References
- Assmann, A. (2009). Memory, individual and collective. In R. E. Goodin & C. Tilly (Eds.), The Oxford handbook of contextual political analysis (pp. 211–225). Oxford University Press.
- Berger, J. (1980). Between two colmars. In About looking (pp. 127–134). Pantheon Books.
- Birnbaum, J., Murray, C., & Lozano, R. (2011). Exposing misclassified HIV/AIDS deaths in South Africa. Bulletin of the World Health Organization, 89(4), 278–285. https://doi.org/10.2471/BLT.11.086280
- Butler, J. (2004). Precarious life: The powers of mourning and violence. Verso.
- Butler, J. (2016). Frames of war: When is life grievable? Verso.
- Coombes, A. E. (2019). Positive living: Visual activism and art in HIV/AIDS rights campaigns. Journal of Southern African Studies, 45(1), 143–174. https://doi.org/10.1080/03057070.2019.1567161
- Daschuk, J. (2013). Clearing the plains: Disease, politics of starvation and the loss of Aboriginal life. University of Regina Press.
- Farley, L. (2009). Radical hope: Or, the problem of uncertainty in history education. Curriculum Inquiry, 39(4), 537–554. https://doi.org/10.1111/j.1467-873X.2009.00456.x
- Fassin, D. (2007). When bodies remember: Experiences and politics of AIDS in South Africa. University of California Press.
- Gqola, P. D. (2016). Rape: A South African nightmare. MF Books.
- Grünewald, M. (1512–1516). Isenheim Altarpiece [painting]. Musée d’Unterlinden. https://www.musee-unterlinden.com/en/home/
- Keiskamma Art Project. (2005). Keiskamma Altarpiece [textile, paint, beaded wire-work and photography]. Photos courtesy of Robert Hofmeyr and the Keiskamma Trust.
- Mamdani, M. (2017). Citizen and subject: Contemporary Africa and the legacy of late colonialism. Wits University Press.
- Posel, D. (2008). History as confession: The case of the South African truth and reconciliation commission. Public Culture, 20(1), 119–141. https://doi.org/10.1215/08992363-2007-019
- Rothberg, M. (2009). Multidirectional memory: Remembering the Holocaust in the age of decolonization. Stanford University Press.
- Schmahmann, B. (2010). A framework for recuperation: HIV/AIDS and the Keiskamma Altarpiece. African Arts, 43(3), 34–51. https://doi.org/10.1162/afar.2010.43.3.34
- Schmahmann, B. (2011). After Bayeux: The Keiskamma Tapestry and the making of South African history. Textile, 9(2), 158–192. https://doi.org/10.2752/175183511X13055600095428
- Schmahmann, B. (2015). Patching up a community in distress. African Arts, 48(4), 6–21. https://doi.org/10.1162/AFAR_a_00250
- Segalo, P. (2014). Embroidery as narrative: Black South African women’s experiences of suffering and healing. Agenda, 28(1), 44–53. https://doi.org/10.1080/10130950.2014.872831
- Segalo, P. (2016). Using cotton, needles and threads to break the women’s silence: Embroideries as a decolonising framework. International Journal of Inclusive Education, 20(3), 246–260. https://doi.org/10.1080/13603116.2015.1047661
- Simon, R. (2005). The touch of the past: Remembrance, learning, and ethics. Palgrave MacMillan.
- Simon, R. (2014). A pedagogy of witnessing. Curatorial practice and the pursuit of social justice. SUNY Press.
- Simon, R., Rosenberg, S., & Eppert, C. (2000). Between hope and despair: Pedagogy and the remembrance of historical trauma. Rowman & Littlefield Publishers.
- Squire, C. (2007). HIV in South Africa: Talking about the big thing. Routledge.
- Susser, I. (2009). AIDS, sex, and culture: Global politics and survival in southern Africa. Wiley- Blackwell.
- Tallis, V. (2012). Feminisms, HIV and AIDS: Subverting power, reducing vulnerability. Palgrave Macmillan.
- Thomas, K. (2014). Impossible mourning: HIV/AIDS and visuality after apartheid. Bucknell University Press.
- UNAIDS. (2020, August 3). South Africa. https://www.unaids.org/en/regionscountries/countries/southafrica