100
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Hearing attuned: an exploration of the sonority of the Aravan festival in India

ORCID Icon
Received 05 Nov 2023, Accepted 12 May 2024, Published online: 06 Jun 2024

References

  • Agarwal, Urmila. 1964. Khajuraho Sculptures and Their Significance. New Delhi: S Chand & Co.
  • Atkinson, Rowland. 2007. “Ecology of Sound: Sonic Order of Urban Space.” Urban Studies 44 (10): 1905–1917. https://doi.org/10.1080/00420980701471901.
  • Beck, Guy. 1993. Sonic Theology: Hinduism and Sacred Sound. Columbia: University of South Carolina Press.
  • Beck, Guy. 2012. Sonic Liturgy: Ritual and Music in Hindu Tradition. Columbia: University of South Carolina Press.
  • Bhattacharya, Indrani. 2021. “Sound.” BioScope: South Asian Screen Studies 12 (1-2): 178–181. https://doi.org/10.1177/09749276211026057.
  • Boyle, J. P. 1987. “Sex Differences in Listening Vocabulary.” Language Learning 37 (2): 273–284. https://doi.org/10.1111/j.1467-1770.1987.tb00568.x.
  • Brueck, L., J. Smith, and N. Verma, eds. 2020. Indian Sound Cultures, Indian Sound Citizenship. Ann Arbor: University of Michigan Press.
  • Bull, M., and L. Back, eds. 2020. The Auditory Culture Reader. 2nd ed. New York: Routledge.
  • Butler, Judith. 2004. Undoing Gender. New York: Routledge.
  • Cavan, Sherri. 1968. “Talking about Sex by Not Talking about Sex.” ETC: A Review of General Semantics 25 (2): 154–162. http://www.jstor.org/stable/42574429.
  • Chandiramani, Radhika. 1998. “Talking about Sex.” Reproductive Health Matters 6 (12): 76–86. http://www.jstor.org/stable/3774941. https://doi.org/10.1016/S0968-8080(98)90010-6.
  • Chandola, Tripta. 2017. “An “Obscene” Calling: Emotionality in/of Marginalized Spaces: A Listening of/into “Abusive” Women in Govindpuri (Delhi).” In Toward an Anthropologyof Ambient Sound, edited by Christine Guillebaud, 87–108. New York: Routledge.
  • Chandola, Tripta. 2020. Listening into Others: An Ethnographic Exploration in Govindpuri. Amsterdam: Institute of Network Cultures.
  • Chaudhary, Nandita. 2004. Listening to Culture: Constructing Reality from Everyday Talk. New Delhi: Sage.
  • Cladwell, Robert. 1875. A Comparative Grammar of the Dravidian or South-Indian Family of Languages. 2nd ed. London: Trubner & Co.
  • Clothey, F. W. 1978. The Many Faces of Murukan: The History and Meaning of a South Indian God. The Hague: Mouton Publishers.
  • Corbin, Alain. 2016. “The Auditory Markers of the Village.” In The Auditory Culture Reader, 2nd ed., edited by Michael Bull and Les Back, 307–317. New York: Routledge.
  • Dalton, Fiona Margaret Page. 2008. “Transforming Dalit Identity: Ancient Drum Beat, New Song.” Thesis, https://doi.org/10.26686/wgtn.16934443.v1.
  • Danielou, Alain. 2001. The Hindu Temple: Deification of Eroticism. Translated by Ken Hurry. Vermont: Inner Traditions International.
  • Doniger, Wendy. 2011. “From Kama to Karma: Resurgence of Puritanism in Contemporary India.” Social Research: An International Quarterly 78 (1): 49–74. https://www.jstor.org/stable/23347203. https://doi.org/10.1353/sor.2011.0026.
  • Drobnick, Jim, ed. 2004. Aural Cultures. Toronto: YYZ books.
  • Eck, Diana. 2007. Darsan: Seeing the Divine Image in India. New Delhi: Motilal Banarsidass Publishers.
  • Erlmann, Veit, ed. (2004) 2020. Hearing Cultures: Essays on Sound, Listening, and Modernity. New York: Routledge.
  • Feld, S. 1996. “Waterfalls of Song and Acoustemology of Place Resounding in Bosavi, Papua New Guinea.” In Sense of Place, edited by S. Feld and K. Basso, 91–135. Sante Fe, NM: School of American Research Press.
  • Feld, S. 2012. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. 3rd ed. Durham: Duke University Press.
  • Feld, Steven, and Donald Brenneis. 2004. “Doing Anthropology in Sound.” American Ethnologist 31 (4): 461–474. https://www.jstor.org/stable/4098863. https://doi.org/10.1525/ae.2004.31.4.461.
  • Ganguli, Kisari. 1896. The Mahabharata of Krishna-Dwaipayana Vyasa (Complete 18 Volumes). Calcutta: Calcutta Oriental Pub.
  • Goswami, M. P., and A. D. Kumar. 2022. “Tamil Songs of Mourning: Understanding the Reflection of Times in Oppari Songs.” Journal of Religion and Health 61 (6): 4959–4977. https://doi.org/10.1007/s10943-022-01620-7.
  • Greene, Paul D. 2010. “Professional Weeping: Music, Affect, and Hierarchy in a South Indian Folk Performance Art.” https://www2.umbc.edu/eol/5/greene/Greene_2.htm.
  • Guillebaud, Christine. 2017. “Standing out from the Crowd: Vocal and Sound Techniques for Catching People’s Attention in an Indian Bus Stand.” In Toward an Anthropology of Ambient Sound, edited by Christine Guillebaud, 110–135. New York: Routledge.
  • Halliday, Sam. 2013. Sonic Modernity: Representing Sound in Literature, Culture and the Arts. Edinburgh: Edinburgh University Press.
  • Hart, George L. III, 1974. “Some Related Literary Conventions in Tamil and Indo-Aryan and Their Significance.” Journal of the American Oriental Society 94 (2): 157–167. https://doi.org/10.2307/600887.
  • Haukamp, I., C. Hoene, and M. Smith, eds. 2022. Asian Sound Cultures: Voice, Noise, Sound, Technology. New York: Routledge.
  • Hooda, Ojaswini. 2021. “Performing the ‘Maternal’ Body: Unearthing Desire and Sexuality in the Folk Songs of the New Mother.” Sanglap- Journal of Literary and Cultural Inquiry, 7 (2): 1–25. https://sanglapjournal.in/index.php/sanglap/article/view/1/1.
  • Hossain, Adnan. 2022. Beyond Emasculation: Pleasure and Power in the Making of Hijra in Bangladesh. Cambridge: Cambridge University Press.
  • Ingham, J., M. Purvis, and D. B. Clarke. 1999. “Hearing Places, Making Spaces: Sonorous Geographies, Ephemeral Rhythms, and the Blackburn Warehouse Parties.” Environment and Planning D: Society and Space 17 (3): 283–305. https://doi.org/10.1068/d170283.
  • Khandoker, Nasrin. 2019. “Songs of Deviance and Defiance: Subjectivity, Emotions, and Authenticity in Bhawaiya Folk Songs of North Bengal.” Thesis, Maynooth Univerity, Irenland.
  • Kohli, S. Singh, ed. 1993. Dictionary of Mythological References in Guru Granth Sahib. Amritsar, India: Singh Bros.
  • Krishnan, R. Navaneetha. 2020. “Oppari: Bodies in Vibration.” https://www.academia.edu/49811129/Oppari_Bodies_in_Vibration#:∼:text=Oppari%20creates%20a%20rupture%20in,an%20altered%20state%20of%20mind.
  • Kumar, P. Prathap. 2016. “Eroticism in Hindu Texts and Modern Hindus.” In On Meaning and Mantras: Essays in Honor of Frits Staal, edited by G. Thompson and R. K Payne, 333–350. California: BDK America Inc.
  • Kumar, R. 2021. “Listening Global: Sonic Texts, Technologies and the New Listening Subjects.” In Global Capital and Social Difference, edited by V. Sujatha, 260–279. New York: Routledge.
  • Lynch, J. A. 2019. “Festival “Noise” and Soundscape Politics in Mumbai, India.” Sound Studies 5 (1): 37–51. https://doi.org/10.1080/20551940.2018.1564460.
  • Mohan, Sanal. 2016. “Creation of Social Space through Prayers among Dalits in Kerala, India.” Journal of Religious and Political Practice 2 (1): 40–57. https://doi.org/10.1080/20566093.2016.1085735.
  • Nguyen, M. T. 2022. “Gender Differences in Listening. Research Perspectives.” Indian Journal of Language and Linguistics 3 (3): 12–24. https://doi.org/10.54392/ijll2233.https://www.researchgate.net/publication/362403855_Gender_Differences_in_Listening_Research_Perspectives.
  • Padmanabhan, S. 1984. “The Blend of Sanskrit Myth and Tamil Folklore in “Thiru-Muru-Gatru-p-Padai.” Asian Folklore Studies 43 (2): 133–140. https://www.jstor.org/stable/1178005.
  • Placid, Anne. 2021. “Dissenting Dalit Voices: An Analysis of Select Oral Songs of Dalit Women in Kerala.” Journal of International Women’s Studies 22 (10): 31–44. https://vc.bridgew.edu/jiws/vol22/iss10/4.
  • Ramanujan, A. K. 1981. “Afterword.” Hymns for the Drowning: Poems for Visnu by Nammalvar. Translated from Tamil by A. K. Ramanujan. Princeton: Princeton University Press.
  • Reddy, Gayatri. 2005. With Respect to Sex: Negotiating Hijra Identity in South India. Chicago: The Chicago University Press.
  • Roy, Ahonaa. 2017. “Sexualising Body: Passionate Aesthetics and Embodied Desires.” Indian Journal of Gender Studies 24 (2): 171–193. https://journals.sagepub.com/doi/abs/10.1177/0971521517697879. https://doi.org/10.1177/0971521517697879.
  • Roy, Jeff. 2015. “The “Dancing Queens”: Negotiating Hijra Pehchan from India’s Streets onto the Global Stage.” Ethnomusicology Review, https://ethnomusicologyreview.ucla.edu.
  • Roy, Jeff. 2017. “From Jalsah to Jalsa: Music, Identity, and (Gender) Transitioning at a Hijra Rite of Initiation.” Ethnomusicology 61 (3): 389–418. https://www.jstor.org/stable/10.5406/ethnomusicology.61.3.0389. https://doi.org/10.5406/ethnomusicology.61.3.0389.
  • Santhanam, Kausalya. 2012. “The Cultural Connection: Dr. Nagaswamy’s ‘Mirror of Tamil and Sanskrit.’” Institute for Oriental Study. https://www.orientalthane.com/archaeology/news_2012_07_11.htm.
  • Saria, Vaibhav. 2020. “She Pricked Thee: Hijras Fucking Men in Riral India.” Etnofoor 32 (2): 67–82. https://www.jstor.org/stable/26964288.
  • Saria, Vaibhav. 2022. Hijras, Lovers, Brothers: Surviving Sex and Poverty in Rural India. Oxford: Oxford University Press.
  • Schafer, R. Murray. 1993. The Soundscape: Our Sonic Environment and the Turning of the World. New York: Simon & Schuster.
  • Shanthi, Vijaya. 2023. “The Impact of Sanskritization on the Folk Rituals in Ancient Tamil Nadu.” Shanlax International Journal of Arts, Science, and Humanities 10 (4): 47–51. https://doi.org/10.34293/sijash.v10i4.6158.
  • Sherinian, Zoe C. 2014. Tamil Folk Music as Dalit Liberation Theology. Bloomington: Indiana University Press.
  • Shulman, David Dean. 1980. Tamil Temple Myths: Sacrifice and Divine Marriage in the South Indian Saiva Tradition. Princeton: Princeton University Press.
  • Simon, W., and John H. Gagnon. 1968. “Sex Talk—Public and Private.” ETC: A Review of General Semantics 25 (2): 173–191. http://www.jstor.org/stable/42574431.
  • Soudant, Luca. 2021. “Trans*Formative Thinking through Sound: Artistic Research in Gender and Sound beyond the Human.” Open Philosophy 4 (1): 335–346. https://doi.org/10.1515/opphil-2020-0189.
  • Sterne, Jonathan, ed. 2012. The Sound Studies Reader. New York: Routledge.
  • The Hindu. 2009. “Tamils were never Aryanised.” The Hindu, October. https://www.thehindu.com/news/cities/Tiruchirapalli/tamils-were-never aryanised/article59887296.ece
  • Thompson, Emily. 2002. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America. Cambridge: MIT Press.
  • Thurston, Edgar. (1909) 1975. Castes and Tribes of South India. Vol. 6. Reprint, New Delhi: Cosmo Publications.
  • von Fischer, Sabine, and O. Toulomi. 2018. “Sound Modernities: Histories of Media and Modern Architecture.” The Journal of Architecture 23 (6): 873–880. https://doi.org/10.1080/13602365.2018.1504810.
  • Weidman, Amanda. 2010. “Sound and the City: Mimicry and Media in South India.” Journal of Linguistic Anthropology 20 (2): 294–313. https://www.jstor.org/stable/43104265. https://doi.org/10.1111/j.1548-1395.2010.01071.x.
  • Zvelebil, Kamil. 1973. The Smile of Murugan: On Tamil Literature of South India. Leiden: E J Brill.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.