The Simian That Screamed “No!”: Rise of the Planet of the Apes and the Speculative as Public Memory

References

• Adler, R. (1968, February 9). Planet of the apes. New York Times. http://www.nytimes.com/1968/02/09/movies/020968apes.html?_r=0
   Google Scholar
• Atkinson, M. (1995). Son of apes. Film Comment, 31(5), 62–66.
   Web of Science ®Google Scholar
• Barker, D. (1985). Television production techniques as communication. Critical Studies in Mass Communication, 2(3), 234–246.
   Web of Science ®Google Scholar
• Barker, D. (1988). “It's been real”: Forms of television representation. Critical Studies in Mass Communication, 5(1), 42–56.
   Web of Science ®Google Scholar
• Baudrillard, J. (1983). The evil demon of images and the precession of simulacra. In T. Docherty (Ed.), Postmodernism: A reader (pp. 146–156). New York, NY: Columbia University Press.
   Google Scholar
• Blight, D. W. (2001). Race and reunion: The Civil War in American memory. Cambridge, MA: Harvard University Press.
   Google Scholar
• Bodnar, J. (1992). Remaking America: Public memory, commemoration, and patriotism in the twentieth century. Princeton, NJ: Princeton University Press.
   Google Scholar
• Bomback, Mark (Executive Producer), & Reeves, Matt. (2014). Dawn of the Planet of the Apes [Motion picture]. United States of America: Twentieth Century Fox.
   Google Scholar
• Boulle, P. (1963). Planet of the apes (X. Fielding, trans.). New York, NY: Vanguard Press.
   Google Scholar
• Boym, S. (2001). The future of nostalgia. New York, NY: Basic Books.
   Google Scholar
• Burke, K. (1968). A rhetoric of motives (3rd ed.). Berkeley, CA: University of California Press.
   Google Scholar
• Casey, E. S. (2004). Public memory in place and time. In K. R. Phillips (Ed.), Framing public memory (pp. 17–44). Tuscaloosa: University of Alabama Press.
   Google Scholar
• Chernin, P. (Producer), & Wyatt, R. (Director). (2011). Rise of the Planet of the Apes. United States of America: Twentieth Century Fox.
   Google Scholar
• Chidester, P., Campbell, S., & Bell, J. (2006). “Black is Blak”: Bamboozled and the crisis of a postmodern racial identity. Howard Journal of Communication, 17, 287–306.
   Google Scholar
• Cling, C. (2011, August 5). Going primal. Las Vegas Review-Journal, p. 261.
   Google Scholar
• Denby, D. (2011). Noble creatures: “Rise of the Planet of the Apes” and “Chasing Madoff.” The New Yorker, 87(26), 84.
   Google Scholar
• Doane, W. (2003). Rethinking whiteness studies. In A. W. Doane & E. Bonilla-Silva (Eds.), White out: The continuing significance of racism (pp. 3–18). New York, NY: Routledge.
   Google Scholar
• Ebert, R. (1968). Reviews: Planet of the Apes. RogerEbert.com. Retrieved from http://www.rogerebert.com/reviews/planet-of-the-apes-1968.
   Google Scholar
• Graydanus, S. D. (2014). Planet of the Apes. (1968). National Catholic Register. Retrieved from http://decentfilms.com/reviews/planetoftheapes1968.
   Google Scholar
• Greene, E. (1996). “Planet of the Apes” as American myth: Race and politics in the films and television series. Jefferson, NC: McFarland.
   Google Scholar
• Hess, A. (2007). “You don't play, you volunteer”: Narrative public memory construction in Medal of Honor: Rising Sun. Critical Studies in Media Communication, 24(4), 339–356.
   Web of Science ®Google Scholar
• Hume, J. (2010). Memory matters: The evolution of scholarship in collective memory and mass communication. Review of Communication, 10(3), 181–196.
   Google Scholar
• Jacobs, A. P. (Producer), & Schaffner, F. J. (Director). (1968). Planet of the Apes [Motion picture]. United States of America: Twentieth Century Fox.
   Google Scholar
• Jordan, J. W. (2008). Transcending Hollywood: The referendum on United 93 as cinematic memorial. Critical Studies in Media Communication, 25(2), 196–223.
   Web of Science ®Google Scholar
• Kafka, A. C. (2001, September 10). Monkey doo. The American Prospect, 12(16), 40–41.
   Google Scholar
• Keegan, R. (2011, August 15). Hero complex. How it “apes” the originals: “Rise of the Planet of the Apes” references the franchise's earlier films: Here's a guide. Los Angeles Times, p. D8.
   Google Scholar
• King, S. A. (2006). Memory, mythmaking and museums: Constructive authenticity and the primitive blues subject. Southern Communication Journal, 71(3), 235–250.
   Google Scholar
• Lipsitz, G. (1990). Time passages: Collective memory and American popular culture. Minneapolis: University of Minnesota Press.
   Google Scholar
• Martin, P. (2011, August 12). ON FILM: Apes sequels won't match significance of first. Arkansas Democrat-Gazette. Retrieved from http://www.arkansasonline.com/news/2011/aug/12/apes-sequels-wont-match-significance-firs-20110812/.
   Google Scholar
• McDorman, T. F. (2006). History, collective memory, and the Supreme Court: Debating “the people” through the Dred Scott controversy. Southern Communication Journal, 71(3), 213–254.
   Google Scholar
• McKittrick, Chris. (2011, November 14). Fox pursuing “Best Actor” nomination for “Rise of the Planet of the Apes” Andy Serkis. Miami Herald. Retrieved from http://www.dailyactor.com/2011/11/fox-pursuing-best-actor-oscar-nomination-for-rise-of-the-planet-of-the-apes-andy-serkis/.
   Google Scholar
• Messaris, P. (1997). Visual persuasion: The role of images in advertising. Thousand Oaks, CA: Sage.
   Google Scholar
• Metallinos, N. (1996). Television aesthetics: Perceptual, cognitive, and compositional bases. Mahwah, NJ: Lawrence Earlbaum.
   Google Scholar
• Morris, C. E. III. (2004). My old Kentucky homo: Lincoln and the politics of queer public memory. In K. R. Phillips (Ed.), Framing public memory (pp. 89–114). Tuscaloosa: University of Alabama Press.
   Google Scholar
• Nadel, A. (1995). Containment culture: American narratives, postmodernism, and the atomic age. Durham, NC: Duke University Press.
   Google Scholar
• Nichols, B. (1981). Ideology and the image: Social representation in the cinema and other media. Bloomington: Indiana University Press.
   Google Scholar
• Ott, B., & Walter, C. (2000). Intertextuality: Interpretive practice and textual strategy. Critical Studies in Media Communication, 17(4), 429–446.
   Web of Science ®Google Scholar
• Peterson, V. V. (2001). The rhetorical criticism of visual elements: An alternative to Foss's schema. Southern Communication Journal, 67(1), 19–32.
   Google Scholar
• Phillips, K. R. (2004). Introduction. In K. R. Phillips (Ed.), Framing public memory (pp. 1–14). Tuscaloosa: University of Alabama Press.
   Google Scholar
• Phillips, K. R. (2010). The failure of memory: Reflections on rhetoric and public remembrance. Western Journal of Communication, 74(2), 208–223.
   Google Scholar
• Pierce, D. L., & Kaufman, K. (2012). Visual persuasion tactics in narrative development: An analysis of The Matrix. Visual Communication Quarterly, 19, 33–47.
   Google Scholar
• Rafferty, T. (2011, July 31). Apes from the future, holding a mirror to today. New York Times, p. AR14.
   Google Scholar
• Rea, S. (2011, August 5). “Rise of the Planet of the Apes”: Many ape-y returns. Philadelphia Inquirer, p. W16.
   Google Scholar
• Sailer, S. (2001, July 26). Film of the week: “Planet of the Apes.” United Press International, 1008207u2524. http://www.upi.com/Archives/2001/07/26/Film-of-the-week-Planet-of-the-Apes/8426996120000
   Google Scholar
• Schwartz, B. (1982). The social context of communication: A study in collective memory. Social Forces, 61(2), 374–402.
   Web of Science ®Google Scholar
• Schwartz, B., & Heinrich, H.-A. (2004). Shadings of regret: America and Germany. In K. R. Phillips (Ed.), Framing public memory (pp. 115–144). Tuscaloosa: University of Alabama Press.
   Google Scholar
• Scott, C. E. (2004). The appearance of public memory. In K. R. Phillips (Ed.), Framing public memory (pp. 147–156). Tuscaloosa: University of Alabama Press.
   Google Scholar
• Soukup, C. (2010). I love the 80s: The pleasures of a postmodern history. Southern Communication Journal, 75(1), 76–93.
   Google Scholar
• Steyn, M. (2001). Planet of the Apes. Spectator, 287(9028), 41.
   Google Scholar
• Van Burg, R., & Johnson, P. E. (2009). Yearning for a past that never was: Baseball, steroids, and the anxiety of the American Dream. Critical Studies in Media Communication, 26(4), 351–371.
   Web of Science ®Google Scholar
• Wilson, K. H. (2010). Debating the Great Emancipation: Abraham Lincoln and our public memory. Rhetoric & Public Affairs, 13(3), 455–479.
   Google Scholar
• Wray, M. (2006). Not quite white: White trash and the boundaries of whiteness. Durham, NC: Duke University Press.
   Google Scholar
• Zelizer, B. (2004). The voice of the visual in memory. In K. R. Phillips (Ed.), Framing public memory (pp. 157–186). Tuscaloosa: University of Alabama Press.
   Google Scholar
• Zettl, H. (1990). Sight sound motion: Applied media aesthetics (2nd ed.). Belmont, CA: Wadsworth.
   Google Scholar