The Matrixial Gaze: Transgender in Boys Don’t Cry

References

• Aizura, A. Z. (2014). Trans feminine value, racialized others and the limits of necropolitics. In: Queer Necropolitics. New York, NY: Routledge, pp. 129–148.
   Google Scholar
• Bertelsen, L. (2004). Matrixial refrains. Theory, Culture & Society, 21(1):121–147.
   Web of Science ®Google Scholar
• Butler, J. (2006). Foreword: Bracha’s Eurydice. In: The Matrixial Borderspace, ed. B. Ettinger. Minneapolis, MN: University of Minnesota Press, pp. vii–xii.
   Google Scholar
• Cavanagh, S. L. (2019). Transcryptums: An Ettingerian reading of the trans-subjective landscape in Transparent. Transgender Studies Quarterly, 6(1):20–42.
   Google Scholar
• Dando, C. (2005). Range wars: The plains frontier of Boys Don’t Cry. Journal of Cultural Geography, 23(1):91–113.
   Google Scholar
• Driver, S. (2008). Queer Youth Cultures. Albany, NY: State University of New York Press.
   Google Scholar
• Esposito, J. (2003). The performance of white masculinity in Boys Don’t Cry: Identity, desire, (mis)recognition. Cultural Studies? Critical Methodologies, 3(2):229–241.
   Google Scholar
• Ettinger, B. L. (1996). Metramorphic borderlinks and matrixial borderspace. In: Rethinking Borders, ed. J. C. Welchman. Minneapolis, MN: University of Minnesota Press, pp. 125–159.
   Google Scholar
• Ettinger, B. L. (2001). Matrixial gaze and screen: Other than phallic and beyond the late Lacan. In: Bodies of Resistance: New Phenomenologies of Politics, Agency, and Culture, ed. L. Doyle. Evanston, IL: Northwestern University Press, pp. 103–143.
   Google Scholar
• Ettinger, B. L. (2005). Copoiesis. Ephemera: Theory and Politics in Organization, 5(x):703–713.
   Google Scholar
• Ettinger, B. L. (2006a). Fascinance and the girl-to-m/Other matrixial feminine difference. In: Psychoanalysis and the Image: Transdisciplinary Perspectives, ed. G. Pollock. Hoboken, NJ: Blackwell, pp. 60–93.
   Google Scholar
• Ettinger, B. L. (2006b). The Matrixial Borderspace. Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• Ettinger, B. L. (2012). The sublime and beauty beyond uncanny anxiety. In: Intellectual Birdhouse: Artistic Practice as Research, ed. F. Dombois, U. M. Bauer, C. Mareis, & M. Schwab. London, UK: Koenig Books, pp. 189–214.
   Google Scholar
• George, S., & Hook, D., eds. (2021). Lacan and Race: Racism, Identity, and Psychoanalytic Theory. New York, NY: Routledge.
   Google Scholar
• Gill-Peterson, J. (2018). Histories of the Transgender Child. Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• Halberstam, J. (2001). The Boys Don’t Cry debate: The transgender gaze in Boys Don’t Cry. Screen, 42(3):294–298.
   Web of Science ®Google Scholar
• Halberstam, J. (2005). In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York, NY: New York University Press.
   Google Scholar
• Haritaworn, J., Kuntsman, A., & Posocco, S., eds. (2014). Queer Necropolitics. New York, NY: Routledge.
   Google Scholar
• Hird, M. (2001). Appropriating identity: Viewing Boys Don’t Cry. International Feminist Journal of Politics, 3(3):435–442. https://doi.org/10.1080/14616740110078211.
   Google Scholar
• Keegan, C. M. (2021). Mirror scene: Transgender aesthetics in The Matrix and Boys Don’t Cry. In: Queer Cinema, ed. R. Gregg & A. Villarejo. Oxford, UK: Oxford University Press, pp. 176–177.
   Google Scholar
• Keegan, C. M. (2018). Lana and Lilly Wachowski. Champaign, IL: University of Illinois Press.
   Google Scholar
• Keegan, C. M., Horak, L., & and Steinbock, E. (2018). Cinematic/trans*/bodies now (and then, and to come). Somatechnics 8(1):1–13.
   Web of Science ®Google Scholar
• Lyotard, J.-F. (1989). Newman: The instant. In: The Lyotard Reader, ed. A. Benjamin. Hoboken, NJ.: Blackwell, pp. 240–250.
   Google Scholar
• Minkowitz, D. (2018, June 20). How I broke, and botched, the Brandon Teena Story. The Village Voice. https://www.villagevoice.com/2018/06/20/how-i-broke-and-botched-the-brandon-teena-story.
   Google Scholar
• Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16(3):6–18.
   Google Scholar
• Muska, S., & Olafsdottir, G. (1998). The Brandon Teena Story. New York, NY: Zeitgeist Films.
   Google Scholar
• Noble, J. B. (2004). Masculinities Without Men? Vancouver, Canada: University of British Columbia Press.
   Google Scholar
• Peirce, K. (director), Sharp, J., Hart, J., Kolodner, E., & Vachon, C. (producers). (1999). Boys Don’t Cry. Los Angeles, CA: Fox Searchlight.
   Google Scholar
• Pidduck, J. (2001). The Boys Don’t Cry debate: Risk and queer spectatorship. Screen, 42(1): 97–102. https://doi.org/10.1093/screen/42.1.97.
   Web of Science ®Google Scholar
• Pollock, G. (2013). From horrorness to compassion: Re-facing Medusan otherness in dialogue with Adriana Caverero and Bracha Ettinger. In: Visual Politics of Psychoanalysis: Art and the Image in Post-Traumatic Cultures, ed. G. Pollock. London, UK: I. B. Tauris, pp. 159–189.
   Google Scholar
• Prosser, J. (1998). Second Skins: The Body Narratives of Transsexuality. New York, NY: Columbia University Press.
   Google Scholar
• Sellberg, K. (2009). Transitions and transformations: From gender performance to becoming gendered. Australian Feminist Studies, 24(59):71–84.
   Web of Science ®Google Scholar
• Starke-Meyerring, T. R. (2002). Subverting Subversion: The Ideology of* Class, Gender, and Race in the Deployment of Tragedy in “American Beauty”,“Boys Don’t Cry”, and “Bamboozled.” Ph.D. dissertation, University of Kansas.
   Google Scholar
• Stephens, M. A. (2014). Skin Acts: Race, Psychoanalysis, and the Black Male Performer. Durham, NC: Duke University Press.
   Google Scholar
• White, P. (2001). The “Boys Don’t Cry” debate: Girls still cry. Screen, 42(2):217–221.
   Web of Science ®Google Scholar
• Joynt, Chase, and Morgan M. Page. Boys Don't Cry. McGill-Queen's Press-MQUP, 2022.
   Google Scholar
• Cavanagh, S. L. (2016). Tiresias and psychoanalysis with/out Oedipus. European Journal of Psychoanalysis. Retrieved from http://www.journal-psychoanalysis.eu/
   Google Scholar