2
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Re-Engineering Nubi: A Design-Driven Approach to Cultural Sustainability in Korean Fashion/Textile Practice

References

  • Aakko, Maarit. 2014. “Artisanal and Slow: The Case of Anna Ruohonen.” In Sustainable Fashion: New Approaches, edited by Kirsi Niinimäki, 56–67. Espoo, Finland: Aalto University.
  • Aakko, Maarit. 2016. “Fashion in-between: Artisana Design and Production of Fashion.” PhD diss., Aalto University.
  • Aakko, Maarit. 2019. “Unfolding Artisanal Fashion.” Fashion Theory 23 (4–5): 531–552. doi:10.1080/1362704X.2017.1421297.
  • Berry, Jess. 2012. “Relational Style: Craft as Social Identity in Australian Fashion.” Craft + Design Enquiry 4: 49–68. doi:10.22459/CDE.04.2012.03.
  • Bertola, Paola, Federica Vacca, Chiara Colombi, Valeria M. Iannilli, and Matteo Augello. 2016. “The Cultural Dimension of Design Driven Innovation: A Perspective from the Fashion Industry.” The Design Journal 19 (2): 237–251. doi:10.1080/14606925.2016.1129174.
  • Boța-Moisin, Monica. 2017. “Cultural Fashion: Transform the Fashion Industry from Villain to Hero.” Filmed December 2, in Munich, German. TEDxTUM video, https://www.ted.com/talks/monica_bo_a_moisin_cultural_fashion_transform_the_fashion_industry_from_villain_to_hero.
  • Brown, Sass, and Federica Vacca. 2022. “Cultural Sustainability in Fashion: Reflections on Craft and Sustainable Development Models.” Sustainability: Science, Practice and Policy 18 (1): 590–600. doi:10.1080/15487733.2022.2100102.
  • Choi, Yu Ri, and Jin Joo Ma. 2021. “A Study on the Cultural Sustainability of Contemporary Fashion Brands Based on Traditional Fashion: Focusing on Korea, Japan, and Belgian Brands.” The Research Journal of the Costume Culture 29 (6): 828–848. doi:10.29049/rjcc.2021.29.6.828.
  • City of Tongyeong. n.d. “Special Regional Handicrafts.” City of Tongyeong. Accessed July 31, 2023. https://www.Tongyeong.go.kr/00973/01168/01169.web.
  • Design Council. 2021. “Beyond Net Zero: A Systemic Design Approach.” Design Council. Accessed July 31, 2023. https://www.designcouncil.org.uk/fileadmin/uploads/dc/Documents/Beyond%2520Net%2520Zero%2520-%2520A%2520Systemic%2520Design%2520Approach.pdf.
  • de Almeida, Pedro Alexandre Santos Carvalho, Abhishek Chatterjee, and António João Fernandes Lourenço Gomes. 2017. “Rediscovering Almalaguês: A Strategic Design Approach to a Traditional Portuguese Hand-Weaving Technique.” Journal of Textile Design Research and Practice 5 (2): 110–137. doi:10.1080/20511787.2018.1449075.
  • Edwards, Eiluned. 2012. “Blueprint for Sustainability: The Evolution of Traditional Indian Textile from Local Consumption to the Global Market.” In The Sustainable Fashion Handbook, edited by Sandy Black, 154–157. London, UK: Thames & Hudson.
  • Falk, Anna. 2018. “Unfolding Fashion: Reconsidering Traditional Patternmaking.” In Traditional Textile Craft: An Intangible Cultural Heritage?, edited by Camilla Ebert, Sidsel Frisch, Mary Harlow, Eva Andersson Strand, and Lena Bjerregaard, 2nd ed., 69–74. Copenhagen, Denmark: Centre for Textile Research, University of Copenhagen.
  • Fletcher, Kate, and Lynda Grose. 2012. Fashion & Sustainability: Design for Change. London, UK: Laurence King Publishing.
  • Han, Jaehwi, and Eun-Jin Lee. 2018. “The Current State and Characteristics of the Nubi Industry in the Tongyeong Region.” Journal of Korean Traditional Costume 21 (4): 59–68. doi:10.16885/jktc.2018.12.21.4.59.
  • Heo, Jin Young, and Hye Yeon Kim. 2006. “A Study on Fashion Design Applied by Butterfly Image: Focused on the Application Method of the Nubi by Watersoluble Paper.” Journal of Korean Society of Design Science 19 (6): 9–14.
  • Hitzler, Patricia Anna, and Günter Müller-Stewens. 2017. “The Strategic Role of Authenticity in the Luxury Business.” In Sustainable Management of Luxury, edited by Miguel Anel Gardetti, 29–60. Singapore, The Republic of Singapore: Springer.
  • Institute of Korean Craft Industry. 2012. A Study on Strategies for Industrialisation of Traditional Craft in Tongyeong. Tongyeong, The Republic of Korea: City of Tongyeong.
  • Institute of Tongyeong History. 1999. The History of Tongyeong. Seoul: The Republic of Korea: Institute of Tongyeong History.
  • Jones, Susan. 2018. “Visibility and Invisibility: The Dilemmas Facing ‘Traditional Craft’ Workers in the Contemporary Context.” In Traditional Textile Craft: An Intangible Cultural Heritage?, edited by Camilla Ebert, Sidsel Frisch, Mary Harlow, Eva Andersson Strand, and Lena Bjerregaard, 2nd ed., 13–19. Copenhagen, Denmark: Centre for Textile Research, University of Copenhagen.
  • Kim, Hye-ja. 2022. “Course Completion Status.” 누비장 김해자 (Nubijang Kim Hye-ja). Accessed July 31, 2023. http://nubi107.com/_wg/import/sub/class_03.html.
  • Kim, Min Jae. 2005. “The Development and the Production System of Traditional Nubi Textile Products in Tongyeong Region.” Master’s thesis, Gyeongsang National University.
  • Koh, Yu-sup. 1972. Korean Art History and Discussions on Korean Aesthetic. Seoul: Tongmunkwan.
  • Kwon, Yoo Jin, and Yhe-Young Lee. 2015. “Traditional Aesthetic Characteristics Traced in South Korean Contemporary Fashion Practice.” Fashion Practice 7 (2): 153–174. doi:10.1080/17569370.2015.1045348.
  • Lee, Ji Eun. 2012. “Fabric Applied Figurative Characteristics of Traditional ‘Nubi.” Journal of Brand Design Association of Korea 10 (3): 229–240. doi:10.7233/jksc.2021.71.1.048.
  • Ma, Jin Joo. 2017. “Dress-Scape: Wearing the Sound of Fashion.” PhD diss., Royal College of Art.
  • Ma, Jin Joo. 2023. “Traditional Fashion Practice and Cultural Sustainability: A Case Study of Nubi in Korea.” Fashion Practice 15 (1): 64–90. doi:10.1080/17569370.2021.1993594.
  • Mohajer Va Pesaran, Daphne. 2018. “People and Placelessness: Paper Clothing in Japan.” Fashion Practice 10 (2): 236–255. doi:10.1080/17569370.2018.1458498.
  • Shin, Hae Won, and Jung Hye Kim. 2000. “A Study on Clothing Design applying Quilt: focused on a butterfly motif.” Journal of the Korean Society of Costume 50(7): 75–96.
  • Tuite, Alexandra, and Kathleen Horton. 2019. “Crafting Symbolic Value: Art, Craft and Independent Fashion.” Creative Industries Journal 12 (3): 284–300. doi:10.1080/17510694.2019.1621587.
  • UCLG (United Cities and Local Governments). 2010. “Culture: Fourth Pillar of Sustainable Development.” https://obs.agenda21culture.net/sites/default/files/2018-06/zz_Culture4pillarSD_eng.pdf.
  • UN (United Nations). 2023. “THE 17 GOALS: Sustainable Development.” UN. Accessed July 31, 2023. https://sdgs.un.org/goals.
  • UNESCO (United Nations Educational, Scientific and Cultural Organization). 2001. “Convention on the Protection of the Underwater Cultural Heritage.” UNESCO. Accessed July 31, 2023. https://unesdoc.unesco.org/ark:/48223/pf0000126065.
  • UNESCO (United Nations Educational, Scientific and Cultural Organization). 2003. “The Convention for the Safeguarding of the Intangible Cultural Heritage.” UNESCO. Accessed July 31, 2023. https://ich.unesco.org/en/convention.
  • UNESCO (United Nations Educational, Scientific and Cultural Organization). 2010. “The Power of Culture for Development.” UNESCO. Accessed July 31, 2023. https://unesdoc.unesco.org/ark:/48223/pf0000189382.
  • Vézina, Brigitte. 2019. “Curbing Cultural Appropriation in the Fashion Industry.” https://www.cigionline.org/publications/curbing-cultural-appropriation-fashion-industry/.
  • Walker, Stuart, Martyn Evans, and Louise Mullagh. 2019. “Traditional Maker Practices and Sustainable Futures. The Implications of Expertise.” The Design Journal 22 (sup1): 835–848. doi:10.1080/14606925.2019.1595403.
  • WCCD (World Commission on Culture and Development). 1995. “Our Creative Diversity.” UNESCO. Accessed July 31, 2023. https://unesdoc.unesco.org/ark:/48223/pf0000101651.
  • Wood, Sharmila. 2012. “Sustaining Crafts and Livelihoods: Handmade in India.” Craft + Design Enquiry 3 (03): 89–100. doi:10.22459/CDE.03.2011.07.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.