References
- Benjamin, W. (1982), ‘The Author as Producer’, in Frascina & Harrison (eds.), Modern Art and Modernism: A Critical Anthology, Paul Chapman, London, pp. 213–216.
- Bishop, C. (2004). Antagonism and Relational Aesthetics. Cambridge: MIT Press . pp. 51-79.
- Bishop, C. (ed.) (2006) Participation, Whitechapel and MIT Press, London.
- Bishop, C. (2006b), ‘The Social Turn: Collaboration and Its Discontents’ Artforum, February 2006, pp. 179–185.
- Bishop, C. (2012). Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.
- Bourriaud, N. (2002). Relational Aesthetics. Paris: Press du Reel.
- Dickie, G. (1974). Art and the Aesthetic: An Institutional Analysis. Ithaca, NY: Cornell University Press.
- Dickie, G. (1997). Art Circle: A Theory of Art. Chicago, IL: Spectrum Press.
- Duchamp, M. (2003) ‘The Richard Mutt Case’, in Harrison C. and Wood P. (ed.), Art in Theory 1990–1990: An Anthology of Changing Ideas, Blackwell, Oxford, p. 252.
- Francis, M. A. (2007) ‘Dirty Work: Art Beyond “Autonomy”’, Journal of Visual Arts Practice, vol 6.1, pp. 33–44.
- Gray, C., & Malins, J. (2004). Visualizing Research:A Guide to the Research Process in Art and Design. Ashgate: Aldershot.
- Hedditch, E. (2007) ‘Coming to Have a Public Life, Is it worth it?’, http://archive.org/stream/ComingToHaveAPublicLifeIsItWorthIt/COMINGTOHAVE#page/n7/mode/2up(accessed 13 September 2012)
- Kester, G. H. (2004). Conversation Pieces: Community and Communication in Modern Art. California, CA: University of California Press.
- Kester, G. H. (2011). The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, NC: Duke University Press.
- Lacan, J. (1988) ‘The Line and Light’, in The Four Fundamental Concepts of Psycho-Analysis, Penguin, London, pp. 91–104.
- Lemke, H. (2007). ‘The Extended Art of eating: Joseph Beuys’ Unknown Gastrosophy’ SANSAI. An Environmental Journal for the Global Community, 2, 53–65.
- Le´vinas, E. (1999) ‘Philosophy and Transcendence’, in Alterity and Transcendence, Athlone Press, London, pp. 3–37.
- Lingner, M. (1993), ‘Art as a System within Society’, in Ine Geevers (ed.), Place- Position- Public, Maastricht, Jan van Eyck Akademie, pp. 110–121.
- Luhmann, N. (2000). Art as a Social System. Stanford: Stanford University Press.
- Marx, K. (1974). The German Ideology. London: Lawrence and Wishart.
- Meecham, P., & Sheldon, J. (2000). Modern Art: A Critical Introduction. Oxford: Routledge.
- Plato (1974). The Republic. Harmondsworth: Penguin.
- Schaeffer, J.-M. (1998), ‘Experiencing Artworks’, in Schaeffer J.-M. (ed.), Think Art: Theory and Practice in the Art of Today, Rotterdam: Witte de With, pp. 39–54.
- Tisdall, C. (1974). Art into Society, Society into Art. London: ICA.
- http://www.chisenhale.org.uk/archive/exhibitions/index.php?id=36 (accessed 13 September 2012).
- http://www.greenmuseum.org/c/aen/Issues/ukeles.php (accessed 13 September 2012).
- http://www.hatjecantz.de/controller.php?cmd=detail&titzif=00002874&lang=en (accessed 13 September 2012).
- http://comment.ofqual.gov.uk/gcse-reform/ (accessed 13 September 2012).
- http://www.sfmoma.org/exhib_events/events/1246#ixzz24eKtFywESanFranciscoMuseumofModernArt (accessed 13 September 2012).
- http://www.superfictions.com/encyc/entries/ingold.html (accessed 13 September 2012).