730
Views
1
CrossRef citations to date
0
Altmetric
Articles

Laughing otherwise: comic-critical approaches in alternative comedy

Pages 394-413 | Received 20 Jul 2015, Accepted 13 Aug 2017, Published online: 13 Sep 2017

References

  • Addison, J. (2007). Allegory on wit. In W. Tegg (Ed.), Addison’s essays from the spectator with explanatory notes (pp. 71–75). Boston, MA: Elibron Classics.
  • Allen, T. (1979, December). How to talk dirty and get arrested: Interview by David Brazil. The Leveller, no. 33, 14.
  • Allen, T. (2002). Attitude: Wanna make something of it? The secret of stand-up comedy. Glastonbury: Gothic Image Publications.
  • Appignanesi, L. (2004). The cabaret. New Haven, CT: Yale University Press.
  • Aristotle. (1965). On the art of poetry. In T. S. Dorsch (Trans.), Classical literary criticism (pp. 29–75). Middlesex: Penguin Books.
  • Attridge, D. (1988). Peculiar language. London: Methuen.10.4324/9780203462973
  • Attridge, D. (2000). Joyce effects. Cambridge: University Press.10.1017/CBO9780511484988
  • Bakhtin, M. (1984). Problems of Dostoevsky’s poetics. (C. Emerson, Ed. and Trans.). Minneapolis: University of Minnesota Press.
  • Ballard, J. G. (2006). The atrocity exhibition. London: Fourth Estate.
  • Belsey, C. (1980). Critical practice. London: Routledge.
  • Bergson, H. (1980). Laughter. In W. Sypher (Ed.), Comedy: “An Essay on Comedy” by George Meredith, “Laughter” by Henri Bergson (pp. 61–190). Baltimore, MD: John Hopkins University Press.
  • Bestley, R. (2013). ‘I Tried to Make Him Laugh, He Didn’t Get the Joke …’ – Taking punk humour seriously. Punk and Post-Punk, 2, 119–145.10.1386/punk.2.2.119_1
  • Bonello Rutter Giappone, K. (2012). The masks of anarchy: A theoretical study of the intersections between punk and alternative comedy (PhD thesis). Canterbury: School of Arts, University of Kent.
  • Booth, W. C. (1974). A rhetoric of irony. Chicago, IL: University of Chicago Press.
  • Brecht, B. (1964). Brecht on theatre: The development of an aesthetic. J. Willett, Ed. and Trans.). London: Methuen.
  • Bright, M., & Ross, R. (1999). Carry on: Uncensored: The exclusive behind-the-scenes story. London: Boxtree.
  • Cain, B. (2007). ’77 sulphate strip: An eye witness account of the year that changed everything. Ellington: Ovolo Books.
  • Carlson, M. (1993). Theories of the theatre: A historical and critical survey, from the greeks to the present. Ithaca, NY: Cornell University Press.
  • Carr, J., & Greaves, L. (2006). The naked jape: Uncovering the hidden world of jokes. London: Penguin Books.
  • Connor, J. (1990). Comics: A decade of comedy at the assembly rooms. London: Papermac.
  • Cook, W. (2001). The comedy store: The club that changed British comedy. London: Little, Brown.
  • Corbett, R., & Nobbs, D. (2006). And it’s goodnight from him … The autobiography of The Two Ronnies. London: Penguin.
  • Denselow, R. (1989). When the music’s over: The story of political pop. London: Faber and Faber.
  • Derrida, J. (1996). Archive fever: A Freudian impression. (E. Prenowitz, Trans.). Chicago, IL: The University of Chicago Press.
  • Derrida, J. (2005). On touching: Jean-Luc Nancy. C. Irizarry, Trans.). Stanford, CA: Stanford University Press.
  • Double, O. (1997). Stand up. London: Methuen Drama.10.5040/9781408162811
  • Empson, W. (1947). Seven types of ambiguity. New York, NY: New Directions.
  • Fox, K. (2004). Watching the English: The hidden rules of English behaviour. London: Hodder and Stoughton.
  • Freud, S. (2001). Jokes and their relation to the unconscious. J. Strachey, Ed. and Trans.). London: Vintage.
  • Fry, S. (2010). The fry chronicles. London: Penguin Books.
  • Genette, G. (1997). Palimpsests: Literature in the second degree. (C. Newman & C. Doubinsky, Trans.). Lincoln: University of Nebraska Press.
  • Goldsmith, O. (1969). An essay on the theatre, or: A comparison between laughing and sentimental comedy (1773). In W. K. Wimsatt (Ed.), The idea of comedy: Essays in prose and verse, Ben Jonson to George Meredith (pp. 186–189). New Jersey, NJ: Prentice Hall.
  • Hamilton, P., Gordon, P., & Kieran, D. (Eds.). (2006). How very interesting: Peter Cook’s universe and all that surrounds it. London: Snowbooks.
  • Hanisch, C. (1970). The personal is political. In S. Firestone & A. Koedt (Eds.), Notes from the second year: Women’s liberation (pp. 76–78). New York, NY: Radical Women.
  • Hannan, T. (2009). On behalf of the committee: A history of northern comedy. Leeds: Scratching Shed Publishing.
  • Hegel, G. W. F. (1920). The philosophy of fine art (4 vols, I, F. P. B. Osmaston, Trans.). London: G. Bell and Sons.
  • Hewison, R. (1983). Footlights! A hundred years of Cambridge comedy. London: Methuen.
  • Hobbes, T. (1968). Leviathan. (C. B. MacPherson, Ed.). London: Penguin Books.
  • Hutcheon, L. (1985). A theory of parody: The teachings of twentieth-century art forms. New York, NY: Methuen.
  • Hutcheon, L. (1998). Irony, nostalgia, and the postmodern. Retrieved August 15, 2010, from http://www.library.utoronto.ca/utel/criticism/hutchinp.html
  • Idle, E., Chapman, G. , Palin, M., Jones, T., Gilliam, T., Cleese, J., & McCabe, B. (2003). The pythons’ autobiography by the pythons. London: Orion Books.
  • Jameson, F. (1998). The cultural turn: Selected writings on the postmodern, 1983–1998. London: Verso.
  • Johnson, S. (1984). The plays of William Shakespeare. In D. Greene (Ed.), The major works (pp. 419–466). Oxford: Oxford University Press.
  • Jones, G. R. (2006). Semi-detached. London: Penguin Books.
  • Laing, D. (1985). One chord wonders: Power and meaning in punk rock. Milton Keynes: Open University Press.
  • Lee, S. (1996). Sex pistols, Big Issue. Retrieved March 4, 2012, from http://www.stewartlee.co.uk/press/writtenformoney/1996-sexpistols-big_issue.htm
  • Legg, S. (2005). Contesting and surviving memory: Space, nation, and nostalgia in Les Lieux de Mémoire. Environment and Planning D: Society and Space, 23, 481–504.10.1068/d0504
  • Lydon, J. (1978, July 22). The singles page, or the £100 rotten review baby, NME.
  • Lydon, J. (1991). Interview by Steven Daly, Interview.
  • Lydon, J. (1994). Rotten: No Irish, no blacks, no dogs: The authorised autobiography, with Keith and Kent Zimmerman. London: Plexus Publishing.
  • Miller, W. I. (1997). The anatomy of disgust. Cambridge, MA: Harvard University Press.
  • Muecke, D. C. (1982). Irony and the ironic. London: Methuen.
  • Ngai, S. (2005). Ugly feelings. Cambridge, MA: Harvard University Press.
  • Parker, P. (1996). Othello and Hamlet: Spying, discovery, secret faults. In Shakespeare from the margins: Language, culture, context (pp. 229–272). Chicago, IL: University of Chicago Press.
  • Palin, M. (2006). Diaries 1969–1979: The python years. London: Phoenix.
  • Paskin, B. (1998). Dudley Moore: The authorised biography. London: Pan Books.
  • Pattison, R. (1987). The triumph of vulgarity: Rock music in the mirror of romanticism. Oxford: Oxford University Press.
  • Perry, G. (1983). Life of python. London: Pavilion Books.
  • Perry, M. (1976/1977/2009). Sniffin’ glue and other rock’n’roll habits: The essential punk accessory. London: Omnibus Press.
  • Redfern, W. (1984). Puns. Oxford: Basil Blackwell.
  • Rodway, A. (1975). English comedy: Its role and nature from Chaucer to the present day. London: Chatto & Windus.
  • Rose, M. (1993). Parody: Ancient, modern, and post-modern. Cambridge: Cambridge University Press.
  • Sabin, R. (Ed.). (1999). Punk rock: So what? The cultural legacy of punk. London: Routledge.
  • Savage, J. (1991). England’s dreaming: Sex pistols and punk rock. London: Faber and Faber.
  • Sayle, A. (1998, Saturday, May 9). ‘Sayle’s Talk’, interview by James Rampton, The Independent.
  • Shklovsky, V. (1990). The novel as parody: Sterne’s Tristram Shandy. In B. Sher (Trans.), Theory of prose (pp. 147–170). Normal, IL: Dalkey Archive Press.
  • Stallybrass, P., & White, A. (1986). The politics and poetics of transgression. New York, NY: Cornell University Press.
  • Tanner, M. (1976–1977). Sentimentality. Proceedings of the Aristotelian Society, 77, 127–147.
  • Thatcher, M. (1987, March). The Margaret Thatcher interview!!? Interview by Tom Hibbert, Smash Hits.
  • Wilmut, R. (1980). From fringe to flying circus: Celebrating a unique generation of comedy 1960–1980. London: Eyre Methuen.

Audio-Visual Sources

  • 100 Greatest Stand-Up Comedians. (2007, March 18). Channel 4.
  • The Adverts. (1978). Crossing The Red Sea With The Adverts, Bright Records, BRL 201.
  • At Last! The 1981 Show, curated by Stewart Lee (Royal Festival Hall, London, 2011, May 29).
  • Biggun, I. (1978). The Winker’s Song (Misprint), Beggars Banquet, BOP 1 [single].
  • Bottom. (1991–1995). BBC2.
  • Buzzcocks. (1977). Orgasm Addict, United Artists Records, UP 36316 [single].
  • Buzzcocks. (1978, July 21). I Can’t Control Myself, Lesser Free Trade Hall, Manchester. Retrieved April 27, 2010, from http://www.youtube.com/watch?v=i6TywsL48Ww
  • Clary, J. (1988). The Leader of the Pack, 10 Records, TEN 227 [single].
  • The Comedians. (1971–1993). ITV.
  • Cook, P., & Moore, D. (1976). Present Derek & Clive (Live), Island Records, 842, 740–742.
  • The Dangerous Brothers. (2008). Dangervision, Network [DVD].
  • Dead Kennedys. (1980). Your Emotions, Fresh Fruit for Rotting Vegetables, Cherry Red, 201872.
  • Dead Kennedys. (2005). Fresh Fruit for Rotting Eyeballs. E. S. Goodfield (Director), Manifesto [DVD].
  • Elton, B. (1987). Motormouth, Mercury, BENLP 1.
  • Elton, B. (1990/2007). The Very Best of Ben Elton Live (1990). J. May (Director), Phil McIntyre Television.
  • Gang of Four. (1979). Entertainment!, EMI, EMC 3313.
  • The Good Life. (1975–1978), BBC1.
  • Howerd, F. (1963). At The Establishment & At The BBC, Decca, 984 930-0.
  • Lee, S. (2008a). 41st Best Stand-Up Ever!. M. Cumming (Director), Real Talent [DVD].
  • Lee, S. (2008b). Interviewed by Johnny Vegas, 41st Best Stand-Up Ever! [on DVD].
  • Lee, S. (2011, May 25). Series 2, Episode 4: “Stand Up”, Stewart Lee’s Comedy Vehicle, BBC2.
  • Lydon, J. (1983). Interviewed by Peter Clifton, Sydney, The Punk Rock Movie [on DVD].
  • Malcolm McLaren: Artful Dodger. (2010, April 24). J. Marre (Director), BBC2.
  • Mayall, R. (1984). On Wogan. BBC1. Retrieved January 10, 2014, from http://www.youtube.com/watch?v=x6BsMQYIQos
  • My Favourite Joke, Episode 1 (BBC1, Friday, 2011, July 22).
  • Mo-dettes. (1980). Satisfy, The Story So Far, Deram, SML 1120.
  • Not the Nine O’Clock News. (BBC2, 1979–1982).
  • Punk in England. (1978). W. Büld (Director), Odeon Entertainment.
  • Punk in London. (1978). W. Büld (Director), Odeon Entertainment.
  • Revolver. (1978). ITV.
  • The Sex Pistols. (1976, September 4). Anarchy in the UK, So It Goes, Granada Television.
  • The Sex Pistols. (1977). Never Mind the Bollocks, Here’s the Sex Pistols, Virgin Records, 7243 8 41937 2 0.
  • The Sex Pistols. (1978/2000). Winterland Concert, Panorama Music Video.
  • Spitting Image. (1984–1996). ITV.
  • Talking Heads. (1977). 77, Sire, 9103 328.
  • The Two Ronnies. (1971–1987). BBC1.
  • Various. (1977). Streets (compilation), Beggars Banquet, BEGA 1.
  • The Young Ones. (1982–1984). BBC2.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.