References
- Abbot, L. K. 2011. “Thirteen things about the contemporary short story that really hack me off.” In Lit from within: Contemporary masters on the art and craft of writing, edited by K. Hayworth and D. Moore, 129–139. Athens, OH: Ohio University Press.
- Aristotle. 2011. Poetics. Lexington, KY: ReaderClassic.
- Bailey, T. 2011. “Character, Plot, Setting and Time, Metaphor, and Voice.” In On writing short stories edited by T. Bailey, 26–81. Oxford, NY: Oxford University Press.
- Bell, M. 2000. Narrative design: Working with imagination, craft, and form. New York, NY: Norton.
- Bishop, W. 1990. Released into Language: Options for Teaching Creative Writing. Urbana: University of Illinois Press.
- Bizzaro, P. 1996. Responding to Student Poems: Applications of Critical Theory. Urbana: University of Illinois Press.
- Burroway, J. 1992. Writing fiction: A guide to narrative craft. New York, NY: Harper Collins.
- Corbett, E. P. J. 1985. “The Cornell School of Rhetoric.” In The norton book of composition studies, edited by S. Miller, 141–151. New York, NY: Norton.
- DeMaria, R. 1991. The college handbook of creative writing. San Diego, CA: Harcourt, Brace, Jovanovich.
- Douglas, W. 1976. “From rhetoric for the meritocracy: the creation of composition studies at Harvard.” In The norton book of composition studies, edited by S. Miller, 74–98. New York, NY: Norton.
- Emig, J. F. 1971. “From the composing process of twelfth graders.” In The norton book of composition studies, edited by Miller, 228–252. New York, NY: Norton.
- Freire, P. 1993. Pedagogy of the Oppressed. New York: Continuum.
- Freytag, G. 1896. Freytag's technique of the drama: An exposition of dramatic composition and art. Chicago, IL: S.C. Griggs.
- Forster, E. M. 1927. Aspect of the novel. London, Paris: Edward Arnold.
- George, E. 2004. Write away: One novelist's approach to fiction and the writing life. New York, NY: Harper Collins.
- LaPlante, A. 2009. Method and madness: The making of a story. New York, NY: Norton.
- May, C. E. 1991. Edgar Allan Poe: A study of the short fiction. Boston, MA: Twayne.
- May, C. E. 1995. The short story: The reality of artifice. New York, NY: Simon & Schuster Macmillan.
- Miller, T. P. 1976. “The formation of college English: rhetoric and belles letters in the British cultural provinces.” In The norton book of composition studies, edited by Miller, 53–74. New York, NY: Norton.
- Pasco, A. H. 2009. “On defining short stories.” In The new short story theories, edited by C. May, 114–130. Athens, OH: Ohio University Press.
- Prose, F. 2009. “What makes a short story?” In Method and madness: The making of a story edited by A. LaPlante, 112–118. New York, NY: Norton.
- Ritter, K. and Vanderslice, S. 2007. Can it really be taught? Resisting lore in creative writing pedagogy. Portsmouth, NH: Boynton/Cook.
- Reed, K. 1991. Mastering fiction writing. Cincinnati: Writer's Digest.
- Singleton, J. 2000. The creative writing handbook: Techniques for new writers. New York, NY: Palgrave.
- Welch, K. E. 1987. “Ideology and freshman textbook production: the place of theory in writing.” In The norton book of composition studies, edited by Miller, 759–772. New York, NY: Norton.
- Young, R. E. 1978. “Paradigm and problems: needed research in rhetorical inventions.” In The norton book of composition studies, edited by Miller, 397–414. New York, NY: Norton.
- Zieglar, I. 1975. The creative writer's handbook: what to write, how to write it, how to sell it. New York NY: Barnes & Nobel.