References
- Adsit, J., and R. M. Byrd. 2019. Writing Intersectional Identities: Keywords for Creative Writers. London: Bloomsbury Academic. https://doi.org/10.5040/9781350065765.
- AIATSIS. 2015. “Guidelines for the ethical publishing of Aboriginal and Torres Strait Islander authors and research from those communities.” The Australian Institute of Aboriginal and Torres Strait Islander Studies. Aboriginal Studies Press. Accessed December 12, 2023. Retrieved from https://aiatsis.gov.au/sites/default/files/2020-09/ethical-publishing-guidelines.pdf.
- Alter, A. 2017. In an era of Online Outrage, do Sensitivity Readers Result in Better Books, or Censorship?” The New York Times, December 24, 2017. Accessed January 8, 2023. https://www.nytimes.com/2017/12/24/books/in-an-era-of-online-outrage-do-sensitivity-readers-result-in-better-books-or-censorship.html.
- Ang, I. 2011. “Navigating Complexity: From Cultural Critique to Cultural Intelligence.” Continuum 25 (6): 779–794. https://doi.org/10.1080/10304312.2011.617873
- Appadurai, A. 2015. Disjuncture and Difference in the Global Cultural Economy. Colonial Discourse and Post-Colonial Theory, 324–339, Routledge.
- Asch, M. 2009. “Introduction.” In The Ethics of Cultural Appropriation, edited by J. O. Young, and C. G. Brunk. Wiley: ProQuest Ebook Central.
- Australia Council for the Arts. 2019. “Protocols for Using First Nations Cultural and Intellectual Property in the Arts.” Creative Australia. Australia Council. Accessed December 12, 2023. https://creative.gov.au/investment-and-development/protocols-and-resources/protocols-for-using-first-nations-cultural-and-intellectual-property-in-the-arts/.
- Baker, A. G. 2018. “Camping in the Shadow of the Racist Text.” Artlink, June 1, 2018. Accessed January 8, 2023. https://www.artlink.com.au/articles/4674/camping-in-the-shadow-of-the-racist-text/.
- Bellette, F. 2013. “Interrogating Whiteness: A Precarious Cross-Cultural/Racial Creative Writing PhD Journey.” TEXT 17 (2): 1–17. https://doi.org/10.52086/001c.27608
- Coombe, R. J. 1997. “The Properties of Culture and the Possession of Identity: Postcolonial Struggle and the Legal Imagination.” In Borrowed Power: Essays on Cultural Appropriation, edited by Bruce Ziff, and Pratima V. Rao. Rutgers University Press.
- Crenshaw, K. 1991. “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color.” Stanford Law Review 43 (6): 1241–1299. https://doi.org/10.2307/1229039.
- Diversity Arts Australia. 2019. “Shifting the Balance Report.” Diversity Arts Australia. Accessed January 8, 2023. http://diversityarts.org.au/app/uploads/Shifting-the-Balance-DARTS-small.pdf.
- Duyvis, C. 2021. “#OwnVoices. Corinne Duyvis.” Accessed October 25, 2021. https://www.corinneduyvis.net/ownvoices/.
- EWF 2019, “Work in progress: Telling other people’s stories,” Emerging Writers’ Festival Program. The Emerging Writers Festival. Accessed January 8, 2023. https://2019.emergingwritersfestival.org.au/event/work-in-progress-telling-other-peoples-stories/.
- Flood, A. 2018. “Vetting for Stereotypes: Meet Publishing's ‘Sensitivity Readers’”. The Guardian. 27 April 2018. Accessed October 25, 2021. https://www.theguardian.com/books/2018/apr/27/vetting-for-stereotypes-meet-publishings-sensitivity-readers.
- Gay, R. 2012. “Where Things Stand.” The Rumpus. June 6, 2012. Accessed October 25, 2021. https://therumpus.net/2012/06/where-things-stand/.
- Hage, G. 2000. “'Asia', Hansonism and the Discourse of White Decline.” Inter-Asia Cultural Studies 1 (1): 85–96.
- Heiss, A. 2002. “Writing Indigenous Australia – Some Issues to Consider and Protocols to Follow: A Discussion Paper.” Southerly 62 (2): 197–206.
- hooks, b. 2013. Writing Beyond Race: Living Theory and Practice. Routledge.
- Ireland, J. 2018. “Goodbye, Sensitivity Readers Database.” Medium, 27 February 2018. Accessed December 12, 2023. https://medium.com/@justinaireland/goodbye-sensitivity-readers-database-e1cbc53044a9.
- Jean So, R., and G. Wezerek. 2020. “Just how White is the Book Industry?” The New York Times, December 11, 2020. Accessed October 25. https://www.nytimes.com/interactive/2020/12/11/opinion/culture/diversity-publishing-industry.html.
- Leane, J. 2016. “Other People’s Stories.” Overland, 225. Accessed August 30, 2022. https://overland.org.au/previous-issues/issue-225/feature-jeanine-leane/.
- Leane, J. 2018. “Subjects of the Imagination: On Dropping the Settler pen.” Overland, 251. Accessed December 12, 2023. https://overland.org.au/2018/12/subjects-of-the-imagination-on-dropping-the-settler-pen/.
- Leane, J. 2020. “No Longer Malleable Stuff.” Overland, 241. Accessed January 8, 2023. https://overland.org.au/previous-issues/issue-241/feature-no-longer-malleable-stuff/.
- LeClerc, T. 2018. “The Controversy of Writing in the Voices of Others,” TEXT Journal Special Issue: Identity Politics and Creative Writing, 53. Accessed August 30, 2022. http://www.textjournal.com.au/speciss/issue53/LeClerc.pdf.
- LeClerc, T. 2020. “The Privilege of Common Sense: The Cultural Appropriation Debate in Creative Writing,” Overland, 29 July. Accessed August 30, 2022. https://overland.org.au/2020/07/the-privilege-of-common-sense/.
- LeClerc, T. 2024. But What About the Imagination? The Scholarship of Creative Writing Practice: Beyond Craft, Pedagogy, and the Academy. Bloomsbury.
- Lee and Low Books. 2021. “Where is the Diversity in Publishing? The 2019 Diversity Baseline Survey Results.” Lee and Low Books. January 20, 2020. Accessed October 25, 2021. https://blog.leeandlow.com/2020/01/28/2019diversitybaselinesurvey/.
- Lim, R., and A. Kwaymullina. 2018. Meet me at the Intersection. Fremantle Press.
- Mason, E. 2017. “There’s a new way for novelists to sound authentic. But at what cost?” Washington Post, 10 February 2017. Accessed July 25, 2017. www.washingtonpost.com/entertainment/books/theres-a-new-way-for-novelists-to-sound-authentic-but-at-what-cost/2017/02/10/8312d926-ee43-11e6-b4ff-ac2cf509efe5_story.html?utm_term = .03fac847159b.
- McDonald, M., and B. M. Pryor. (1999) 2000. “Collaboration.” English in Australia, vol.126 (Dec 1999–Jan 2000), pp.10–11.
- McKinnon, C. 2012. “Writing White, Writing Black, and Events at Canoe Rivulet.” TEXT: Journal of Writing and Writing Courses 16 (2).
- Moreton-Robinson, A. 2004. Whitening Race: Essays in Social and Cultural Criticism. Canberra: Aboriginal Studies Press.
- Phillips, S. 2015. “Writing Ourselves: Pastpresentfuture.” Knowledge of Life Aboriginal and Torres Strait Islander Australia. Edited by Price, Kaye, 98–117. Cambridge, United Kingdom: CUP.
- Qian, J. 2019. “What I do as a Sensitivity Reader.” ArtsHub, September 9, 2019. Accessed January 8, 2023 https://publishing.artshub.com.au/news-article/career-advice/writing-and-publishing/jinghua-qian/what-i-do-as-a-sensitivity-reader-258728.
- Rankine, C., and B. Loffreda. 2015. “On Whiteness and the Racial Imaginary.” Lit Hub, April 9. Accessed August 30, 2022. https://lithub.com/on-whiteness-and-the-racial-imaginary/.
- Ro, C. 2017. “On the use of Sensitivity Readers in Publishing.” Literary Hub, January 17. Accessed January 8, 2023. http://lithub.com/on-the-use-of-sensitivity-readers-in-publishing/.
- Rose, J. 2011. “Theft is Theft: The Ethics of Telling Other People’s Stories.” Ethical Imaginations: Refereed Conference Papers of the 16th Annual AAWP Conference. Accessed September 28, 2017. http://www.aawp.dreamhosters.com/wp-content/uploads/2015/03/Rose_0.pdf.
- Saha, A., and S. van Lente. 2020. “Rethinking ‘Diversity’ in Publishing.” Project Report, Goldsmiths Press, London. [Report]. Accessed October 25, 2021. https://research.gold.ac.uk/id/eprint/28692/.
- Said, E. W. 1979. “Orientalism.” First Vintage books edition. Vintage.
- Savage, A. 2016. “(Un)Authorised Theft: The Ethics of Using Real Life to Inform Fiction.” Refereed Conference Papers of the 21st Annual AAWP Conference. Accessed September 28, 2017. http://www.aawp.org.au/wp-content/uploads/2017/03/Savage_AAWP_2016_unauthorised-theft.pdf.
- Savage, A. 2018. “The Responsible Writer.” Writers Victoria, 3 December 2018. Accessed January 8, 2023. https://writersvictoria.org.au/writing-life/on-writing/the-responsible-writer.
- Shawl, N., and C. Ward. 2023. “Writing the Other.” Accessed January 8, 2023 https://writingtheother.com/.
- Spread the Word 2015, “Writing the Future: Black and Asian Authors Publishers in the Market Place.” Spread the Word, April 14, 2015. Accessed October 25, 2021. https://www.spreadtheword.org.uk/writing-the-future/.
- Sullivan, J. 2017. “Turning Pages: the case for ‘sensitivity readers.” The Sydney Morning Herald, March 2, 2017. Accessed January 8, 2023. https://www.smh.com.au/entertainment/books/turning-pages-the-case-for-sensitivity-readers-20170302-guovtm.html.
- Waldman, K. 2017. “Is my Novel Offensive?: How “Sensitivity Readers” are Changing the Publishing Ecosystem—and Raising new Questions About What Makes a Great Book.” Slate, February 8, 2017. Accessed January 8, 2023. https://slate.com/culture/2017/02/how-sensitivity-readers-from-minority-groups-are-changing-the-book-publishing-ecosystem.html.
- Whittaker, A. 2020. “So White. So What.” Meanjin, Autumn 2020. Accessed January 8, 2023. https://meanjin.com.au/essays/so-white-so-what/.
- Wright, A. 2016. “What Happens When you Tell Somebody Else's Story?’.” Meanjin 75 (4): 58–76. Accessed August 30, 2022. https://meanjin.com.au/essays/what-happens-when-you-tell-somebody-elses-story/.
- Writers Victoria. 2023. “Established Author Forum: Writing Identity and Difference.” Writers Victoria Courses and Events. Accessed January 8, 2023. https://writersvictoria.org.au/calendars/events/event/?id = 1104.
- Ziff, B., and P. V. Rao. 1997. “Introduction to Cultural Appropriation: A Framework for Analysis.” In Borrowed Power: Essays on Cultural Appropriation, edited by Bruce Ziff, and Pratima V. Rao. YYY: Rutgers University Press.