References
- Benston , Kimberley W. 2000 . Performing Blackness: Enactments of African‐American Modernism , London and New York : Routledge .
- Chen George. 2003. ‘Punctum: Sun Ra’ San Francisco Bay Guardian. 5 November. Available at: www.sfbg.com/noise/2003‐11/x_punctum.html (www.sfbg.com/noise/2003-11/x_punctum.html) [accessed March 2006]
- Corbett , John . 1994 . “ ‘Brothers from another planet: the space madness of Lee “Scratch” Perry, Sun Ra, and George Clinton’ ” . In Extended Play: Sounding Off from John Cage to Dr. Funkenstein , Edited by: Corbett , John . 7 – 24 . Durham, NC and London : Duke University Press .
- Corrigan , Timothy . 1991 . “ ‘Film and the culture of cult’ ” . In The Cult Film Experience: Beyond All Reason , Edited by: Telotte , J. P . 26 – 37 . Austin : University of Texas Press .
- Dery , Mark . 1994 . “ ‘Black to the future: interviews with Samuel R. Delany, Greg Tate and Tricia Rose’ ” . In Flame Wars: The Discourse of Cyberculture , Edited by: Dery , Mark . 179 – 222 . Durham, NC and London : Duke University Press .
- Eco , Umberto . 1986 . “ ‘Cult movies and intertextual collage’ ” . In Travels in Hyperreality , Edited by: Eco , Umberto . 197 – 211 . London : Picador .
- Eshun , Kodwo . 1998 . More Brilliant than the Sun: Adventures in Sonic Fiction , London : Quartet .
- Eshun , Kodwo . 2003a . ‘Further considerations on Afrofuturism’ . CR: The New Centennial Review , 3 ( 2 ) : 287 – 302 .
- Eshun Kodwo. 2003b. ‘Interstellar overdrive’ Frieze. issue 80. Available at: http://www.frieze.com/column_single.asp?c = 163 (http://www.frieze.com/column_single.asp?c = 163) [accessed August 2006]
- Gilroy , Paul . 1993 . The Black Atlantic: Modernity and Double Consciousness , London : Verso .
- Grant , Barry Keith . 1991 . “ ‘Science fiction double feature: ideology in the cult film’ ” . In The Cult Film Experience: Beyond All Reason , Edited by: Telotte , J. P . 122 – 137 . Austin : University of Texas Press .
- Grant , Barry Keith . 2000 . “ ‘Second thoughts on double features: revisiting the cult film’ ” . In Unruly Pleasures; The Cult Film and its Critics , Edited by: Mendik , Xavier and Harper , Graeme . 15 – 27 . Guilford : FAB Press .
- Grant , William R. 2004 . Post‐Soul Black Cinema: Discontinuities, Innovations, and Breakpoints, 1970–1995 , London and New York : Routledge .
- Hawkins , Joan . 2000 . Cutting Edge: Art‐Horror and the Horrific Avant‐Garde , Minneapolis and London : University of Minnesota Press .
- Hoberman , J. and Rosenbaum , Jonathan . 1992 . Midnight Movies , New York : Da Capo Press . 2nd edn
- Jancovich , Mark , Reboll , Antonio Lázaro , Stringer , Julian and Willis , Andrew , eds. 2003 . “ ‘Introduction’ ” . In Defining Cult Movies; The Cultural Politics of Oppositional Taste , 1 – 13 . Manchester : Manchester University Press .
- Jerslev , Anne . 1992 . “ ‘Semiotics by instinct: “cult film” as a signifying practice between film and audience’ ” . In Media Cultures: Reappraising Transnational Media , Edited by: Skovmond , Michael and Schr⊘der , Kim . 181 – 198 . London : Routledge .
- Johnson Lynne d. 2004. ‘The music will set you free’ PopMatters. 8 March. Available at: www.popmatters.com/film/reviews/s/space‐is‐the‐place.shtml (www.popmatters.com/film/reviews/s/space-is-the-place.shtml) [accessed August 2006]
- Kraszewski , Jon . 2002 . ‘Recontextualising the historical reception of blaxploitation: articulations of class, black nationalism, and anxiety in the genre's advertisements’ . Velvet Light Trap , Fall
- Lock , Graham . 1999 . Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton , Durham, NC and London : Duke University Press .
- McLeod , Ken . 2003 . ‘Space oddities: aliens, futurism and meaning in popular music’ . Popular Music , 22 ( 3 ) : 337 – 355 .
- Newman , Jim and Coney , Brian . 2003 . “ ‘Interview’ ” . In Space is the Place Plexifilm DVD
- Roberts , Adam . 2000 . Science Fiction: The New Critical Idiom , London and New York : Routledge .
- Schaefer , Eric . 1999 . ‘Bold! Daring! Shocking! True!’ A History of Exploitation Films, 1919–1959 , Durham, NC and London : Duke University Press .
- Sconce , Jeffrey . 1995 . ‘Trashing the academy: taste, excess and an emerging politics of cinematic style’ . Screen , 36 ( 4 ) : 371 – 393 .
- Szwed , John F. 1997 . Space is the Place: The Life and Times of Sun Ra , New York : Payback Press .
- Telotte , J. P. 1991 . “ ‘Beyond all reason: the nature of cult’ ” . In The Cult Film Experience: Beyond All Reason , Edited by: Telotte , J. P . 5 – 17 . Austin : University of Texas Press .
- Thompson , Kristin . 2004 . “ ‘The concept of cinematic excess’ ” . In Film Theory and Criticism: Introductory Readings , Edited by: Braudy , Leo and Cohen , Marshall . 513 – 524 . Oxford : Oxford University Press . 6th edn
- Yaszek , Lisa . 2005 . ‘An Afrofuturist reading of Ralph Ellison's Invisible Man’ . Rethinking History , 9 : 297 – 313 . nos. 2/3
- Youngquist , Paul . 2003 . ‘The space machine: Baraka and science fiction’ . African American Review , 37 : 333 – 343 . nos. 2/4
- Zuberi , Nabeel . 2004 . “ ‘The transmolecularization of [black] folk: Space is the Place, Sun Ra and Afrofuturism’ ” . In Off the Planet: Music, Sound and Science Fiction Cinema , Edited by: Hayward , Philip . 77 – 95 . Eisteligh : John Libbey .
Websites
- Afrofuturism. http://www.afrofuturism.net
- Black to the Future Festival. http://www.cdforum.org/bttf
- Saturn Web: Sun Ra, The Arkestra and Free Jazz. http://www.dpo.uab.edu/∼moudry