References
- Bartoloni, P. 2006. “Memory in Language: Walter Benjamin and Giuseppe Ungaretli.” Literature & Aesthetics 16 (2): 145–156.
- Benjamin, W. [1928] 1979. One Way Street and Other Writings. Translated by Edmund Jephcott and Kingsley Shorter. London: Verso.
- Bolt, B. 2004. Art beyond Representation: The Performative Power of the Image. London: I.B. Tauris.
- Dasté, O. 2011. “The Suitcase.” In Evocative Objects: Things We Think With, edited by Sherry Turkle, 244–249. Cambridge, MA: MIT Press.
- Dupré, F. 2014. “From Brixton to Mostar: Social Practice Through Textiles.” In Cultural Threads: Transnational Textiles Today, edited by Jessica Hemmings, 168–189. London: Bloomsbury.
- Freeman, J. 1997. “Revering Things or Cherishing People: Some Professional and Popular Approaches to Constructing Craft Communities.” In Obscure Objects of Desire: Reviewing the Crafts in the Twentieth Century, edited by Tanya Harrod, 267–274. London: Crafts Council.
- Gordon, B. 2011. Textiles: The Whole Story: Uses, Meanings, Significance. London: Thames & Hudson.
- Harper, C. 2017. “Oestrogen Rising 2016: Ireland’s Stained and Bloodied Cloths.” Social Identities 23 (3): 289–309. doi:10.1080/13504630.2016.1211351.
- Lee, Y. 2016. Seamlessness: Making and (Un)Knowing in Fashion Practice. Bristol: Intellect.
- Malafouris, L. 2008. “At the Potter’s Wheel: An argument for Material Agency.” In Material Agency: Towards a Non-Anthropocentric Approach, edited by Carl Knappett and Lambros Malafouris, 19–36. New York: Springer.
- Nickell, K. 2015. “Troubles Textiles’: Textile Responses to the Conflict in Northern Ireland.” TEXTILE 13 (3): 234–251. doi:10.1080/14759756.2015.1084693.
- Ong, W. J. 2012. Orality and Literacy: The Technologizing of the Word. 30th anniversary ed. London: Routledge.
- Pajaczkowska, C. 2010. “Tension, Time and Tenderness: Indexical Traces of Touch in Textiles.” In Digital and Other Virtualities. New Encounters: Arts, Cultures, Concepts, edited by Antony Bryant and Griselda Pollock, 134–148. London: I.B. Tauris.
- Robertson, K., and L. Vinebaum. 2016. “Crafting Community.” TEXTILE 14 (1): 2–13. doi:10.1080/14759756.2016.1084794.
- Shercliff, E. 2015. “Articulating Stitch: Skilful Hand-Stitching as Personal, Social and Cultural Experience.” PhD diss., Royal College of Art.
- Shercliff, E., and A. Twigger Holroyd. 2016. “Making with Others: Working with Textile Craft Groups as a Means of Research.” Studies in Material Thinking 14. https://www.materialthinking.org/papers/225
- Spivak, E. 2014. Worn Stories. New York: Princeton Architectural Press.
- Stallybrass, P. [1993] 2012. “Worn Worlds: Clothes, Mourning and the Life of Things.” In The Textile Reader, edited by Jessica Hemmings, 68–77. London: Berg.
- Stewart, S. 1999. “Prologue: From the Museum of Touch.” In Material Memories: Design and Evocation, edited by Marius Kwint, Christopher Breward, and Jeremy Aynsley, 17–36. Oxford: Berg.
- von Busch, O. [2005] 2012. “Textile Punctum: Embroidery of Memory.” In Vol. 4 of Textiles: Critical and Primary Sources, edited by Catherine Harper, 240–250. London: Bloomsbury.