1,221
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

Indifference and queer television studies: distinguishing norms of existence and coexistence

, &
Pages 105-119 | Received 08 Aug 2019, Accepted 03 Jan 2020, Published online: 23 Jan 2020

References

  • Abbott, A. (2018). Varieties of normative inquiry: Moral alternatives to politicization in sociology. The American Sociologist, 49(2), 158–180. doi: 10.1007/s12108-017-9367-8
  • Avila-Saavedra, G. (2009). Nothing queer about queer television: Televized construction of gay masculinities. Media, Culture & Society, 31(1), 5–21. doi: 10.1177/0163443708098243
  • Barker, C. (1998). Cindy's a slut': Moral identities and moral responsibility in the ‘soap talk' of British Asian Girls. Sociology, 32(1), 65–81.
  • Barker-Plummer, B. (2013). Fixing Gwen: News and the mediation of (trans) gender challenges. Feminist Media Studies, 13(4), 710–724. doi: 10.1080/14680777.2012.679289
  • Battles, K., & Hilton-Morrow, W. (2002). Gay characters in conventional spaces: Will and Grace and the situation comedy genre. Critical Studies in Media Communication, 19(1), 87–105. doi: 10.1080/07393180216553
  • Bignell, J. (2012). An introduction to television studies. London: Routledge.
  • Butler, J. (1993). Bodies that matter: On the discursive limits of “sex”. New York, NY: Routledge.
  • Butler, J. (1999). Gender trouble: Feminism and the subversion of identity (2nd ed.). London: Routledge.
  • Butler, J. (2004). Undoing gender. London: Routledge.
  • Centrum voor Informatie over de Media (CIM) [Centre for Information on the Media]. (2016). CIM TV – Noord, 1/1 – 31/12/2016, 02-26 h, 4+ & gasten – GfK Belgium NV. Retrieved from http://www.cim.be/nl/media/televisie/21
  • Chambers, S. A. (2007). ‘An incalculable effect’: Subversions of heteronormativity. Political Studies, 55(3), 656–679. doi: 10.1111/j.1467-9248.2007.00654.x
  • Chambers, S. A. (2009). The queer politics of television. London: IB Tauris.
  • Copier, L., & Steinbock, E. (2018). On not really being there: Trans* presence/absence in Dallas Buyers Club. Feminist Media Studies, 18(5), 923–941. doi: 10.1080/14680777.2017.1393833
  • Dant, T. (2012). Television and the moral imaginary: Society through the small screen. London: Palgrave Macmillan.
  • Dave, N. (2016). Love and other injustices: On indifference to difference. Franklin Humanities Institute Papers, Duke University. Retrieved from https://humanitiesfutures.org/papers/845/
  • Davis, G., & Needham, G. (2008). Introduction: The pleasures of the tube. In G. Davis & G. Needham (Eds.), Queer TV: Theories, histories, policies (pp. 11–22). London: Routledge.
  • Dhaenens, F. (2014). Articulations of queer resistance on the small screen. Continuum, 28(4), 520–531. doi: 10.1080/10304312.2014.907869
  • Dhaenens, F., Van Bauwel, S., & Biltereyst, D. (2008). Slashing the fiction of queer theory: Slash fiction, queer reading, and transgressing the boundaries of screen studies, representations, and audiences. Journal of Communication Inquiry, 32(4), 335–347. doi: 10.1177/0196859908321508
  • Dhamoon, R. (2010). Identity/difference politics: How difference is produced, and why it matters. Vancouver, BC: University of British Columbia Press.
  • Dhoest, A. (2009). Establishing a multi-ethnic imagined community? Ethnic minority audiences watching Flemish soaps. European Journal of Communication, 24(3), 305–323. doi: 10.1177/0267323109336760
  • Doran, S. E. (2013). Housebroken: Homodomesticity and the normalization of queerness in modern family. In P. Demory & C. Pullen (Eds.), Queer love in film and television: Critical essays (pp. 95–104). New York, NY: Palgrave MacMillan.
  • Dow, B. (2001). Ellen, television, and the politics of gay and lesbian visibility. Critical Studies in Media Communication, 18(2), 123–140. doi: 10.1080/07393180128077
  • Droeven, V. (2016, January 6th). Transgender in ‘Thuis’ gespeeld door vrouwelijke actrice [Transgender in Thuis played by female actress]. De Standaard [The Standard], p. 4.
  • Fejes, F., & Petrich, K. (1993). Invisibility, homophobia and heterosexism: Lesbians, gays and the media. Critical Studies in Mass Communication, 10, 396–422.
  • Felski, R. (2015). The limits of critique. Chicago, IL: University of Chicago Press.
  • Fiske, J. (2002). Television culture. London: Routledge.
  • Ford, A. (2016). Whose club is it anyway? The problematic of trans representation in mainstream films—“rayon” and Dallas Buyers Club. Screen Bodies, 1(2), 64–86. doi: 10.3167/screen.2016.010205
  • Geraghty, C. (2005). The study of soap opera. In J. Wasko (Ed.), A companion to television (pp. 308–323). Hoboken, NJ: John Wiley & Sons.
  • Geraghty, C. (2010). Exhausted and exhausting: Television studies and British soap opera. Critical Studies in Television: The International Journal of Television Studies, 5(1), 82–96. doi: 10.7227/CST.5.1.9
  • Hall, S. (Ed.). (1997). The work of representation. In Representation: Cultural representations and signifying practices (pp. 13–74). Thousand Oaks: Sage.
  • Hesmondhalgh, D., & Toynbee, J. (2008). Why media studies needs better social theory. In D. Hesmondhalgh & J. Toynbee, (Eds.), The media and social theory (pp. 1–24). London, UK: Routledge.
  • Jagose, A. (1996). Queer theory: An introduction. New York, NY: New York University Press.
  • Joyrich, L. (2014). Queer television studies: Currents, flows, and (main) streams. Cinema Journal, 53(2), 133–139.
  • Keegan, C. M. (2013). Moving bodies: Sympathetic migrations in transgender narrativity. Genders, 57, n.p.
  • Kekes, J. (1991). Moral imagination, freedom, and the humanities. American Philosophical Quarterly, 28(2), 101–111.
  • Kies, B. (2016). First comes love, then comes marriage: (Homo-) normalizing romance on American television. Journal of Popular Romance Studies, 5(2), 1–13.
  • Krijnen, T., & Meijer, I. C. (2005). The moral imagination in primetime television. International Journal of Cultural Studies, 8(3), 353–374. doi: 10.1177/1367877905055682
  • Leemans, J. (2016, February 6th). Franky Bomans wordt Kaat, of hoe transgenderrollen zelden door transacteurs gespeeld worden [Franky Bomans becomes Kaat, or how transgender characters are rarely played by trans actors]. Focus Knack.
  • Lester, P. M. (2015). From abomination to indifference: A visual analysis of transgender stereotypes in the media. In J. Capuzza & G. Spencer (Eds.), Transgender communication studies: Histories, trends and trajectories (pp. 143–154). New York, NY: Lexington Books.
  • Lovelock, M. (2017). Call me Caitlyn: Making and making over the ‘authentic’ transgender body in Anglo-American popular culture. Journal of Gender Studies, 26(6), 675–687. doi: 10.1080/09589236.2016.1155978
  • McKee, A. (2003). Textual analysis: A beginner’s guide. Thousand Oaks, CA: Sage.
  • Menon, M. (2015). Universalism and partition: A queer theory. Differences, 26(1), 117–140. doi: 10.1215/10407391-2880627
  • Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16(3), 6–18. doi: 10.1093/screen/16.3.6
  • Ng, E. (2013). A “post-gay” Era? Media Gaystreaming, homonormativity, and the politics of LGBT integration. Communication, Culture & Critique, 6(2), 258–283. doi: 10.1111/cccr.12013
  • Owen, G. (2016). Is the trans child a queer child? Constructing normativity in Raising Ryland and I Am Jazz: A family in transition. Queer Studies in Media & Popular Culture, 1(1), 95–109. doi: 10.1386/qsmpc.1.1.95_1
  • Papacharissi, Z., & Fernback, J. (2008). The aesthetic power of the Fab 5: Discursive themes of homonormativity in queer eye for the straight guy. Journal of Communication Inquiry, 32(4), 348–367. doi: 10.1177/0196859908320301
  • Peters, W. (2011). Pink dollars, white collars: Queer as Folk, valuable viewers, and the price of gay TV. Critical Studies in Media Communication, 28(3), 193–212. doi: 10.1080/15295036.2011.559478
  • Sardar, Z. (2010). Welcome to postnormal times. Futures, 42(5), 435–444. doi: 10.1016/j.futures.2009.11.028
  • Seidman, S. (1995). Deconstructing queer theory or the under-theorization of the social and the ethical. In L. J. Nicholson, & S. Seidman (Eds.), Social postmodernism (pp. 116–141). Cambridge: Cambridge University Press.
  • Serano, J. (2007). Whipping girl: A transsexual woman on sexism and the scapegoating of femininity. Berkeley, CA: Seal Press.
  • Serano, J. (2013). Excluded: Making feminist and queer movements more inclusive. New York, NY: Seal Press.
  • Stryker, S. (1994). My words to victor Frankenstein above the village of Chamounix: Performing transgender rage. GLQ: A Journal of Lesbian and Gay Studies, 1, 237–254. doi: 10.1215/10642684-1-3-237
  • Stryker, S. (2004). Transgender studies: Queer theory’s evil twin. GLQ: A Journal of Lesbian and Gay Studies, 10(2), 212–215. doi: 10.1215/10642684-10-2-212
  • Stryker, S., Currah, P., & Moore, L. J. (2008). Introduction: Trans-, trans, or transgender? WSQ: Women’s Studies Quarterly, 36(3), 11–22. doi: 10.1353/wsq.0.0112
  • Vanlee, F., Dhaenens, F., & Van Bauwel, S. (2018a). Sexual diversity on the small screen: Mapping LGBT+ characters in Flemish television fiction (2001–2016). Ghent, BE: Working Papers in Film and Television.
  • Vanlee, F., Dhaenens, F., & Van Bauwel, S. (2018b). Understanding queer normality: LGBT+ representations in Millennial Flemish television fiction. Television & New Media, 19(7), 610–625. doi: 10.1177/1527476417748431
  • Vipond, E. (2015). Resisting transnormativity: Challenging the medicalization and regulation of trans bodies. Theory in Action, 8(2), 21–44. doi: 10.3798/tia.1937-0237.15008
  • Warner, M. (2000). The trouble with normal: Sex, politics, and the ethics of queer life. Harvard, MA: Harvard University Press.
  • Wiegman, R., & Wilson, E. A. (2015). Introduction: Antinormativity’s queer conventions. Differences, 26(1), 1–25. doi: 10.1215/10407391-2880582
  • Worsnip, A. (2017). Cryptonormative judgments. European Journal of Philosophy, 25(1), 3–24. doi: 10.1111/ejop.12208

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.