Understanding How the Popular Becomes Popular: The Role of Political Economy in the Study of Popular Communication

REFERENCES

• Acosta-Alzuru , C. 2003 . Tackling the issues: Meaning making in a telenovela . Popular Communication , 1 ( 4 ) : 193 – 215 .
   Google Scholar
• Allor , M. 1988a . Relocating the site of the audience . Critical Studies in Mass Communication , 5 ( 3 ) : 217 – 233 .
   Web of Science ®Google Scholar
• Allor , M. 1988b . Theoretical engagements . Critical Studies in Mass Communication , 5 ( 3 ) : 217 – 233 .
   Web of Science ®Google Scholar
• Andersen , R. 1995 . Consumer culture and TV programming , Boulder, CO : Westview Press .
   Google Scholar
• Berger , A. A. 1976 . The TV guided American , New York : Walker & Company .
   Google Scholar
• Bird , S. E. 2003 . The audience in everyday life: Living in a media world , New York : Routledge .
   Google Scholar
• Bury , R. 2003 . Stories for boys girls: female fans read . The X-Files. Popular Communication , 1 ( 4 ) : 217 – 242 .
   Google Scholar
• Deery , J. 2004 . Reality TV as advertainment . Popular Communication , 2 ( 1 ) : 1 – 20 .
   Google Scholar
• Durham , M. G. 2003 . The girling of America: Critical reflections on gender and popular communication . Popular Communication , 1 ( 1 ) : 23 – 31 .
   Google Scholar
• Fiske , J. 1988 . Meaningful moments . Critical Studies in Mass Communication , 5 ( 3 ) : 217 – 233 .
   Google Scholar
• Gitlin , T. 1983 . Inside prime time , New York : Pantheon .
   Google Scholar
• Hagen , I. and Wasko , J. 2000 . Consuming audiences? Production and reception in media research , Cresskill, NJ : Hampton Press .
   Google Scholar
• Hartley , J. 1988 . The real world of audiences . Critical Studies in Mass Communication , 5 ( 3 ) : 217 – 233 .
   Google Scholar
• Jhally , S. 1982 . Probing the blindspot: The audience commodity . Canadian Journal of Political and Social Theory , 6 ( 1–2 ) : 204 – 210 .
   Google Scholar
• Kunz , W. M. 2006 . Culture conglomerates: Consolidation in the motion picture and television industries , Lanham, MD : Rowman and Littlefield .
   Google Scholar
• Livant , B. 1979 . The audience commodity . Canadian Journal of Political and Social Theory , 3 ( 1 ) : 91 – 106 .
   Google Scholar
• Livant , B. 1982 . Working at watching: A reply to Sut Jhally . Canadian Journal of Political and Social Theory , 6 ( 1–2 ) : 211 – 215 .
   Google Scholar
• Lull , J. 1988 . The audience as nuisance . Critical Studies in Mass Communication , 5 ( 3 ) : 217 – 233 .
   Google Scholar
• Mayer , V. 2003 . Living telenovelas/telenovelizing life: Mexican-American girls' identities and transnational telenovelas . Journal of Communication , 53 ( 3 ) : 479 – 495 .
   Web of Science ®Google Scholar
• McAllister , M. P. 1996 . The commercialization of American culture: new advertising, control, and democracy , Thousand Oaks, CA : Sage Publications .
   Google Scholar
• Meehan , E. R. 1986a . Conceptualizing culture as commodity . Critical Studies in Mass Communication , 3 ( 4 ) : 448 – 457 .
   Web of Science ®Google Scholar
• Meehan , E. R. 1986b . Critical theorizing on broadcast history . Journal of Broadcasting and Electronic Media , 30 ( 4 ) : 393 – 411 .
   Web of Science ®Google Scholar
• Meehan , E. R. 1990 . “ Why we don't count: The commodity audience ” . In Logics of television: Essays in cultural criticism , Edited by: Mellencamp , P. 117 – 137 . London : BFI Press .
   Google Scholar
• Meehan , E. R. 1993 . “ Heads of households and ladies of the house: The political economy of gender, genre, and ratings, 1929–1990 ” . In Ruthless criticism: New perspectives in U.S. communication history , Edited by: Solomon , W. and McChesney , R. 204 – 221 . Minneapolis : University of Minnesota Press .
   Google Scholar
• Meehan , E. R. 2006 . Why TV is not our fault: Television programming, viewers, and who's really in control , Lanham, MD : Rowman and Littlefield .
   Google Scholar
• Murdock , G. 1978 . Blindspots about western Marxism: A reply to Dallas Smythe . Canadian Journal of Political and Social Theory , 2 ( 2 ) : 109 – 119 .
   Google Scholar
• Newcomb , H. 1974 . TV: The most popular art , Garden City, NY : Anchor Press .
   Google Scholar
• Newman , K. 1988 . On openings and closings . Critical Studies in Mass Communication , 5 ( 3 ) : 217 – 233 .
   Google Scholar
• Seiter , E. 2000 . “ Making distinctions in television audience research: Case study of a troubling interview ” . In Television: The critical view , sixth , Edited by: Newcomb , H. 495 – 518 . New York : Oxford University Press .
   Google Scholar
• Smythe , D. 1977 . Communications: Blindspot of western Marxism . Canadian Journal of Political and Social Theory , 1 ( 3 ) : 1 – 27 .
   Google Scholar
• Smythe , D. 1978 . Rejoinder to Graham Murdock . Canadian Journal of Political and Social Theory , 2 ( 2 ) : 120 – 129 .
   Google Scholar
• Streeter , T. 1996 . Selling the air: A critique of the policy of commercial broadcasting in the United States , Chicago, IL : University of Chicago Press .
   Google Scholar
• Wasko , J. 2003 . How Hollywood works , Thousand Oaks, CA : Sage .
   Google Scholar
• Wasko , J. 2001 . Understanding Disney: The manufacture of fantasy , London : Polity Press/Blackwell Publishers .
   Google Scholar
• Weiss , D. 2005 . Constructing the queer “I”: Performativity, citationality, and desire in . Queer Eye for the Straight Guy. Popular Communication , 3 ( 2 ) : 73 – 95 .
   Google Scholar
• Wittebols , J. 2004 . The soap opera paradigm: television programming and corporate priorities , Lanham, MD : Rowman and Littlefield .
   Google Scholar
• Zelizer , B. 2000 . “ Popular communication in the contemporary age ” . In Communication yearbook 24 , Edited by: Gundykunst , W. 297 – 316 . Thousand Oaks, CA : Sage .
   Google Scholar