The Importance of Quality for the Accommodation of Amateur Photographs in the Professional News Media

References

• Ahvaa, L., & Pantti, M. (2014). Proximity as a journalistic keyword in the digital era. Digital Journalism, 2(3), 322–333.
   Google Scholar
• Åker, P. (2012). Photography, objectivity and the modern newspaper. Journalism Studies, 13(3), 325–339.
   Web of Science ®Google Scholar
• Alger, D. (1998). Megamedia: How giant corporations dominate mass media, distort competition, and endanger democracy. New York, NY: Rowman & Littlefield.
   Google Scholar
• Allan, S. (2006). Online news: Journalism and the Internet. Maidenhead, UK: Open University Press.
   Google Scholar
• Allan, S. (2009). Histories of citizen journalism. In S. Allan & E. Thorsen (Eds.), Citizen journalism: Global perspectives (pp. 17–31). New York, NY: Peter Lang Publishing.
   Google Scholar
• Allan, S. (2013). Blurring bounderies. In M. Lister (Ed.), The photographic image in digital culture (pp. 183–200). New York, NY: Taylor & Francis.
   Google Scholar
• Allan, S. (2014). Witnessing in crisis: Photo reportage of terror attacks in Boston and London. Media, War & Conflict, 7(2), 133–151.
   Google Scholar
• Andén-Papadopoulos, K. (2008). The Abu Ghraib torture photographs: News frames, visual culture, and the power of images. Journalism, 9(1), 5–30.
   Google Scholar
• Andén-Papadopoulos, K. (2013). Media witnessing and the “crowd-sourced video revolution.” Visual Communication, 12(3), 341–357.
   Web of Science ®Google Scholar
• Andén-Papadopoulos, K., & Pantti, M. (2011). Amateur images and global news. Bristol, UK/Chicago, IL: Intellect.
   Google Scholar
• Andén-Papadopoulos, K., & Pantti, M. (2013). Re-imagining crisis reporting: Professional ideology of journalists and citizen eyewitness images. Journalism, 14(7), 960–977.
   Web of Science ®Google Scholar
• ASQ. (n.d.). Quality glossary–Q. Retrieved from http://asq.org/glossary/q.html
   Google Scholar
• Becker, K. (2011). Looking back: Ethics and aesthetics of non-professional photography. In K. Andén-Papadopoulos & M. Pantti (Eds.), Amateur images and global news (pp. 23–39). Bristol, UK/Chicago, IL: Intellect.
   Google Scholar
• Becker, K. (2013). Performing the news. Photographies, 6(1), 17–28.
   Google Scholar
• Belt, T. L., & Just, M. R. (2008). The local news story: Is quality a choice? Political Communication, 25(2), 194–215.
   Web of Science ®Google Scholar
• Berger, L. (2009). The authentic amateur and the democracy of collecting photographs. Photography and Culture, 2(1), 31–50.
   Google Scholar
• Bird, E. (1992). For enquiring minds: A cultural study supermarket tabloids. Knoxville, TN: The University of Tennessee Press.
   Google Scholar
• Bonanos, C. (2012). Instant: The story of polaroid. New York, NY: Princeton Architectural Press.
   Google Scholar
• Borges-Reya, E. (2015). News images on Instagram: The paradox of authenticity in hyperreal photo reportage. Digital Journalism, 3(4), 571–593.
   Google Scholar
• Bowers, P. J. (2008). Through the objective lens: The ethics of expression and repression of high art in photojournalism. American Communication Journal, 10(1), 1–27.
   Google Scholar
• Caple, H. (2014). Anyone can take a photo, but is there space for the professional photographer in the twenty-first century newsroom? Digital Journalism, 2(3), 355–365.
   Web of Science ®Google Scholar
• Capps, R. (2009, August 24). The good enough revolution: When cheap and simple is just fine. WIRED. Retrieved from http://www.wired.com/gadgets/miscellaneous/magazine/17-09/ff_goodenough?currentPage=all
   Google Scholar
• Cooley, H. R. (2004). “Identify”-ing a new way of seeing amateurs, moblogs, and practices in mobile imaging. Spectator, 24(1), 65–79.
   Google Scholar
• Cuddy, G. A. (2012). Where hash rules. Sarasota, FL: Design Publishing.
   Google Scholar
• Datta, R., Joshi, D., Li, J., & Wang, J. Z. (2006, May). Studying aesthetics in photographic images using a computational approach. Paper presented at the 9th European conference on Computer Vision, Graz, Austria.
   Google Scholar
• Davidson, A. R. (1995). Quality management—Do we believe in it “totally?” In G. K. Kanji (Ed.), Total quality management proceedings of the 1st World Congress (pp. 587–590). London, UK: Chapman & Hall.
   Google Scholar
• Deuze, M. (2005a). Popular journalism and professional ideology: Tabloid reporters and editors speak out. Media, Culture and Society, 27(6), 861–882.
   Web of Science ®Google Scholar
• Deuze, M. (2005b). What is journalism? Professional identity and ideology of journalists reconsidered. Journalism, 6(4), 442–464.
   Google Scholar
• Deuze, M. (2007). Media work. Cambridge, UK: Polity Press.
   Google Scholar
• Deuze, M., Bruns, A., & Neuberger, C. (2007). Preparing for an age of participatory news. Journalism Practice, 1(3), 322–338.
   Google Scholar
• Diakopoulos, N., & Naaman, M. (2011). Towards quality discourse in online news comments. Retrieved from http://www.nickdiakopoulos.com/wp-content/uploads/2007/05/pr220-diakopoulos.pdf
   Google Scholar
• Evans, H. (1978). Picture on a page: Photojournalism, graphics and picture editing. London, UK: Heinemann.
   Google Scholar
• Fineman, M. (2004). Kodak and the rise of amateur photography. Retrieved from http://www.metmuseum.org/toah/hd/kodk/hd_kodk.htm
   Google Scholar
• Fox, B. (2004). Rethinking the amateur. Spectator, 24(1), 65–79.
   Google Scholar
• Grayson, L. (2015). Citizen photojournalism: How photographic practices of amateur photographers affect narrative functions of editorial photographs. Journalism Practice, 9(4), 568–579.
   Web of Science ®Google Scholar
• Greenwood, K., & Thomas, R. J. (2015). Locating the journalism in citizen photojournalism. Digital Journalism, 3(4), 615–633.
   Web of Science ®Google Scholar
• Griffin, M. (2012). Images from nowhere: Visuality and news in 21st century media. In V. Depkat & M. Zwingenberger (Eds.), Visual cultures: A transatlantic perspective. Heidelberg, Germany: Universitaetsverlag Winter.
   Google Scholar
• Hamilton, J. T. (2004). All the news that's fit to sell: How the market transforms information into news. Princeton, NJ: Princeton University Press.
   Google Scholar
• Hartley, J., & Rennie, E. (2004). “About a girl”: Fashion photography as photojournalism. Journalism, 5(4), 458–479.
   Google Scholar
• Helberger, N., Leurdijk, A., & De Munck, S. (2010). User generated diversity—Some reflections on how to improve the quality of amateur productions. Communications and Strategies, 77, 55–77.
   Google Scholar
• Hermida, A., & Thurman, N. J. (2008). A clash of cultures: The integration of user-generated content within professional journalistic frameworks at British newspaper websites. Journalism Practice, 2(3), 343–356.
   Google Scholar
• Langton, L. (2009). Photojournalism and today's news. West Sussex, UK: Wiley-Blackwell.
   Google Scholar
• Lorenzo-Dus, N., & Bryan, A. (2011). Recontextualizing participatory journalists' mobile media in British television news: A case study of the live coverage and commemorations of the 2005 London bombings. Discourse & Communication, 5(1), 23–40.
   Web of Science ®Google Scholar
• Manosevitch, I. (2011). User generated content in the Israeli online journalism landscape. Israel Affairs, 17(3), 422–444.
   Web of Science ®Google Scholar
• Mortensen, M. (2011). When citizen photojournalism sets the news agenda: Neda Agha Soltan as a Web 2.0 icon of post-election unrest in Iran. Global Media and Communication, 7(1), 4–16.
   Google Scholar
• Mortensen, T. (2014). Blurry and centered or clear and balanced? Citizen photojournalists and professional photojournalists' understanding of each other's visual values. Journalism Practice, 8(6), 704–725.
   Google Scholar
• Murray, S. (2008). Digital images, photo-sharing, and our shifting notions of everyday aesthetics. Journal of Visual Culture, 7(2), 147–163.
   Web of Science ®Google Scholar
• Niekamp, R. (2010). Sharing Ike: Citizen media cover a breaking story. Electronic News, 4(2), 83–96.
   Google Scholar
• Niekamp, R. (2011). Pans and zooms: The quality of amateur video covering a breaking news story. In K. Andén-Papadopoulos & M. Pantti (Eds.), Amateur images and global news (pp. 113–128). Bristol, UK/Chicago, IL: Intellect.
   Google Scholar
• Nilsson, M., & Wadbring, I. (2015). Not good enough? Amateur images in the regular news flow of print and online newspapers. Journalism Practice, 9(4), 484–501.
   Web of Science ®Google Scholar
• Orvell, M. (2003). American photography. Oxford History of Art Series. Oxford, UK: Oxford University Press.
   Google Scholar
• Pantti, M. (2013). Getting closer? Encounters of the national media with global images. Journalism Studies, 14(2), 201–218.
   Web of Science ®Google Scholar
• Pantti, M., & Andén-Papadopoulos, K. (2011). Transparency and trustworthiness: Strategies for incorporating amateur photography into news discourse. In K. Andén-Papadopoulos & M. Pantti (Eds.), Amateur images and global news (pp. 97–112). Bristol, UK/Chicago, IL: Intellect.
   Google Scholar
• Pantti, M., & Bakker, P. (2009). Misfortunes, memories and sunsets: Non-professional images in Dutch news media. International Journal of Cultural Studies, 12(5), 471–489.
   Web of Science ®Google Scholar
• Pantti, M., & Sirén, S. (2015). The fragility of photo-truth: The verification of amateur images in Finnish newsrooms. Digital Journalism, 3(4), 495–512.
   Web of Science ®Google Scholar
• Patrick, C., & Allan, S. (2013). The camera as witness: The changing nature of photojournalism. In K. Fowler-Watt & S. Allan (Eds.), Journalism: New challenges. Bournemouth, UK: Centre for Journalism & Communication Research, Bournemouth University.
   Google Scholar
• Patterson, T. E. (2000). How soft news and critical journalism are shrinking the news audience and weakening democracy and what news outlets can do about it. Cambridge, MA: Shorenstein Center for Press, Politics and Public Policy, Kennedy School of Government, Harvard University.
   Google Scholar
• Paulussen, S., & Ugille, P. (2008). User generated content in the newsroom: Professional and organisational constraints on participatory journalism. Westminster Papers in Communication and Culture, 5(2), 24–41.
   Google Scholar
• Pirsig, R. M. (1999). Zen and the art of motorcycle maintenance: An inquiry into values. London, UK: Vintage Books.
   Google Scholar
• Pogliano, A. (2015). Evaluating news photographs. Journalism Practice, 9(4), 552–567.
   Web of Science ®Google Scholar
• Prato, L. (1999). Easy to Do, But Often Worthless. “People on the street” interviews add little to a news broadcast. American Journalism Review, April. Retrieved from http://lebconsyd.org.au
   Google Scholar
• Puustinen, L., & Seppaenen, J. (2011). In amateurs we trust: Readers assessing non-professional news photographs. In K. Andén-Papadopoulos & M. Pantti (Eds.), Amateur images and global news (pp. 175–192). Bristol, UK/Chicago, IL: Intellect.
   Google Scholar
• Reading, A. (2011). The London bombings: Mobile witnessing, mortal bodies and globital time. Memory Studies, 4(3), 298–311.
   Web of Science ®Google Scholar
• Rennie, E. (2006). Community media: A global introduction. Lanham, MD: Rowman & Littleflield.
   Google Scholar
• Ritzenhoff, K. (2008). Visual competence and reading the recorded past: The paradigm shift from analog to digital video in Michael Haneke's film Cache. Visual Studies, 23(2), 136–146.
   Web of Science ®Google Scholar
• Roberts, C. L., & Dickson, S. (1984). Assessing quality in local TV news. Journalism Quarterly, 61(2), 392–398.
   Web of Science ®Google Scholar
• Rubinstein, D., & Sluis, K. (2008). A life more photographic: Mapping the networked image. Photographies, 1(1), 9–28.
   Google Scholar
• Rudner, L. (1981). The involved eye: Robert Capa as photojournalist, 1936–54. Journal of American Culture, 4(1), 134–143.
   Web of Science ®Google Scholar
• Schmieder, K. (2015a). Amateur photographs as visual quotes. Does the rise of amateur photography lead to fundamental changes in the news media? Journalism Practice, 9(4), 580–596.
   Web of Science ®Google Scholar
• Schmieder, K. (2015b). The sourcing of amateur photographs in the professional news media (Unpublished doctoral dissertation). Faculty of Health, Arts and Design, Swinburne University, Melbourne.
   Google Scholar
• Sedge, M. (2004). The photojournalist's guide to making money. New York, NY: Constable & Robinson.
   Google Scholar
• Singer, J. B. (2005). The political j-blogger: “Normalizing” a new media form to fit old norms and practices. Journalism, 6(2), 173–198.
   Google Scholar
• Singer, J. B., & Ashman, I. (2009). User-generated content and journalistic values. In S. Allan & E. Thorsen (Eds.), Citizen journalism: Global perspectives (pp. 233–242). New York, NY: Peter Lang Publishing.
   Google Scholar
• Smith, R. F. (2008). Ethics in journalism. Malden, MA: Blackwell.
   Google Scholar
• Solaroli, M. (2015). Toward a new visual culture of the news. Digital Journalism, 3(4), 513–532.
   Web of Science ®Google Scholar
• Sontag, S. (2003). Regarding the pain of others. New York, NY: Farrar, Straus & Giroux.
   Google Scholar
• Stebbins, R. A. (1977). The amateur: Two sociological definitions. The Pacific Sociological Review, 20(4), 582–606.
   Google Scholar
• Strauss, D. L. (2005). Between the eyes: Essays on photography and politics. New York, NY: Aperture Foundation.
   Google Scholar
• Thurman, N. (2008). Forums for citizen journalists? Adoption of user generated content initiatives by online news media. New Media & Society, 10(1), 139–157.
   Web of Science ®Google Scholar
• Tillmans, W., Kolbitz, K., & Martelli, F. (2008). Wolfgang Tillmans. Ostfildern, Germany: Hatje Cantz Verlag.
   Google Scholar
• University of Iowa. (2013). Ethical issues related to sources. Retrieved from http://www.uiowa.edu/~c019168/168s6online18.html
   Google Scholar
• Walker, A. L., & Moulton, R. K. (1989). Photo albums: Images of time and reflections of self. Qualitative Sociology, 12(2), 155–182.
   Google Scholar
• Weinberg, A. D. (1986). On the line: The new color photojournalism. Minneapolis, MN: Walker Art Center.
   Google Scholar
• Weisethaunet, H., & Lindberg, U. (2010). Authenticity revisited: The rock critic and the changing real. Popular Music and Society, 33(4), 465–485.
   Web of Science ®Google Scholar
• Williams, A., Wahl-Jorgensen, K., & Wardle, C. (2011). “More real and less packaged”: Audience discourses on amateur news content and their effects on journalism practice. In K. Andén-Papadopoulos & M. Pantti (Eds.), Amateur images and global news (pp. 193–210). Bristol, UK/Chicago, IL: Intellect.
   Google Scholar
• Zakia, R. (2007). Snapshot photography. In M. Peres (Ed.), The focal encyclopedia of photography: Digital imaging, theory and applications, history, and science. Burlington, MA: Focal Press.
   Google Scholar
• Zaller, J. (2003). A new standard of news quality: Burglar alarms for the monitorial citizen. Political Communication, 20, 109–130.
   Web of Science ®Google Scholar
• Zelizer, B. (2007). On “having been there”: “Eyewitnessing” as a journalistic key word. Critical Studies in Media Communication, 24(5), 408–428.
   Web of Science ®Google Scholar