229
Views
2
CrossRef citations to date
0
Altmetric
Articles

Figures in a landscape: work and beauty in sleep furiously

Pages 376-389 | Published online: 16 Aug 2011

References

  • Banville , John . 2009 . The hills are alive . Sight and Sound (NS) , 19 ( 6 ) : 44 – 5 . (June)
  • Berger , John . 1976, 2001 . “ Millet and the peasant ” . In John Berger: Selected essays , Edited by: Dyer , Geoff . London : Bloomsbury .
  • Copley , Stephen . 1994 . “ William Gilpin and the black-lead mine ” . In The politics of the picturesque: Literature, landscape and aesthetics since 1770 , Edited by: Copley , Stephen and Garside , Peter . Cambridge : Cambridge University Press .
  • Copley , Stephen and Garside , Peter . 1994 . “ Introduction ” . In The politics of the picturesque: Literature, landscape and aesthetics since 1770 , Edited by: Copley , Stephen and Garside , Peter . Cambridge : Cambridge University Press .
  • Corner , John . 2008 . “ Documentary studies: Dimensions of transition and continuity ” . In Rethinking documentary: New perspectives, new practices , Edited by: Austin , Thomas and Jong , Wilma de . Maidenhead : Open University Press .
  • Ford, Mark. 2009. Time just spins around. Guardian online, n.p., posted May 9, 2009 (accessed June 24, 2010)
  • Galt , Rosalind . 2010 . Pretty: Film theory, aesthetics, and the history of the troublesome image . Camera Obscura , 71 24 ( 2 ) : 1 – 41 .
  • Gilpin , William . 1791 . Remarks on forest scenery, and other woodland views, relative chiefly to picturesque beauty London
  • Grant , Barry Keith and Sloniowski , Jeannette , eds. 1998 . Documenting the documentary: Close readings of documentary film and video , Detroit : Wayne State University Press .
  • Heydt-Stevenson , Jill . 1998 . “ Liberty, connection, and tyranny: The novels of Jane Austen and the aesthetic movement of the picturesque ” . In Lessons of romanticism: A critical companion , Edited by: Pfau , Thomas and Gleckner , Robert F. Durham, NC : Duke University Press .
  • Janowitz , Anne . 1994 . “ The Chartist Picturesque ” . In The politics of the picturesque: Literature, landscape and aesthetics since 1770 , Edited by: Copley , Stephen and Garside , Peter . Cambridge : Cambridge University Press .
  • Jay , Martin . 1993 . Downcast eyes: The denigration of vision in twentieth-century French thought , Berkeley and London : University of California Press .
  • Koppel , Gideon . 2008 . sleep furiously , pressbook .
  • Koppel , Gideon . 2009 . The land that time forgot . Sight and Sound (NS) , 19 ( 6 ) : 44 – 5 . (June)
  • Michasiw , Kim Ian . 1992 . Nine revisionist theses on the picturesque . Representations , 38 : 76 – 100 . (Spring)
  • Nichols , Bill . 2008 . “ The question of evidence, the power of rhetoric and documentary film ” . In Rethinking documentary: New perspectives, new practices , Edited by: Austin , Thomas and Jong , Wilmade . Maidenhead : Open University Press .
  • Renov , Michael . 1993 . “ Towards a poetics of documentary ” . In Theorizing documentary , Edited by: Renov , Michael . New York and London : Routledge .
  • Rotha , Paul . 1935, 1952 . Documentary film , London : Faber and Faber .
  • Russell , Catherine . 1999 . Experimental ethnography: The work of film in the age of video , Durham, NC and London : Duke University Press .
  • Scarry , Elaine . 1994 . Resisting representation , New York and Oxford : Oxford University Press .
  • Scarry , Elaine . 1999 . On beauty and being just , Princeton, NJ and Oxford : Princeton University Press .
  • Stafford, Barbara Maria . 1996 . Good looking: Essays on the virtue of images , Cambridge, MA and London : MIT Press .
  • Vaughan , Dai . 1999 . For documentary: Twelve essays , Berkeley : University of California Press .
  • Winston , Brian . 1995 . Claiming the real: The Griersonian documentary and its legitimations , London : British Film Institute .
  • Worrall , David . 1994 . “ Agrarians against the Picturesque: Ultra-radicalism and the revolutionary politics of land ” . In The politics of the picturesque: Literature, landscape and aesthetics since 1770 , Edited by: Copley , Stephen and Garside , Peter . Cambridge : Cambridge University Press .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.