A Bionian Approach to the Body and the Feminine in Cammell and Roeg’s Performance

References

• Asibong, A. (2015). “Then look!”: Unborn attachments and the half-moving image. Studies in Gender and Sexuality, 16(2), 87–102.
   Google Scholar
• Bion, W. R. (1950). The imaginary twin. In: Second Thoughts: Selected Papers on Psychoanalysis. London, UK: Karnac, 2007, pp. 3–22.
   Google Scholar
• Bion, W. R. (1961). Experiences in Groups. London, UK: Tavistock.
   Google Scholar
• Bion, W. R. (1962a). A theory of thinking. In: Second Thoughts: Selected Papers on Psychoanalysis. London, UK: Karnac, 2007, pp. 110–119.
   Google Scholar
• Bion, W. R. (1962b). Learning From Experience. London, UK: Karnac, 1991.
   Google Scholar
• Bion, W. R. (1963). Elements of Psycho-Analysis. London, UK: Karnac, 1989.
   Google Scholar
• Bion, W. R. (1970). Attention and Interpretation. London, UK: Karnac, 2007.
   Google Scholar
• Bion, W. R. (1976). Emotional turbulence. In: Clinical Seminars and Other Works. London, UK: Karnac, 1994, pp. 295–305.
   Google Scholar
• Bion, W. R. (1979). Making the best of a bad job. In: Clinical Seminars and Other Works. London, UK: Karnac, 1994, pp. 321–331.
   Google Scholar
• Borges, J. L. (1967). Personal Anthology. New York, NY: Grove Press.
   Google Scholar
• Bronstein, C. (2011). On psychosomatics: The search for meaning. International Journal of Psycho-Analysis, 92, 173–195.
   PubMed Web of Science ®Google Scholar
• Bronstein, C. (2015). Finding unconscious phantasy in the session: Recognizing form. International Journal of Psycho-Analysis, 96, 925–944.
   PubMed Web of Science ®Google Scholar
• Bronstein, C. (2016). Bridging the gap: From soma-psychosis to psychosomatics. In: The W. R. Bion Tradition: Lines of Development. Evolution of Theory and Practice over the Decades, eds. H. B. Levine & G. Civitarese. London, UK: Karnac, pp. 239–249.
   Google Scholar
• Buck, P. (2012). Performance: A Biography of the Classic Sixties Film. London, UK: Omnibus Press.
   Google Scholar
• Cammell, D. (2001). Performance. London, UK: Faber & Faber.
   Google Scholar
• Cammell, D. & Roeg, N. (Directors). (1970). Performance [Motion picture]. United Kingdom: Goodtimes Enterprises.
   Google Scholar
• Christ, R. (1979). Forking narratives. Latin American Literary Review, 7(14), 52–61.
   Web of Science ®Google Scholar
• Civitarese, G. (2013). The Violence of Emotions: Bion and Post-Bionian Psychoanalysis, trans. I. Harvey. Hove, East Sussex, UK: Routledge.
   Google Scholar
• de Cortiñas, L. P. (2009). The Aesthetic Dimension of the Mind: Variations on a Theme of Bion, trans. P. Slotkin et al. London, UK: Karnac.
   Google Scholar
• Feineman, N. (1978). Nicolas Roeg. Boston, MA: Twayne.
   Google Scholar
• Frey, M. (2006). London à la mod: Fashion, genre, and historical space in Performance. Quarterly Review of Film and Video, 23(4), 369–375.
   Google Scholar
• Gallagher, M. (2004). Tripped out: The psychedelic film and masculinity. Quarterly Review of Film and Video, 21(3), 161–171.
   Google Scholar
• Harris Williams, M. (2010). The Aesthetic Development: The Poetic Spirit of Psychoanalysis. Essays on Bion, Meltzer, Keats. London, UK: Karnac.
   Google Scholar
• Hockley, L. (2014). Somatic Cinema: The Relationship between Body and Screen. A Jungian Perspective. Abingdon, Oxon, UK: Routledge.
   Google Scholar
• Ince, K. (2011). Bringing bodies back in: For a phenomenological and psychoanalytic film criticism of embodied cultural identity. Film-Philosophy, 15(1), 1–12.
   Google Scholar
• Izod, J. (1992). The Films of Nicolas Roeg: Myth and Mind. London, UK: Palgrave Macmillan.
   Google Scholar
• Kuhn, A. (2005). Thresholds: Film as film and the aesthetic experience. Screen, 46(4), 401–414.
   Web of Science ®Google Scholar
• Lebeau, V. (2009). The arts of looking: D. W. Winnicott and Michael Haneke. Screen, 50(1), 35–44.
   Web of Science ®Google Scholar
• Lichtenberg-Ettinger, B. (1997). The feminine/prenatal weaving in matrixial subjectivity-as-encounter. Psychoanalytic Dialogues, 7(3), 367–405.
   Google Scholar
• MacCabe, C. (1998). Performance. London, UK: British Film Institute, 2002.
   Google Scholar
• Meltzer, D. (1976). Temperature and distance as technical dimensions of interpretation. In: Sincerity and Other Works: Collected Papers of Donald Meltzer, ed. A. Hahn. London, UK: Karnac, 1994, pp. 374–386.
   Google Scholar
• Meltzer, D. (1978). The Kleinian Development. Strath Tay, UK: Clunie Press, 1985.
   Google Scholar
• Meltzer, D. (1984). What is an emotional experience? In: Studies in Extended Metapsychology: Clinical Applications of Bion’s Ideas. London, UK: Karnac, 2009, pp. 21–33.
   Google Scholar
• Meltzer, D. & Harris Williams, M. (1988). The Apprehension of Beauty: The Role of Aesthetic Conflict in Development, Art, and Violence. London, UK: Karnac, 2008.
   Google Scholar
• Patch, A. (2010). Nicolas Roeg/Chromatic Cartography (Doctoral thesis, University of Exeter, United Kingdom).
   Google Scholar
• Piotrowska, A., ed. (2015). Embodied Encounters: New Approaches to Psychoanalysis and Cinema. Hove, UK: Routledge.
   Google Scholar
• Quinlivan, D. (2014). Film, healing and the body in crisis: A twenty-first century aesthetics of hope and reparation. Screen, 55(1), 103–117.
   Web of Science ®Google Scholar
• Raphael-Leff, J. (1993). Pregnancy: The Inside Story. London, UK: Sheldon.
   Google Scholar
• Rosenfeld, H. (1971). A clinical approach to the psychoanalytic theory of the life and death instincts: An investigation into the aggressive aspects of narcissism. In: Melanie Klein Today: Developments in Theory and Practice, Vol. 1, Mainly Theory, ed. E. B. Spillius. London, UK: Routledge, 1988, pp. 239–255.
   Google Scholar
• Sandler, P. C. (2009). A Clinical Application of Bion’s Concepts: Dreaming, Transformation, Containment and Change, Vol. 1. London, UK: Karnac.
   Google Scholar
• Sinyard, N. (1991). The Films of Nicolas Roeg. London, UK: Letts.
   Google Scholar