmings, C. 2005. “Invoking Affect. Cultural Theory and the ontological turn” Cultural Studies 19 (5): 548–567. doi:10.1080/09502380500365473.
   Web of Science ®Google Scholar
• Jahoda, G. 2005. “ Theodor Lipps and the shift from ”sympathy” to ”empathy”” Journal of the History of the Behavioral Sciences 41 (2):151–163. doi:10.1002/jhbs.20080.
   PubMed Web of Science ®Google Scholar
• LaCapra, D. 1999. “Trauma, Absence, Loss.” Critical Inquiry 25 (4): 696–727. doi:10.1086/448943.
   Web of Science ®Google Scholar
• Lechte, J. 1990. ”Art, Love and Melancholy in the Work of Julia Kristeva” In Abjection, Melancholia and Love: The Work of Julia Kristeva, edited by John Fletcher and Andrew Benjamin, 24–41. London, UK: Routledge.
   Google Scholar
• Lewis, C. S. 1961. A Grief Observed. London, UK: Faber and Faber. doi:10.1093/sw/12.2.138.
   Google Scholar
• Mathe, C. 2001. A Brief History of Catharsis. Accessed on 15 February 2016. At: www.authenticleadershipcenter.com/catharsis.doc
   Google Scholar
• McLeod, W. T., and M. Makins. 1994. “‘Cathexis’ definition”. In: Collins English Dictionary. Glasgow: Collins.
   Google Scholar
• Miller, N. K. 2000. “But Enough about Me, What Do You Think of my Memoir?” The Yale Journal of Criticism 13 (2):421–436. doi:10.1353/yale.2000.0023.
   Google Scholar
• Mitchell, V. (ed.) 2000. Selvedges: Janis Jefferies: writings and Artworks since 1980. Norwich, UK: Norwich Gallery.
   Google Scholar
• Oates, J. C. 2011. A Widow’s Story: A Memoir. London, UK: Fourth Estate.
   Google Scholar
• O’Neill, M. 2007. “Ephemeral Art: Mourning and Loss.” PhD diss., Loughborough University.
   Google Scholar
• O’Sullivan, S. 2001. “The Aesthetics of Affect: thinking Art beyond Representation.” Angelaki. Journal of the Theoretical Humanities 6 (3):125–135.
   Web of Science ®Google Scholar
• Pajaczkowska, C. 2005. “On Stuff and Nonsense: The Complexity of Cloth.” Textile: The Journal of Cloth and Culture 3 (3):220–249. doi:10.2752/147597505778052495.
   Google Scholar
• Powell, E (n.d.) Catharsis in psychology and beyond. Accessed 22 June 2016 At: http://primal-page.com/cathar.htm
   Google Scholar
• Saona, M. 2014. “Plain Things and Space: Metonymy and Aura in Memorials of Social Trauma” Hispanic Issues ON Line 14:73–90. At: http://cla.umn.edu/sites/cla.umn.edu/files/hiol_14_04_saona_plain_things_and_space.pdf (Accessed 26 April 2016)
   Google Scholar
• Smith, M. 2012. “Relational Viewing: affect, Trauma and the Viewer in Contemporary Autobiograhical Art”. PhD diss., London, ON: The University of Western Ontario.
   Google Scholar
• Stallybrass, P. 1993. “Worn Worlds: clothes, Mourning and the Life of Things.” The Yale Review 81: 27–44.
   Google Scholar
• Tygstrup, F. 2012. ‘Affective Spaces’ in: Panic and Mourning, edited by Daniela Agostino, Elisa Antz and Catia Ferreira. 195–210. Berlin, Germany: Walter de Gruyter.
   Google Scholar
• Winnicott, D. W. 1953. “Transitional Objects and Transitional Phenomena – A Study of the First Not-Me Possession.” International Journal of Psychoanalysis 34: 89–97.
   PubMed Web of Science ®Google Scholar